Robert W. Rix – författare

For four hundred years, Norse settlers battled to make southern Greenland a new, sustainable home. They strove against gales and winter cold, food shortages and in the end a shifting climate. The remnants they left behind speak of their determination to wrest an existence at the foot of this vast, icy and challenging wilderness. Yet finally, seemingly suddenly, they vanished; and their mysterious disappearance in the fifteenth century has posed a riddle to scholars ever since. What happened to the lost Viking colonists? For centuries people assumed their descendants could still be living, so expeditions went to find them: to no avail. Robert Rix tells the gripping story of the missing pioneers, placing their poignant history in the context of cultural discourse and imperial politics. Ranging across fiction, poetry, navigation, reception and tales of exploration, he expertly delves into one of the most contested questions in the annals of colonization.

Nordic Romanticism: Translation, Transmission, Transformation is an edited collection exploring the varied and complex interactions between national romanticisms in Britain, Denmark, Germany, Norway and Sweden.

Nordic Romanticism: Translation, Transmission, Transformation is an edited collection exploring the varied and complex interactions between national romanticisms in Britain, Denmark, Germany, Norway and Sweden.  The collection considers both the reception and influence of Nordic romanticism in Britain and Germany and also the reciprocal impact of British and German romanticism in the Nordic countries. Taken as a whole, the volume suggests that to fully understand the range of these individual national romanticisms we need to see them not as isolated phenomena but rather as participating, via translation and other modes of reception, in a transnational or regional romanticism configured around the idea of a shared cultural inheritance in ‘the North’.

From 18th-century accounts to contemporary discourse, this book critically examines the notion of 'Nordic exceptionalism’. Through careful historical analysis, it explores how external observers have perceived and portrayed Nordic societies, questioning the roots and evolution of this influential concept within social as well as art-historical debates. Our main research question is: Were ideas of exceptionalism already present in early discussions and debates about the Nordic countries?While the perception of Nordic exceptionalism has often been idealised, the book shows that it has never been devoid of cultural criticism. Nevertheless, there remains a consistent acknowledgement that the Nordic countries stand out as a distinct cultural unit shaped by a distinctive cultural and political trajectory. The book fills a gap in existing critical literature by analysing historical perspectives. Furthermore, it explores how the Nordic countries have crafted their self-representation in response to these external views.Each chapter is thoughtfully curated to balance scholarly rigour with accessibility, making it suitable for students and scholars in the interdisciplinary fields of history, cultural studies, art- and literary history, and transnational research.