Brian Teare – författare

In Sight Map Brian Teare blends the speculative poetics of the San Francisco Renaissance with a postconfessional candor to embody the "open field" tradition of such poets as Robin Blaser and Robert Duncan. Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare''s method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim''s gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.

Entering its fifteenth year, Best New Poets has established itself as a crucial venue for rising poets and a valuable resource for poetry lovers. The only publication of its kind, this annual anthology is made up exclusively of work by writers who have not yet published a full-length book. The poems included in this eclectic sampling represent the best from the many that have been nominated by the country's top literary magazines and writing programs, as well as some two thousand additional poems submitted through an open online competition. The work of the fifty writers represented here provides the best perspective available on the continuing vitality of poetry as it is being practiced today.

Winner of the 2020 Four Quartets PrizeFinalist for the 2020 Lambda Literary Award in Gay PoetryLonglisted for the 2019 National Book Award in PoetryFinalist for the 2019 National Book Critics Circle Award in PoetryFinalist for the 2019 Kingsley Tufts Poetry AwardBrian Teare offers a new kind of nature poem for the late Anthropocene in these plein air meditations on the pleasures and perils of everyday life during global climate change.Doomstead Days is a lyrical series of experiments in embodied ecological consciousness. Drafted on foot, these site-specific poems document rivers, cities, forests, oil spills, mountains, and apocalyptic visions. They encounter refineries and urban watersheds, megafauna and industrial toxins, each encounter intertwining ordinary life and ongoing environmental crisis. Days pass: wartime days, days of love and sex, sixth extinction days, days of chronic illness, all of them doomstead days. Through these poems, we experience the pleasure and pain of being a body during global climate change.

LONGLISTED for the 2019 NATIONAL BOOK AWARD IN POETRY

FINALIST for the the NATIONAL BOOK CRITICS CIRCLE AWARD

FINALIST for the KINGSLEY TUFTS POETRY AWARD

Doomstead Days is a lyrical series of experiments in embodied ecological consciousness. Drafted on foot, these site-specificpoems document rivers, cities, forests, oil spills, mountains, and apocalyptic visions. They encounter refineries and urban watersheds, megafauna and industrial toxins, each encounter intertwining ordinary life and ongoing environmental crisis. Days pass: wartime days, days of love and sex, sixth extinction days, days of chronic illness, all of them doomstead days. Through these poems, we experience the pleasure and pain of being a body during global climate change.

A timely reissue, the typographical experiments of The Empty Form Goes All the Way to Heaven make visible the hidden experience of chronic pain and illness. During uninsured and ineffectual medicalization, Teare turns to the work of writer and abstract artist Agnes Martin, which offers both counsel and consolation when diagnosis fails. Harnessing the power of the grid intrinsic in the typeset page, the resulting poems balance language and silence in visual fields that give shape to somatic knowledge. Rejecting bad care and the false promise of cure, this book reimagines what healing looks like.This edition includes a new interview with the author by the poet and scholar Declan Gould!

The typographical experiments of The Empty Form Goes All the Way to Heaven make visible the hidden experience of chronic pain and illness. During uninsured and ineffectual medicalization, Teare turns to the work of writer and abstract artist Agnes Martin, which offers both counsel and consolation when diagnosis fails. Harnessing the power of the grid intrinsic in the typeset page, the resulting poems balance language and silence in visual fields that give shape to somatic knowledge. Rejecting bad care and the false promise of cure, this book reimagines what healing looks like.

Winner of the William Carlos Williams AwardFinalist for the 2024 Publishing Triangle Thom Gunn Award for Gay PoetryCollaged from journals and notebooks kept during a period of chronic illness, economic precarity, and heartbreak, Poem Bitten By a Man captures crisis by cutting up the record of a queer life lived in devotion to poetry and visual art.A medical emergency, a road trip, a breakup, and a paean to the power of creative process—Poem Bitten by a Man is for everyone who has tried against the odds to make a life in art, whether they succeeded or not. Using somatic language captured through a notebook practice, Teare recontextualizes the work of Agnes Martin, Jasper Johns, and others via art criticism, psychoanalysis, biography, queer theory, and historical document to honor writers, artists, and thinkers who sustain us when nothing else does.

Winner of the William Carlos Williams Award

Collaged from journals and notebooks kept during a period of chronic illness, economic precarity, and heartbreak, Poem Bitten By a Man captures crisis by cutting up the record of a queer life lived in devotion to poetry and visual art.

A medical emergency, a road trip, a breakup, and a paean to the power of creative process—Poem Bitten by a Man is for everyone who has tried against the odds to make a life in art, whether they succeeded or not. Using somatic language captured through a notebook practice, Teare recontextualizes the work of Agnes Martin, Jasper Johns, and others via art criticism, psychoanalysis, biography, queer theory, and historical document to honor writers, artists, and thinkers who sustain us when nothing else does.

What does it mean to dwell in a place? These adventurous poems go on foot in search of answers. Walking the cities, coasts, forests and mountains of Northern California and New England, they immerse themselves in the specifics of bioregion and microclimate, and take special note of the cycle of death and rebirth that plays out dramatically in California's chaparral and grasslands. Inspired by Transcendentalism, Companion Grasses sees the sacred in the workings of the material world, but its indebtedness to the ecological tradition of California poets like Gary Snyder and Brenda Hillman means that it also unearths such evidence in the sensual materiality of words themselves. Both ecologically rich landscapes and highly rhythmic inscapes, these poems set seasonal and human dramas side-by-side, wresting an original, signature music from the meeting of site and sight. In pursuing an aesthetics situated in place, they compose an ethics of what it means to be a human companion to the natural world: "What we love, how we care for it,/is where we live."