Brian Ward – författare

Leading scholars reassess the origins and trajectory of the American civil rights movement. Essays highlight the importance of black activism in the 1930s and 1940s and show how white liberals misunderstood the movement. Comparisons with Britain and South Africa reveal how movement leaders secured sympathetic responses at home and abroad and how nonviolence characterised the movement. The essays also challenge traditional concepts of 'race' and 'racial equality', consider the impact of the struggle on participants and trace black political thought since the 1960s.

Stimulating and insightful, these essays on the relationship among the media, popular culture, and the postwar African American freedom struggle offer new perspectives on the nature of the Civil Rights Movement and its legacies. At the same time, they suggest how much the struggle itself shaped important trends in American culture and mass media in the 1950s and 1960s. Bringing together a range of voices seldom heard together, this book challenges readers to reconsider the ways in which a simplistic "master narrative" of the Movement has come to dominate popular, and even some scholarly, understandings of the meaning of the freedom struggle.

This book explores how an eclectic selection of narratives and images of the American South have been created and consumed. The thirteen essays move beyond both traditional accounts of southern identity as either declining or enduring, and more recent postmodernist accounts of the South as imagined or invented. Instead, the contributors emphasize how narratives and images of "the South" have real social, political, and economic ramifications, and that they register at various local, regional, national, and transnational scales.Featuring distinguished scholars writing from a wide range of multi- and interdisciplinary perspectives―history, literary studies, performance studies, popular music, and queer studies―the volume both challenges and expands on established understandings of how, when, where, and why ideas of the South have been developed and disseminated.

More than merely legal status, citizenship is also a form of belonging, shaping individual and group rights, duties, and identities. The pioneering essays in this volume are the first to address the evolution and significance of citizenship in the American South during the long nineteenth century. They explore the politics and contested meanings of citizenry from a variety of disciplinary perspectives in a tumultuous period when slavery, Civil War, Reconstruction, and segregation redefined relationships between different groups of southern men and women, both black and white.

The Making of Martin Luther King and The Civil Rights Movement incorporates the changing focus of civil rights movement studies to focus on communities and leaders heretofore ignored or under-represented, and thereby challenges many of the agendas established by civil rights scholarship of the past twenty-five years. We learn from essays on communities in Louisiana, Arkansas, and Montgomery that key centers of black life, such as unions, schools, teachers, businessmen, and masonic lodges played important roles in the movement. We learn of the importance of influential local leaders such as W. H. Flowers in Arkansas and Edgar Daniel Nixon in Montgomery, who were tremendously effective at organizing on the local level.The volume also confronts paradigms of history such as the notion that the Civil Rights Movement can be traced from the reformist integration of King, to the revolutionary black nationalism of Malcolm X, Stokely Carmichael, and the Black Panther Party. Clayborne Carson argues in a pathbreaking essay that there were radical undercurrents in mass black movements of the 1950s and early 60s, and that these undercurrents contained the seeds of the most significant mass movements of subsequent decades. In contrast, black power militancy of the late 1960's, according to Carson, was either readily suppressed or transformed into forms that did not threaten the dominant political and economic elites.

He wasn't even supposed to speak; his office in Atlanta had made that very clear. Yet there he was, in the heart of Newcastle upon Tyne: Martin Luther King, Jr., the foremost figure in the US civil rights movement, making an impromptu speech in which he linked the African American freedom struggle to developments in British race relations and issued a call for all people of goodwill to meet the global challenges of war, poverty and racism. The date was November 13, 1967. The occasion was the award to King of an Honorary Doctorate in Civil Law by the University of Newcastle upon Tyne. This book tells the inside story of King's visit. It explains why he was invited, describes the events of the day itself, and investigates why King flew across the Atlantic to spend less than eleven hours in a city that he knew little about in the midst of his brutal work schedule and at a time of enormous professional strain and personal doubt. It also reveals how film of King's `lost speech' was rediscovered, puts his spellbinding words into the context of 1960s British and US race relations, and argues for their continued importance half a century later. Finally, the book places King's visit within another lost history: the history of links between the African American freedom struggle and the North East. It not only shows how King was one of many distinguished African American visitors to the region, including Olaudah Equiano and Frederick Douglass before him and Muhammad Ali and Harry Belafonte afterwards, but also explains how those connections influenced the development of race relations in the region. Exhaustively researched, engagingly written and, by turns, moving, sobering and inspiring, Martin Luther King in Newcastle brings alive the historic significance and contemporary relevance of this fascinating episode in North East, British and US history.

This book examines the architectural design of housing projects in Ireland from the mid-twentieth century. This period represented a high point in the construction of the Welfare State project where the idea that architecture could and should shape and define community and social life was not yet considered problematic. Exploring a period when Ireland embraced the free market and the end of economic protectionism, the book is a series of case studies supported by critical narratives. Little known but of high quality, the schemes presented in this volume are by architects whose designs helped determine future architectural thinking in Ireland and elsewhere. Aimed at academics, students and researchers, the book is accompanied by new drawings and over 100 full colour images, with the example studies demonstrating rich architectural responses to a shifting landscape.

This book examines the architectural design of housing projects in Ireland from the mid-twentieth century. This period represented a high point in the construction of the Welfare State project where the idea that architecture could and should shape and define community and social life was not yet considered problematic. Exploring a period when Ireland embraced the free market and the end of economic protectionism, the book is a series of case studies supported by critical narratives. Little known but of high quality, the schemes presented in this volume are by architects whose designs helped determine future architectural thinking in Ireland and elsewhere. Aimed at academics, students and researchers, the book is accompanied by new drawings and over 100 full colour images, with the example studies demonstrating rich architectural responses to a shifting landscape.

Drawn from a wide range of perspectives and showcasing a variety of primary source materials, Brian Ward’s The 1960s: A Documentary Reader highlights the most important themes of the era. Supplies students with over 50 primary documents on the turbulent period of the 1960s in the United StatesIncludes speeches, court decisions, acts of Congress, secret memos, song lyrics, cartoons, photographs, news reports, advertisements, and first-hand testimonyA comprehensive introduction, document headnotes, and questions at the end of each chapter are designed to encourage students to engage with the material critically

In this third edition of the best selling How Linux Works, author Brian Ward peels back the layers of this well-loved operating system to make Linux internals accessible. Readers learn how Linux boots, how the kernel manages devices and device drivers, and how processes, networking, interfaces, firewalls, and servers work. They also learn how Linux-based development tools work, how to use shared libraries, and how to write effective shell scripts. This edition has been thoroughly updated and expanded with added coverage of Logical Volume Manager (LVM), virtualisation, and containers.

Brian Ward is Lecturer in American History at the University of Newcastle upon Tyne .; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.