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A Magnificent Faith explains how and why Lutheranism - a confession that derived its significance from the promulgation of God''s Word - became a visually magnificent faith, a faith whose adherents sought to captivate Christians'' hearts and minds through seeing as well as through hearing. Although Protestantism is no longer understood as an exclusively word-based religion, the paradigm of evangelical ambivalence towards images retains its power. This is thefirst study to offer an account of the Reformation origins and subsequent flourishing of the Lutheran baroque, of the rich visual culture that developed in parts of the Holy Roman Empire during the later seventeenth and early eighteenth centuries. The volume opens with a discussion of the legacy of theWittenberg Reformation. Three sections then focus on the confessional, devotional, and magnificent image, exploring turning points in Lutherans'' attitudes towards religious art. Drawing on a wide variety of archival, printed, and visual sources from two of the Empire''s most important Protestant territories - Saxony, the heartland of the Reformation, and Brandenburg - A Magnificent Faith shows the extent to which Lutheran culture was shaped by territorial divisions. It traces thedevelopment of a theologically-grounded aesthetic, and argues that images became prominent vehicles for the articulation of Lutheran identity not only amongst theologians but also amongst laymen and women. By examining the role of images in the Lutheran tradition as it developed over the course of two centuries, AMagnificent Faith offers a new understanding of the relationship between Protestantism and the visual arts.

A Magnificent Faith explains how and why Lutheranism - a confession that derived its significance from the promulgation of God''s Word - became a visually magnificent faith, a faith whose adherents sought to captivate Christians'' hearts and minds through seeing as well as through hearing. Although Protestantism is no longer understood as an exclusively word-based religion, the paradigm of evangelical ambivalence towards images retains its power. This is thefirst study to offer an account of the Reformation origins and subsequent flourishing of the Lutheran baroque, of the rich visual culture that developed in parts of the Holy Roman Empire during the later seventeenth and early eighteenth centuries. The volume opens with a discussion of the legacy of theWittenberg Reformation. Three sections then focus on the confessional, devotional, and magnificent image, exploring turning points in Lutherans'' attitudes towards religious art. Drawing on a wide variety of archival, printed, and visual sources from two of the Empire''s most important Protestant territories - Saxony, the heartland of the Reformation, and Brandenburg - A Magnificent Faith shows the extent to which Lutheran culture was shaped by territorial divisions. It traces thedevelopment of a theologically-grounded aesthetic, and argues that images became prominent vehicles for the articulation of Lutheran identity not only amongst theologians but also amongst laymen and women. By examining the role of images in the Lutheran tradition as it developed over the course of two centuries, AMagnificent Faith offers a new understanding of the relationship between Protestantism and the visual arts.

A Magnificent Faith explains how and why Lutheranism - a confession that derived its significance from the promulgation of God's Word - became a visually magnificent faith, a faith whose adherents sought to captivate Christians' hearts and minds through seeing as well as through hearing. Although Protestantism is no longer understood as an exclusively word-based religion, the paradigm of evangelical ambivalence towards images retains its power. This is the first study to offer an account of the Reformation origins and subsequent flourishing of the Lutheran baroque, of the rich visual culture that developed in parts of the Holy Roman Empire during the later seventeenth and early eighteenth centuries. The volume opens with a discussion of the legacy of the Wittenberg Reformation. Three sections then focus on the confessional, devotional, and magnificent image, exploring turning points in Lutherans' attitudes towards religious art. Drawing on a wide variety of archival, printed, and visual sources from two of the Empire's most important Protestant territories - Saxony, the heartland of the Reformation, and Brandenburg - A Magnificent Faith shows the extent to which Lutheran culture was shaped by territorial divisions. It traces the development of a theologically-grounded aesthetic, and argues that images became prominent vehicles for the articulation of Lutheran identity not only amongst theologians but also amongst laymen and women. By examining the role of images in the Lutheran tradition as it developed over the course of two centuries, A Magnificent Faith offers a new understanding of the relationship between Protestantism and the visual arts.

What happened to the fervent Marian piety of the late Middle Ages during Germany's Reformation and Counter-Reformation? It has been widely assumed that Mary disappeared from Protestant devotional life and subsequently became a figurehead for the Catholic Church's campaign of religious reconquest. This book presents a more finely nuanced account of the Virgin's significance. In many Lutheran territories Marian liturgy and images - from magnificent altarpieces to simple paintings and prints - survived, though their meaning was transformed. In Catholic areas baroque art and piety flourished, but the militant Virgin associated with the Counter-Reformation did not always dominate religious devotion. Traditional manifestations of Marian veneration persisted, despite the post-Tridentine Church's attempts to dictate a uniform style of religious life. This book demonstrates that local context played a key role in shaping Marian piety, and explores the significance of this diversity of Marian practice for women's and men's experiences of religious change.

Recent decades have witnessed the fragmentation of Reformation studies, with high-level research confined within specific geographical, confessional or chronological boundaries. By bringing together scholars working on a wide variety of topics, this volume counteracts this centrifugal trend and provides a broad perspective on the impact of the European reformation. The essays present new research from historians of politics, of the church and of belief. Their geographical scope ranges from Scotland and England via France and Germany to Transylvania and their chronological span from the 1520s to the 1690s Considering the impact of the Reformation on political culture and examining the relationship between rulers and ruled; the book also examines the church and its personnel, another sphere of life that was entirely transformed by the Reformation. Important aspects of knowledge and belief are discussed in terms of scientific knowledge and technological progress, juxtaposed with analyses of elite and popular belief, which demonstrates the limitations of Weber's notion of the disenchantment of the world. Together they indicate the diverse directions in which Reformation scholarship is now moving, while reminding us of the need to understand particular developments within a broader European context; demonstrating that movements for religious reform left no sphere of European life untouched.

What happened to the fervent Marian piety of the late Middle Ages during Germany's Reformation and Counter-Reformation? It has been widely assumed that Mary disappeared from Protestant devotional life and subsequently became a figurehead for the Catholic Church's campaign of religious reconquest. This book presents a more finely nuanced account of the Virgin's significance. In many Lutheran territories Marian liturgy and images - from magnificent altarpieces to simple paintings and prints - survived, though their meaning was transformed. In Catholic areas baroque art and piety flourished, but the militant Virgin associated with the Counter-Reformation did not always dominate religious devotion. Traditional manifestations of Marian veneration persisted, despite the post-Tridentine Church's attempts to dictate a uniform style of religious life. This book demonstrates that local context played a key role in shaping Marian piety, and explores the significance of this diversity of Marian practice for women's and men's experiences of religious change.

The religious turmoil of the sixteenth century constituted a turning point in the history of Western Christian art. The essays presented in this volume investigate the ways in which both Protestant and Catholic reform stimulated the production of religious images, drawing on examples from across Europe and beyond. Eight essays by leading scholars in the fieldBrings art historians and historians into productive dialogueBroad chronology, from the sixteenth to the eighteenth centuryBroad geographical coverageRichly illustrated

Recent decades have witnessed the fragmentation of Reformation studies, with high-level research confined within specific geographical, confessional or chronological boundaries. By bringing together scholars working on a wide variety of topics, this volume counteracts this centrifugal trend and provides a broad perspective on the impact of the European reformation. The essays present new research from historians of politics, of the church and of belief. Their geographical scope ranges from Scotland and England via France and Germany to Transylvania and their chronological span from the 1520s to the 1690s Considering the impact of the Reformation on political culture and examining the relationship between rulers and ruled; the book also examines the church and its personnel, another sphere of life that was entirely transformed by the Reformation. Important aspects of knowledge and belief are discussed in terms of scientific knowledge and technological progress, juxtaposed with analyses of elite and popular belief, which demonstrates the limitations of Weber''s notion of the disenchantment of the world. Together they indicate the diverse directions in which Reformation scholarship is now moving, while reminding us of the need to understand particular developments within a broader European context; demonstrating that movements for religious reform left no sphere of European life untouched.

Recent decades have witnessed the fragmentation of Reformation studies, with high-level research confined within specific geographical, confessional or chronological boundaries. By bringing together scholars working on a wide variety of topics, this volume counteracts this centrifugal trend and provides a broad perspective on the impact of the European reformation. The essays present new research from historians of politics, of the church and of belief. Their geographical scope ranges from Scotland and England via France and Germany to Transylvania and their chronological span from the 1520s to the 1690s Considering the impact of the Reformation on political culture and examining the relationship between rulers and ruled; the book also examines the church and its personnel, another sphere of life that was entirely transformed by the Reformation. Important aspects of knowledge and belief are discussed in terms of scientific knowledge and technological progress, juxtaposed with analyses of elite and popular belief, which demonstrates the limitations of Weber''s notion of the disenchantment of the world. Together they indicate the diverse directions in which Reformation scholarship is now moving, while reminding us of the need to understand particular developments within a broader European context; demonstrating that movements for religious reform left no sphere of European life untouched.