Brycchan Carey – författare

''I hope the slave trade may be abolished. I pray it may be an event at hand.'' Published a few days before the British parliament first debated the abolition of the slave trade in 1789, Olaudah Equiano''s Interesting Narrative gives the author''s account of his enslavement after his childhood kidnapping in Africa, and his journey from slavery to freedom. Equiano was slave to a captain in the Royal Navy, and later to a Quaker merchant, and he vividly depicts the appalling treatment of enslaved people at sea and on land. He takes part in naval engagements, is shipwrecked, and has other exciting adventures on his travels to the Caribbean, America, and the Arctic. Equiano claimed his own freedom and became an important abolitionist, but his Narrative is much more than merely a political pamphlet. The most important African autobiography of the eighteenth century, it has achieved an increasingly central position among the century''s great works of literature. The introduction to this edition surveys recent debates about Equiano''s birthplace and identity, and considers his campaigning role and literary achievements.

''I hope the slave trade may be abolished. I pray it may be an event at hand.'' Published a few days before the British parliament first debated the abolition of the slave trade in 1789, Olaudah Equiano''s Interesting Narrative gives the author''s account of his enslavement after his childhood kidnapping in Africa, and his journey from slavery to freedom. Equiano was slave to a captain in the Royal Navy, and later to a Quaker merchant, and he vividly depicts the appalling treatment of enslaved people at sea and on land. He takes part in naval engagements, is shipwrecked, and has other exciting adventures on his travels to the Caribbean, America, and the Arctic. Equiano claimed his own freedom and became an important abolitionist, but his Narrative is much more than merely a political pamphlet. The most important African autobiography of the eighteenth century, it has achieved an increasingly central position among the century''s great works of literature. The introduction to this edition surveys recent debates about Equiano''s birthplace and identity, and considers his campaigning role and literary achievements.

'I hope the slave trade may be abolished. I pray it may be an event at hand.'Published a few days before the British parliament first debated the abolition of the slave trade in 1789, Olaudah Equiano's Interesting Narrative gives the author's account of his enslavement after his childhood kidnapping in Africa, and his journey from slavery to freedom. Equiano was slave to a captain in the Royal Navy, and later to a Quaker merchant, and he vividly depicts the appalling treatment of enslaved people at sea and on land. He takes part in naval engagements, is shipwrecked, and has other exciting adventures on his travels to the Caribbean, America, and the Arctic.Equiano claimed his own freedom and became an important abolitionist, but his Narrative is much more than merely a political pamphlet. The most important African autobiography of the eighteenth century, it has achieved an increasingly central position among the century's great works of literature.The introduction to this edition surveys recent debates about Equiano's birthplace and identity, and considers his campaigning role and literary achievements.

This collection of fifteen insightful essays examines the complexity and diversity of Quaker antislavery attitudes across three centuries, from 1658 to 1890. Contributors from a range of disciplines, nations, and faith backgrounds show Quaker's beliefs to be far from monolithic. They often disagreed with one another and the larger antislavery movement about the morality of slaveholding and the best approach to abolition.Not surprisingly, contributors explain, this complicated and evolving antislavery sensibility left behind an equally complicated legacy. While Quaker antislavery was a powerful contemporary influence in both the United States and Europe, present-day scholars pay little substantive attention to the subject. This volume faithfully seeks to correct that oversight, offering accessible yet provocative new insights on a key chapter of religious, political, and cultural history.Contributors include Dee E. Andrews, Kristen Block, Brycchan Carey, Christopher Densmore, Andrew Diemer, J. William Frost, Thomas D. Hamm, Nancy A. Hewitt, Maurice Jackson, Anna Vaughan Kett, Emma Jones Lapsansky-Werner, Gary B. Nash, Geoffrey Plank, Ellen M. Ross, Marie-Jeanne Rossignol, James Emmett Ryan, and James Walvin.

This collection of fifteen insightful essays examines the complexity and diversity of Quaker antislavery attitudes across three centuries, from 1658 to 1890. Contributors from a range of disciplines, nations, and faith backgrounds show Quaker''s beliefs to be far from monolithic. They often disagreed with one another and the larger antislavery movement about the morality of slaveholding and the best approach to abolition.

Not surprisingly, contributors explain, this complicated and evolving antislavery sensibility left behind an equally complicated legacy. While Quaker antislavery was a powerful contemporary influence in both the United States and Europe, present-day scholars pay little substantive attention to the subject. This volume faithfully seeks to correct that oversight, offering accessible yet provocative new insights on a key chapter of religious, political, and cultural history.

Contributors include Dee E. Andrews, Kristen Block, Brycchan Carey, Christopher Densmore, Andrew Diemer, J. William Frost, Thomas D. Hamm, Nancy A. Hewitt, Maurice Jackson, Anna Vaughan Kett, Emma Jones Lapsansky-Werner, Gary B. Nash, Geoffrey Plank, Ellen M. Ross, Marie-Jeanne Rossignol, James Emmett Ryan, and James Walvin.

In the first book to investigate in detail the origins of antislavery thought and rhetoric within the Society of Friends, Brycchan Carey shows how the Quakers turned against slavery in the first half of the eighteenth century and became the first organization to take a stand against the slave trade.Through meticulous examination of the earliest writings of the Friends, including journals and letters, Carey reveals the society’s gradual transition from expressing doubt about slavery to adamant opposition. He shows that while progression toward this stance was ongoing, it was slow and uneven and that it was vigorous internal debate and discussion that ultimately led to a call for abolition. His book will be a major contribution to the history of the rhetoric of antislavery and the development of antislavery thought as explicated in early Quaker writing.

A look at the origins of British abolitionism as a problem of eighteenth-century science, as well as one of economics and humanitarian sensibilities  How did late eighteenth-century British abolitionists come to view the slave trade and British colonial slavery as unnatural, a “dread perversion” of nature? Focusing on slavery in the Americas, and the Caribbean in particular, alongside travelers’ accounts of West Africa, Brycchan Carey shows that before the mid-eighteenth century, natural histories were a primary source of information about slavery for British and colonial readers. These natural histories were often ambivalent toward slavery, but they increasingly adopted a proslavery stance to accommodate the needs of planters by representing slavery as a “natural” phenomenon. From the mid-eighteenth century, abolitionists adapted the natural history form to their own writings, and many naturalists became associated with the antislavery movement.  Carey draws on descriptions of slavery and the slave trade created by naturalists and other travelers with an interest in natural history, including Richard Ligon, Hans Sloane, Griffith Hughes, Samuel Martin, and James Grainger. These environmental writings were used by abolitionists such as Anthony Benezet, James Ramsay, Thomas Clarkson, and Olaudah Equiano to build a compelling case that slavery was unnatural, a case that was popularized by abolitionist poets such as Thomas Day, Edward Rushton, Hannah More, and William Cowper.

Slavery as depicted in literature and culture is examined in this wide-ranging collection.On 25 March 1807, the bill for the abolition of the Slave Trade within the British colonies was passed by an overwhelming majority in the House of Commons, becoming law from 1 May. This new collection of essays marks this crucialbut conflicted historical moment and its troublesome legacies. They discuss the literary and cultural manifestations of slavery, abolition and emancipation from the eighteenth century to the present day, addressing such subjects and issues as: the relationship between Christian and Islamic forms of slavery and the polemical and scholarly debates these have occasioned; the visual representations of the moment of emancipation; the representation of slave rebellion; discourses of race and slavery; memory and slavery; and captivity and slavery. Among the writers and thinkers discussed are: Frantz Fanon, William Earle Jr, Olaudah Equiano, Charlotte Smith, Caryl Phillips, Bryan Edwards,Elizabeth Marsh, as well as a wide range of other thinkers, writers and artists. The volume also contains the hitherto unpublished text of an essay by the naturalist Henry Smeathman, Oeconomy of the Slave Ship. Contributors: GEORGE BOULUKOS, DEIRDRE COLEMAN, MARAROULA JOANNOU, GERALD MACLEAN, FELICITY NUSSBAUM, DIANA PATON, SARA SALIH, LINCOLN SHLENSKY, MARCUS WOOD

The Caribbean has traditionally been understood as a region that did not develop a significant ‘native’ literary culture until the postcolonial period. Indeed, most literary histories of the Caribbean begin with the texts associated with the independence movements of the early twentieth century.  However, as recent research has shown, although the printing press did not arrive in the Caribbean until 1718, the roots of Caribbean literary history predate its arrival.  This collection contributes to this research by filling a significant gap in literary and historical knowledge with the first collection of essays specifically focused on the literatures of the early Caribbean before 1850.

This book examines literary representations of birds from across the world in anage of expanding European colonialism. It offers important new perspectives intothe ways birds populate and generate cultural meaning in a variety of literary andnon-literary genres from 1700–1840 as well as throughout a broad range ofecosystems and bioregions. It considers a wide range of authors, including someof the most celebrated figures in eighteenth-century literature such as John Gay,Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, MaryWollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, andGilbert White.ignwogwog[p

This book examines literary representations of birds from across the world in anage of expanding European colonialism. It offers important new perspectives intothe ways birds populate and generate cultural meaning in a variety of literary andnon-literary genres from 1700–1840 as well as throughout a broad range ofecosystems and bioregions. It considers a wide range of authors, including someof the most celebrated figures in eighteenth-century literature such as John Gay,Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, MaryWollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, andGilbert White. ignwogwog[p

This book examines literary representations of birds from across the world in anage of expanding European colonialism. It offers important new perspectives intothe ways birds populate and generate cultural meaning in a variety of literary andnon-literary genres from 1700–1840 as well as throughout a broad range ofecosystems and bioregions. It considers a wide range of authors, including someof the most celebrated figures in eighteenth-century literature such as John Gay,Henry Fielding, Laurence Sterne, Anna Letitia Barbauld, William Cowper, MaryWollstonecraft, Thomas Bewick, Charlotte Smith, William Wordsworth, andGilbert White.ignwogwog[p

The Caribbean has traditionally been understood as a region that did not develop a significant ‘native’ literary culture until the postcolonial period. Indeed, most literary histories of the Caribbean begin with the texts associated with the independence movements of the early twentieth century.  However, as recent research has shown, although the printing press did not arrive in the Caribbean until 1718, the roots of Caribbean literary history predate its arrival.  This collection contributes to this research by filling a significant gap in literary and historical knowledge with the first collection of essays specifically focused on the literatures of the early Caribbean before 1850.