Caitlin Moran – författare

Med åldrande föräldrar, tonårsdöttrar, en större rumpa och en att-göra-lista utan slut är Caitlin Moran tillbaka med nya frågor som måste besvaras. Hur kommer det sig att sex har blivit trist? Kan feminister botoxa sig? Och den eviga frågan: vem är det som ser efter barnen? ”Mer än en kvinna” är en guide till att bli äldre, ett manifest för förändring och en hyllning till alla medelålders kvinnor.

”I KONSTEN ATT VARA KVINNA var jag begränsad till ett enda ämne: kvinnor. Deras hår, deras skor och att de är tända på Aslan från Häxan och lejonet (något som jag VET är en universell sanning).

Men! I min nya bok MORANTOLOGI – som titeln antyder – är jag fri att ta mig an RESTEN AV VÄRLDEN: Ghostbusters, Twitter, koffein, panikattacker, Michael Jacksons begravning, att vara en medelklassmarijuanapundare, Doctor Who, helgfyllor, Downton Abbey, min egen tragiskt förtidiga död och min återkommande oförmåga att få någon att börja använda det smeknamn jag valt åt mig själv: ’Puffis’.

Jag går på sexklubb med Lady Gaga, gråter på Paul McCartneys gitarr, medverkar som gnom hos Richard & Judy, går ombord på TARDIS, sniffar på Sherlock Holmes kuddar på Baker Street 221B, skriver Amy Winehouses dödsruna, samt kommer för sent till premiärministern på Downing Street.

Och tiden som blir över – mellan baksmällorna – går jag på om välfärdsstaten, stängda bibliotek och fattigdom: som en lite sämre Dickens eller Orwell, men med tuttar.”

NEW YORK TIMES BESTSELLER

The book that launched a feminist revolution—the hilarious memoir/manifesto from Caitlin Moran, "the UK''s answer to Tina Fey, Chelsea Handler, and Lena Dunham all rolled into one" (Marie Claire).

Though they have the vote and the Pill and haven''t been burned as witches since 1727, life isn''t exactly a stroll down the catwalk for modern women. They are beset by uncertainties and questions: Why are they supposed to get Brazilians? Why do bras hurt? Why the incessant talk about babies? And do men secretly hate them?

Caitlin Moran interweaves provocative observations on women''s lives with laugh-out-loud funny scenes from her own, from the riot of adolescence to her development as a writer, wife, and mother. With rapier wit, Moran slices right to the truth—whether it''s about the workplace, strip clubs, love, fat, abortion, popular entertainment, or children—to jump-start a new conversation about feminism. With humor, insight, and verve, How to Be a Woman lays bare the reasons why female rights and empowerment are essential issues not only for women today but also for society itself.

The New York Times bestseller, now available in paperback—“Half memoir, half polemic, and entirely necessary,” (Elle UK) Caitlin Moran’s debut—an instant runaway bestseller in the UK—puts a new face on feminism, cutting to the heart of issues with an irreverent, transcendent, and hilarious touch.

“Caitlin Moran is the profane, witty and wonky best friend I wish I had. She’s the feminist rock star we need right now.”—Ayelet Waldman, author of Bad Mother

“Caitlin Moran is so fabulous, so funny, so freshly feminist. I don’t want to be like her—I want to be her.”—Peggy Orenstein, author of Cinderella Ate My Daughter

Caitlin Moran puts a new face on feminism, cutting to the heart of women’s issues today with her irreverent, transcendent, and hilarious How to Be a Woman. “Half memoir, half polemic, and entirely necessary,” (Elle UK), Moran’s debut was an instant runaway bestseller in England as well as an Amazon UK Top Ten book of the year; still riding high on bestseller lists months after publication, it is a bona fide cultural phenomenon. Now poised to take American womanhood by storm, here is a book that Vanity Fair calls “the U.K. version of Tina Fey’s Bossypants….You will laugh out loud, wince, and—in my case—feel proud to be the same gender as the author.”

The follow up to her bestselling breakout hit How to Be a Woman, Moranthology is a hilarious, insightful collection of Moran’s London Times columns that confirms her status as “the UK’s answer to Tina Fey, Chelsea Handler, and Lena Dunham all rolled into one.” (Marie Claire)

Possibly the only drawback about the bestselling How to Be a Woman was that its author, Caitlin Moran, was limited to pretty much one subject: being a woman. Moranthology is proof that Caitlin can actually be “quite chatty” about many other things, including cultural, social and political issues that are usually the province of learned professors, or hot-shot wonks—and not of a woman who once, as an experiment, put a wasp in a jar, and got it stoned.

Here you’ll find Caitlin ruminating on—and sometimes interviewing—subjects as varied as caffeine, Keith Richards, Ghostbusters, Twitter, the welfare state, the royal wedding, Lady Gaga, and her own mortality, to name just a few. With her “brilliant, original voice” (Publishers Weekly), Caitlin brings insight and humor to everything she writes.

Now a major motion picture starring Beanie Feldstein!

The New York Times bestselling author hailed as “the UK’s answer to Tina Fey, Chelsea Handler, and Lena Dunham all rolled into one” (Marie Claire) makes her fiction debut with a hilarious yet deeply moving coming of age novel.

What do you do in your teenage years when you realize what your parents taught you wasn’t enough? You must go out and find books and poetry and pop songs and bad heroes—and build yourself.

It’s 1990. Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde—fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer—like Jo in Little Women, or the Bröntes—but without the dying young bit.

By sixteen, she’s smoking cigarettes, getting drunk and working for a music paper. She’s writing pornographic letters to rock-stars, having all the kinds of sex with all kinds of men, and eviscerating bands in reviews of 600 words or less.

But what happens when Johanna realizes she’s built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks, enough to build a girl after all?

Imagine The Bell Jar written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.

A Library Journal Best Book of 2018

Johanna Morrigan (aka Dolly Wilde) has it all: she is nineteen, lives in her own flat in London, and writes for the coolest music magazine in Britain. Her star is rising, just not quickly enough for her liking.

Then John Kite, Johanna’s unrequited love, has an album go to number one. Suddenly John exists on another plane of reality: that of the Famouses, a world of rabid fans and VIP access. Johanna lacks the traditional trappings of fame (famous parents, mind-scorching hotness, exotic scandals, etc.), so she does the only thing a self-respecting Lady Sex Adventurer can do. She starts a magazine column critiquing the lives and follies of the Famouses around her. But as Johanna skyrockets to fame herself, she begins to realize that with celebrity comes sacrifice, and hers may mean giving up the one person she was determined to keep.

For anyone who has been a girl or known one, who has admired fame or judged it, How to Be Famous is a big-hearted, hilarious tale of fame and fortune—and all that they entail.

The author of the international bestseller How to Be a Woman returns with another “hilarious neo-feminist manifesto” (NPR) in which she reflects on parenting, middle-age, marriage, existential crises—and, of course, feminism.

A decade ago, Caitlin Moran burst onto the scene with her instant bestseller, How to Be a Woman, a hilarious and resonant take on feminism, the patriarchy, and all things womanhood. Moran’s seminal book followed her from her terrible 13th birthday through adolescence, the workplace, strip-clubs, love, and beyond—and is considered the inaugural work of the irreverent confessional feminist memoir genre that continues to occupy a major place in the cultural landscape.

Since that publication, it’s been a glorious ten years for young women: Barack Obama loves Fleabag, and Dior make “FEMINIST” t-shirts. However, middle-aged women still have some nagging, unanswered questions: Can feminists have Botox? Why isn’t there such a thing as “Mum Bod”? Why do hangovers suddenly hurt so much? Is the camel-toe the new erogenous zone? Why do all your clothes suddenly hate you? Has feminism gone too far? Will your To Do List ever end? And WHO’S LOOKING AFTER THE CHILDREN?

As timely as it is hysterically funny, this memoir/manifesto will have readers laughing out loud, blinking back tears, and redefining their views on feminism and the patriarchy. More Than a Woman is a brutally honest, scathingly funny, and absolutely necessary take on the life of the modern woman—and one that only Caitlin Moran can provide.

It''s a good time to be a woman: we have the vote and the Pill, and we haven''t been burnt as witches since 1727. However, a few nagging questions do remain... Why are we supposed to get Brazilians? Should we use Botox? Do men secretly hate us? And why does everyone ask you when you''re going to have a baby? Part memoir, part rant, Caitlin answers the questions that every modern woman is asking.