Callimachus - Böcker

Callimachus: Hymn to Apollo: A Commentary

Callimachus I: Fragmenta

Callimachus II: Hymni et Epigrammata

This important new verse translation of the extant works and major fragments of Callimachus includes a full Introduction, covering the poet's life and times, the range of his achievements, and the difficulties in the way of appreciation. It does not offer, as other translations do, a mere selection of fragments but presents them as integral parts of the poetry books in which they originally figured, as these can be reconstructed in the light of modern research. Each fragment is introduced in relation to what precedes and follows it, enabling students and general readers, for the first time ever, to assess what Callimachus was like in his most important productions. In addition to this introductory help, the Notes take up individual points of difficulty, all proper names and adjectives are explained in the Glossary, and comparative tables facilitate identification of the translated fragments in the standard editions.

Callimachus was one of the most important and influential writers in the ancient world. He was the outstanding poet of the Hellenistic period and had a profound effect on the subsequent course of Greek and Roman literature. The hymns are intricate, allusive and difficult poetry, and need elucidation for the modern reader. 'The Fifth Hymn: The Bath of Pallas', is considered by many to be Callimachus' finest surviving poem. Anthony Bulloch has established a new text of the poem, which is printed here with facing English translation. The substantial introduction and full commentary aim to introduce the poem to a wide audience and to help the modern reader to reconstruct what the ancient reader may have taken for granted as part of the crucial and intellectual background and to achieve an informed and sensitive appreciation of the poem in its full perspective. This will be welcomed by Greek scholars and those interested in Greek and Roman poetry.

Callimachus was one of the most important and influential writers in the ancient world. He was the outstanding poet of the Hellenistic period and had a profound effect on the subsequent course of Greek and Roman literature. The hymns are intricate, allusive and difficult poetry, and need elucidation for the modern reader. 'The Fifth Hymn: The Bath of Pallas', is considered by many to be Callimachus' finest surviving poem. Anthony Bulloch has established a new text of the poem, which is printed here with facing English translation. The substantial introduction and full commentary aim to introduce the poem to a wide audience and to help the modern reader to reconstruct what the ancient reader may have taken for granted as part of the crucial and intellectual background and to achieve an informed and sensitive appreciation of the poem in its full perspective. This will be welcomed by Greek scholars and those interested in Greek and Roman poetry.

Callimachus was one of the most important and influential writers in the ancient world. He was the outstanding poet of the Hellenistic period, and had a profound effect on the subsequent course of Greek and Roman literature. The hymns are intricate, allusive and difficult poetry, and need elucidation for the modern reader. Dr Hopkinson has established a new text of Callimachus' Sixth Hymn, The Hymn to Demeter, which is printed here with a facing English translation. In his thorough analysis of the poem it is the editor's aim to show how Callimachus adapts and borrows from Homer and other early poetry to form a new type of poetic diction. The introduction has full discussions of the poem's ritual setting, of its extraordinary inset narrative, and of Callimachus' treatment of dialect and metre. The extensive commentary elucidates difficulties in the text and treats critical, linguistic and stylistic points with reference to the Latin and later Greek hexameter writers. This is the first full edition of and commentary on the work in English. It will be welcomed by Greek scholars and those interested in Greek and Roman poetry.

Callimachus was one of the most important and influential writers in the ancient world. He was the outstanding poet of the Hellenistic period, and had a profound effect on the subsequent course of Greek and Roman literature. The hymns are intricate, allusive and difficult poetry, and need elucidation for the modern reader. Dr Hopkinson has established a new text of Callimachus' Sixth Hymn, The Hymn to Demeter, which is printed here with a facing English translation. In his thorough analysis of the poem it is the editor's aim to show how Callimachus adapts and borrows from Homer and other early poetry to form a new type of poetic diction. The introduction has full discussions of the poem's ritual setting, of its extraordinary inset narrative, and of Callimachus' treatment of dialect and metre. The extensive commentary elucidates difficulties in the text and treats critical, linguistic and stylistic points with reference to the Latin and later Greek hexameter writers. This is the first full edition of and commentary on the work in English. It will be welcomed by Greek scholars and those interested in Greek and Roman poetry.

The premier scholar-poet of the Hellenistic age.Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer’s but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.

The premier scholar-poet of the Hellenistic age.Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer’s but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.

The premier scholar-poet of the Hellenistic age.Callimachus (ca. 303–ca. 235 BC), a proud and well-born native of Cyrene in Libya, came as a young man to the court of the Ptolemies at Alexandria, where he composed poetry for the royal family; helped establish the Library and Museum as a world center of literature, science, and scholarship; and wrote an estimated 800 volumes of poetry and prose on an astounding variety of subjects, including the Pinakes, a descriptive bibliography of the Library’s holdings in 120 volumes. Callimachus’ vast learning richly informs his poetry, which ranges broadly and reworks the language and generic properties of his predecessors in inventive, refined, and expressive ways. The “Callimachean” style, combining learning, elegance, and innovation and prizing brevity, clarity, lightness, and charm, served as an important model for later poets, not least at Rome for Catullus, Virgil, Horace, Ovid, and the elegists, among others.This edition, which replaces the earlier Loeb editions by A. W. Mair (1921) and C. A. Trypanis (1954, 1958), presents all that currently survives of and about Callimachus and his works, including the ancient commentaries (Diegeseis) and scholia. Volume I contains Aetia, Iambi, and lyric poems; Volume II Hecale, Hymns, and Epigrams; and Volume III miscellaneous epics and elegies, other fragments, and testimonia, together with concordances and a general index. The Greek text is based mainly on Pfeiffer’s but enriched by subsequently published papyri and the judgment of later editors, and its notes and annotation are fully informed by current scholarship.

Having found his translators, may Callimachus now find the public he deserves. —D.S. Carne-RossA Poundian figure who summed up the possibilties of a new era's response to an old and rich poetic tradition, Callimachus (ca. 305 B.C.-ca. 240 B.C.) was the first learned scholar-poet in Western literature.The leading poet of the Alexandrian school, Callimachus served as a model to Vergil, Catullus, Propertius, and Ovid. With remarkable grace and sensitivity to nuance, Stanley Lombardo and Diane Rayor provide the first translation of Callimachus's works into the American poetic idiom. Lombardo and Rayor translate the six hymns and sixty-one epigrams that are the only complete extant poems of a writer credited with having produces some eight hundred books in his lifetime. In addition, they offer a generous selection from among the surviving fragments, inclduing the prologue and selected passages from the Aetia ("The Origins"), Callimachus's greatest achievement in narrative verse. Theiry annotations elucidate the poet's rich mythological allusions; an introduction places Callimachus within his cultural and poetic contexts.