Carl Knappett - Böcker

Think of a souvenir from a foreign trip, or an heirloom passed down the generations - distinctive individual artefacts allow us to think and act beyond the proximate, across both space and time. While this makes anecdotal sense, what does scholarship have to say about the role of artefacts in human thought? Surprisingly, material culture research tends also to focus on individual artefacts. But objects rarely stand independently from one another they are interconnected in complex constellations. This innovative volume asserts that it is such 'networks of objects' that instill objects with their power, enabling them to evoke distant times and places for both individuals and communities.Using archaeological case studies from the Bronze Age of Greece throughout, Knappett develops a long-term, archaeological angle on the development of object networks in human societies. He explores the benefits such networks create for human interaction across scales, and the challenges faced by ancient societies in balancing these benefits against their costs. In objectifying and controlling artefacts in networks, human communities can lose track of the recalcitrant pull that artefacts exercise. Materials do not always do as they are asked. We never fully understand all their aspects. This we grasp in our everyday, unconscious working in the phenomenal world, but overlook in our network thinking. And this failure to attend to things and give them their due can lead to societal 'disorientation'.

Minoan Crete is rightly famous for its idiosyncratic architecture, as well as its palaces and towns such as Knossos, Malia, Gournia, and Palaikastro. Indeed, these are often described as the first urban settlements of Bronze Age Europe. However, we still know relatively little about the dynamics of these early urban centres. How did they work? What role did the palaces have in their towns, and the towns in their landscapes? It might seem that with such richly documented architectural remains these questions would have been answered long ago. Yet, analysis has mostly found itself confined to building materials and techniques, basic formal descriptions, and functional evaluations. Critical evaluation of these data as constituting a dynamic built environment has thus been slow in coming. This volume aims to provide a first step in this direction. It brings together international scholars whose research focuses on Minoan architecture and urbanism as well as on theory and methods in spatial analyses. By combining methodological contributions with detailed case studies across the different scales of buildings, settlements and regions, the volume proposes a new analytical and interpretive framework for addressing the complex dynamics of the Minoan built environment.

Think of a souvenir from a foreign trip, or an heirloom passed down the generations - distinctive individual artefacts allow us to think and act beyond the proximate, across both space and time. While this makes anecdotal sense, what does scholarship have to say about the role of artefacts in human thought? Surprisingly, material culture research tends also to focus on individual artefacts. But objects rarely stand independently from one another they are interconnected in complex constellations. This innovative volume asserts that it is such 'networks of objects' that instill objects with their power, enabling them to evoke distant times and places for both individuals and communities.Using archaeological case studies from the Bronze Age of Greece throughout, Knappett develops a long-term, archaeological angle on the development of object networks in human societies. He explores the benefits such networks create for human interaction across scales, and the challenges faced by ancient societies in balancing these benefits against their costs. In objectifying and controlling artefacts in networks, human communities can lose track of the recalcitrant pull that artefacts exercise. Materials do not always do as they are asked. We never fully understand all their aspects. This we grasp in our everyday, unconscious working in the phenomenal world, but overlook in our network thinking. And this failure to attend to things and give them their due can lead to societal 'disorientation'.

While the study of networks has grown exponentially in the past decade and is now having an impact on how archaeologists study ancient societies, its emergence in the field has been dislocated. This volume provides a coherent framework on network analysis in current archaeological practice by pulling together its main themes and approaches to show how it is changing the way archaeologists face the key questions of regional interaction. Working with the term 'network' as a collection of nodes and links, as used in network science and social network analysis, it juxtaposes a range of case studies and investigates the positives and negatives of network analysis. With contributions by leading experts in the field, the volume covers a broad range: from Japan to America, from the Palaeolithic to the Precolumbian.

Ancient Art Revisited develops new perspectives on ancient art by weaving together diverse strands within archaeology and art history, exploring it through recent developments in archaeological theory. In order to foster dialogue among various subfields, contributors are drawn from a wide range of domains. Classical archaeology, Aegean prehistory, Near Eastern archaeology, Egyptology, Pre-Columbian South America, and North America are brought together to explore ancient art from multiscalar perspectives and through the lenses of entanglement theory, network thinking, assemblage theory, and other recent theoretical developments. Representing a new wave in research on ancient art, considering both the proximal and distributed operations of artworks, Ancient Art Revisited provides broad and inclusive coverage of ancient art and offers a cohesive approach to a fragmented area of study.This book will be suitable for archaeologists, anthropologists, and art historians wishing to understand the latest thinking on ancient art.

Ancient Art Revisited develops new perspectives on ancient art by weaving together diverse strands within archaeology and art history, exploring it through recent developments in archaeological theory. In order to foster dialogue among various subfields, contributors are drawn from a wide range of domains. Classical archaeology, Aegean prehistory, Near Eastern archaeology, Egyptology, Pre-Columbian South America, and North America are brought together to explore ancient art from multiscalar perspectives and through the lenses of entanglement theory, network thinking, assemblage theory, and other recent theoretical developments. Representing a new wave in research on ancient art, considering both the proximal and distributed operations of artworks, Ancient Art Revisited provides broad and inclusive coverage of ancient art and offers a cohesive approach to a fragmented area of study.This book will be suitable for archaeologists, anthropologists, and art historians wishing to understand the latest thinking on ancient art.

Agency is a key theme that cross-cuts a wide raft of disciplines in the humanities, social sciences and beyond; yet it is invariably discussed separately behind closed disciplinary doors. Within archaeology, agency has been characterized as a uniquely human attribute, and a means of incorporating individual intentionality into theoretical discourse. In other domains, however, notions of non-human and ‘material’ agency have been finding currency, and it is our aim to introduce some of these themes into archaeology and develop a non-anthropocentric approach to agency. It is anticipated that such a perspective will not only help us achieve more convincing interpretations of the past, giving a more active role to material culture, but also throw new light on the changing role of artifacts in the present and the future. This book is a groundbreaking attempt to address questions of non-human and material agency from a wide range of perspectives and disciplines: archaeology, anthropology, sociology, cognitive science, philosophy, and economics. The editors and authors demostrate that a distributed, relational approach to agency, incorporating both humans and artifacts, has important ramifications for how we understand material culture.

Material culture surrounds us and yet is habitually overlooked. So integral is it to our everyday lives that we take it for granted. This attitude has also afflicted the academic analysis of material culture, although this is now beginning to change, with material culture recently emerging as a topic in its own right within the social sciences. Carl Knappett seeks to contribute to this emergent field by adopting a wide-ranging interdisciplinary approach that is rooted in archaeology and integrates anthropology, sociology, art history, semiotics, psychology, and cognitive science. His thesis is that humans both act and think through material culture; ways of knowing and ways of doing are ingrained within even the most mundane of objects. This requires that we adopt a relational perspective on material artifacts and human agents, as a means of characterizing their complex interdependencies. In order to illustrate the networks of meaning that result, Knappett discusses examples ranging from prehistoric Aegean ceramics to Zande hunting nets and contemporary art.Thinking Through Material Culture argues that, although material culture forms the bedrock of archaeology, the discipline has barely begun to address how fundamental artifacts are to human cognition and perception. This idea of codependency among mind, action, and matter opens the way for a novel and dynamic approach to all of material culture, both past and present.

This volume presents the pottery from a series of deposits excavated by Sir Arthur Evans in the palace at Knossos and assigned by him to the last part of the Middle Bronze Age or Middle Minoan III. The substantial architectural modifications seen in this period are examined along with stratigraphy to give proper context to the pottery deposits. Middle Minoan III was the time when Knossos appeared to expand its reach across Crete: from the First Palace Period, when palaces at Malia and Phaistos rivalled Knossos, to the Second Palace Period, when seemingly they diminished and other smaller palaces were built. These changes unfolded over the course of the Middle Minoan III period, divided by Evans into two sub-phases, MM IIIA and MM IIIB. He used many palatial deposits to define these phases. However, he did not present the pottery, stratigraphy and architecture in full, leading eventually to some ambiguity over the status of the period. This detailed study revisits more than a dozen of these contexts, to provide a more solid footing for the phasing and use of the Middle Minoan III palace. The investigation confirms that it is possible to distinguish not only between MM IIIA and MM IIIB, but also between early and late MM IIIA; this distinction enables a more nuanced understanding of the significant changes in architecture and material culture that were taking place. Furthermore, ceramic analysis highlights some of the functions of the palace at this time, with a plethora of conical cups and very few fine tablewares suggesting particular kinds of feasting; and a large number of imported transport and storage wares from off-island locales in the Aegean, such as the Cyclades, Dodecanese, and coastal Anatolia, pointing to a level of connectivity and exchange not previously recognised. This volume demonstrates that much new information can be extracted from legacy material excavated more than a century ago, through the use of a methodology that integrates ceramic, stratigraphic and architectural evidence.

The diverse forms of regional connectivity in the ancient world have recently become an important focus for those interested in the deep history of globalisation. This volume represents a significant contribution to this new trend as it engages thematically with a wide range of connectivities in the later prehistory of the Mediterranean, from the later Neolithic of northern Greece to the Levantine Iron Age, and with diverse forms of materiality, from pottery and metal to stone and glass. With theoretical overviews from leading thinkers in prehistoric mobilities, and commentaries from top specialists in neighbouring domains, the volume integrates detailed case studies within a comparative framework. The result is a thorough treatment of many of the key issues of regional interaction and technological diversity facing archaeologists working across diverse places and periods. As this book presents key case studies for human and technological mobility across the eastern Mediterranean in later prehistory, it will be of interest primarily to Mediterranean archaeologists, though also to historians and anthropologists.

How do we interpret ancient art created before written texts? Scholars usually put ancient art into conversation with ancient texts in order to interpret its meaning. But for earlier periods without texts, such as in the Bronze Age Aegean, this method is redundant. Using cutting-edge theory from art history, archaeology, and anthropology, Carl Knappett offers a new approach to this problem by identifying distinct actions - such as modelling, combining, and imprinting - whereby meaning is scaffolded through the materials themselves. By showing how these actions work in the context of specific bodies of material, Knappett brings to life the fascinating art of Minoan Crete and surrounding areas in novel ways. With a special focus on how creativity manifests itself in these processes, he makes an argument for not just how creativity emerges through specific material engagements but also why creativity might be especially valued at particular moments.

This volume brings together scholars of Mediterranean archaeology, ancient history, and complexity science to advance theoretical approaches and analytical tools for studying maritime connectivity. For the coast-hugging populations of the ancient Mediterranean, mobility and exchange depended on a distinct environment and technological parameters that created diverse challenges and opportunities, making the modeling of maritime interaction a paramount concern for understanding cultural interaction more generally. Network-inspired metaphors have long been employed in discussions of this interaction, but increasing theoretical sophistication and advances in formal network analysis now offer opportunities to refine and test the dominant paradigm of connectivity. Extending from prehistory into the Byzantine period, the case studies here reveal the potential of such network approaches. Collectively they explore the social, economic, religious, and political structures that guided Mediterranean interaction across maritime space.

The diverse forms of regional connectivity in the ancient world have recently become an important focus for those interested in the deep history of globalisation. This volume represents a significant contribution to this new trend as it engages thematically with a wide range of connectivities in the later prehistory of the Mediterranean, from the later Neolithic of northern Greece to the Levantine Iron Age, and with diverse forms of materiality, from pottery and metal to stone and glass. With theoretical overviews from leading thinkers in prehistoric mobilities, and commentaries from top specialists in neighbouring domains, the volume integrates detailed case studies within a comparative framework. The result is a thorough treatment of many of the key issues of regional interaction and technological diversity facing archaeologists working across diverse places and periods. As this book presents key case studies for human and technological mobility across the eastern Mediterranean in later prehistory, it will be of interest primarily to Mediterranean archaeologists, though also to historians and anthropologists.

This book is a groundbreaking attempt to address questions of non-human and material agency from a wide range of perspectives and disciplines: archaeology, anthropology, sociology, cognitive science, philosophy, and economics.