Carlyn Ena Ferrari – författare

Anne Spencer’s identity as an artist grew from her relationship to the natural world. During the New Negro Renaissance with which she is primarily associated, critics dismissed her writings on nature as apolitical and deracinated. Do Not Separate Her from Her Garden corrects that misconception, showing how Spencer used the natural world in innovative ways to express her Black womanhood, feminist politics, spirituality, and singular worldview. Employing ecopoetics as an analytical frame, Carlyn Ferrari recenters Spencer’s archive of ephemeral writings to cut to the core of her artistic ethos. Drawing primarily on unpublished, undated poetry and prose, this book represents a long overdue reassessment of an underappreciated literary figure. Not only does it resituate Spencer in the pantheon of American women of letters, but it uses her environmental credo to analyze works by Alice Walker, Zora Neale Hurston, and Dionne Brand, positioning ecocritical readings as a new site of analysis of Black women’s writings.

Anne Spencer’s identity as an artist grew from her relationship to the natural world. During the New Negro Renaissance with which she is primarily associated, critics dismissed her writings on nature as apolitical and deracinated. Do Not Separate Her from Her Garden corrects that misconception, showing how Spencer used the natural world in innovative ways to express her Black womanhood, feminist politics, spirituality, and singular worldview. Employing ecopoetics as an analytical frame, Carlyn Ferrari recenters Spencer’s archive of ephemeral writings to cut to the core of her artistic ethos. Drawing primarily on unpublished, undated poetry and prose, this book represents a long overdue reassessment of an underappreciated literary figure. Not only does it resituate Spencer in the pantheon of American women of letters, but it uses her environmental credo to analyze works by Alice Walker, Zora Neale Hurston, and Dionne Brand, positioning ecocritical readings as a new site of analysis of Black women’s writings.

A landmark volume documenting the scope and insidiousness of gendered abuse in academia, revealing the limits of institutional redress, and sharing hard-won strategies for change.Broken Record brings together narratives of gendered abuse in academia from across disciplines, at every career stage, around the United States and the world. Individually and collectively, contributors describe harrowing experiences of bullying, mobbing, harassment, and assault in a range of institutional spaces, including classrooms, offices, library stacks, conferences, interviews, and out on field research. Their abusers are teachers, mentors, students, colleagues, chairs, administrators, and even representatives of the very offices tasked with protecting them. Beyond using storytelling to expose the ubiquity of abuse, these writers also theorize its causes and proffer strategies for resistance and healing. With an afterword by Sara Ahmed, author of the groundbreaking Complaint!, Broken Record forms its own powerful collective-a chorus of nearly fifty academics with highly varied yet strikingly consistent narratives, united in a clarion call for change.