Carol Adlam – författare

This book examines the relationship of the Russian literary phenomenon to issues of gender and creative authority, providing detailed discussion of several of the most significant women writers of the late Soviet period, among them Valeriia Narbikova, Liudmila Petrushevskaia and Nina Sadur.

So far, in the West, the dissemination of Bakhtinian thought has proceeded with little or no awareness of contemporary approaches to Bakhtin in his homeland. This collection offers unprecedented access to leading Russian research in juxtaposition with important Western scholarship on Bakhtin. Taking its cue from Bakhtin as founder of dialogical criticism, Face to Face aims to stimulate dialogue across disciplines and national boundaries.

"The Russian literary world was shaken by the wide-reaching reforms of the late Soviet period (1985-91) and the Soviet Union''s subsequent collapse. During this time the phenomenon of ''alternative'' literature emerged, characterized by an emphasis on thematic, structural, and linguistic transgression of both Soviet-era values and the enduring Russian tradition of civic engagement and moral edification through literature. Through close textual analysis, Adlam examines the relationship of this literary phenomenon to issues of gender and creative authority, providing detailed discussion of several of the most significant women writers of the period, among them Valeriia Narbikova, Liudmila Petrushevskaia and Nina Sadur."

"The Russian literary world was shaken by the wide-reaching reforms of the late Soviet period (1985-91) and the Soviet Union''s subsequent collapse. During this time the phenomenon of ''alternative'' literature emerged, characterized by an emphasis on thematic, structural, and linguistic transgression of both Soviet-era values and the enduring Russian tradition of civic engagement and moral edification through literature. Through close textual analysis, Adlam examines the relationship of this literary phenomenon to issues of gender and creative authority, providing detailed discussion of several of the most significant women writers of the period, among them Valeriia Narbikova, Liudmila Petrushevskaia and Nina Sadur."

A stunning detective story from the winner of the World Illustration Award**OBSERVER GRAPHIC NOVEL OF THE MONTH Pick for March**'Could not be more rich or more beautiful if it tried' OBSERVERIn this stunning reimagining of a nineteenth-century Russian crime thriller from the world of Dostoevsky, Carol Adlam presents Charlie Fox, stunt journalist, magician, liar and thief, who reluctantly returns to her hometown of Nowheregrad to investigate the murder of Elena Ruslanova, daughter of a fabulously wealthy glass manufacturer.In Nowheregrad Charlie finds herself caught up in a multi-layered story that is told through the richly varied visual devices of the time. With the unwitting assistance of her lover, Netochka, Charlie unravels the mystery of the Bobrov family, only to face the truth about herself.Exquisitely drawn and compellingly told, Adlam's complex, elegant narrative brings to life the lost legacies of early crime fiction and the first women journalists and detectives.**A GUARDIAN GRAPHIC NOVEL OF THE YEAR**

A stunning detective story from the winner of the World Illustration Award**OBSERVER GRAPHIC NOVEL OF THE MONTH Pick for March**'Could not be more rich or more beautiful if it tried' OBSERVERIn this stunning reimagining of a nineteenth-century Russian crime thriller from the world of Dostoevsky, Carol Adlam presents Charlie Fox, stunt journalist, magician, liar and thief, who reluctantly returns to her hometown of Nowheregrad to investigate the murder of Elena Ruslanova, daughter of a fabulously wealthy glass manufacturer.In Nowheregrad Charlie finds herself caught up in a multi-layered story that is told through the richly varied visual devices of the time. With the unwitting assistance of her lover, Netochka, Charlie unravels the mystery of the Bobrov family, only to face the truth about herself.Exquisitely drawn and compellingly told, Adlam's complex, elegant narrative brings to life the lost legacies of early crime fiction and the first women journalists and detectives.**A GUARDIAN GRAPHIC NOVEL OF THE YEAR**

So far, in the West, the dissemination of Bakhtinian thought has proceeded with little or no awareness of contemporary approaches to Bakhtin in his homeland. This collection offers unprecedented access to leading Russian research in juxtaposition with important Western scholarship on Bakhtin. Taking its cue from Bakhtin as founder of dialogical criticism, Face to Face aims to stimulate dialogue across disciplines and national boundaries.

This book examines the relationship of the Russian literary phenomenon to issues of gender and creative authority, providing detailed discussion of several of the most significant women writers of the late Soviet period, among them Valeriia Narbikova, Liudmila Petrushevskaia and Nina Sadur.