Carolina Rocha – författare

Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.

Screening Minors in Latin American Cinema is the first volume to delve into the construction of children's subjectivity and agency in Latin American film, and addresses such questions as: How and to what extent do films express the point of view of the child? How do plots and film practices represent children’s subjectivity and agency? Childhood studies has demonstrated the importance of examining the lives of children. Building on those insights, together with current research from film studies and Latin American cultural studies, the essays in this volume analyze the development of agency and voices of minors in contemporary Latin American film. The theoretical perspectives used—gender studies, psychoanalytic and postcolonial theory, film studies, play and performance studies, and emotion studies, among others—take into account innovative approaches to filmic techniques as they explore the varied representations of children.

This anthology explores the role of children and teenagers in Latin American and Spanish Film as protagonists, victims and witnesses of societies polarized by and still grappling with the consequences of political divisions.

Examines contemporary cinematic representations of Argentine masculinities, the social construction of gender, and the financing of domestic film production following Argentina's 1990 change to a neo-liberal economic model.

This anthology explores the role of children and teenagers in Latin American and Spanish Film as protagonists, victims and witnesses of societies polarized by and still grappling with the consequences of political divisions.

Why has violence been a predominant topic in contemporary Argentine film and literature? What conclusions can be drawn from the dissemination of violent images and narratives that depict violence in Argentina? In Argentina, the problem of violence is rooted in the country's long experience with authoritarian rule as well as in more recent trends such as the weakening of the state and the rule of law brought about by neoliberal reforms. The eleven essays that make up Violence in Argentine Literature and Film (1989-2005) seek to interpret and analyze the extent to which violence communicates structural inequalities or lines of fissure in contemporary Argentina resulting from the transformations that the state, the economy, and society in general have experienced during the past two decades.Applying a variety of critical approaches, the contributors explore violence in Argentine cultural productions as it relates to four broad themes: the body as site of physical violence, the legacies of Argentina's authoritarian past, the collapse of the myth of the Argentine nation, and the current battles over how to define particular ""social and geographical places"" in the context of an increasingly violent society.

Modern Argentine Masculinities gathers essays that explore the social construction of gender from the nineteenth century to the present. Authors analyze literary and cinematic texts, as well as contemporary popular songs, and offer a wide-ranging picture of the performance of masculinity as it has evolved and adapted since the consolidation of Argentina as a modern nation. This captivating interdisciplinary volume sheds new light on the construction of heterosexual and queer Argentine masculinities.

An Open Access edition of this book is available on the Liverpool University Press website and through Knowledge Unlatched.Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and gauchesque to bridge the stark divisions between the Argentine left and right in the late 1960s.

As part of a raft of neoliberal economic reforms in the early 1990s, Brazilian president Fernando Collor de Mello and Argentine president Carlos Menem eliminated long-standing state financial support for cinema. National film production, distribution, and exhibition were deeply affected by the absence of the entire structure and legislation on which they had relied for decades. By the mid-1990s, however, new laws were passed reestablishing subsidies and credit lines—and allowing for a rebirth of national cinema in both countries.This comprehensive and accessible volume surveys Brazilian and Argentine cinematic production from its subsequent dramatic rebirth to the present. It addresses not only the commercially successful films but also the effects of globalization and cultural policies on public incentives for filmmaking. An indispensable resource for students of film and cultural studies, New Trends in Argentine and Brazilian Cinema is moreover an exciting glimpse into a momentous period in recent cinematic history.

Contemporary Latin American Cinema investigates the ways in which neoliberal measures of privatization, de-regularization and austerity introduced in Latin America during the 1990s have impacted film production and film narratives.