Catharina Gabrielsson – författare

Islands have a long history of appealing to the architectural imagination and have served as sites for architectural expressions of cultural specificity, cultural conquest, and cultural hybridisation over millennia. From offshore financial centres to immigrant detention camps, tourist havens to military bases, the architectures of islands concretise the forces at play in our contemporary, crisis-ridden societies.

Collecting writings by a wide range of established scholars together with exciting new voices in architecture and affiliated disciplines, this book shows the pertinence islands hold for critical spatial thinking and practice today. Covering war and colonialism, detention and tourism, the topics raised in this book range from issues of urban development to close readings of buildings – whether ruined, designed, projected, preserved, or absent. Combing case studies, critical historiography, and pieces of experimental writing, the chapters disclose the variety of ways in which architecture can be used as a lens for analysing, disclosing, and untangling island specificity.

This volume offers a very timely, vibrant, and methodologically varied approach to the subject of architecture and islands. Its global reach, innovative outlook, and rich material will be of interest to scholars and students in architecture, landscape architecture, geography, and urban design and planning, alongside arts and literary studies.

Islands have a long history of appealing to the architectural imagination and have served as sites for architectural expressions of cultural specificity, cultural conquest, and cultural hybridisation over millennia. From offshore financial centres to immigrant detention camps, tourist havens to military bases, the architectures of islands concretise the forces at play in our contemporary, crisis-ridden societies.

Collecting writings by a wide range of established scholars together with exciting new voices in architecture and affiliated disciplines, this book shows the pertinence islands hold for critical spatial thinking and practice today. Covering war and colonialism, detention and tourism, the topics raised in this book range from issues of urban development to close readings of buildings – whether ruined, designed, projected, preserved, or absent. Combing case studies, critical historiography, and pieces of experimental writing, the chapters disclose the variety of ways in which architecture can be used as a lens for analysing, disclosing, and untangling island specificity.

This volume offers a very timely, vibrant, and methodologically varied approach to the subject of architecture and islands. Its global reach, innovative outlook, and rich material will be of interest to scholars and students in architecture, landscape architecture, geography, and urban design and planning, alongside arts and literary studies.

Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring specific cases and positions in relation to the themes of the archive, control, work and milieu. This collective intellectual labour can be located amidst a worldwide depletion of material resources, a hollowing out of political power and the degradation of constructed and natural environments. Feminist positions suggest ways of ethically coping with a world that is becoming increasingly unstable and contested. The many voices gathered here are united by the task of putting critical concepts and feminist design tools to use in order to offer experimental approaches to the creation of a more habitable world. Drawing inspiration from the active archives of feminist precursors, existing and re-imagined, and by way of a re-engagement in the histories, theories and projected futures of critical feminist projects, the book presents a collection of twenty-three essays and eight projects, with the aim of taking stock of our current condition and re-engaging in our precarious environment-worlds.

Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring specific cases and positions in relation to the themes of the archive, control, work and milieu. This collective intellectual labour can be located amidst a worldwide depletion of material resources, a hollowing out of political power and the degradation of constructed and natural environments. Feminist positions suggest ways of ethically coping with a world that is becoming increasingly unstable and contested. The many voices gathered here are united by the task of putting critical concepts and feminist design tools to use in order to offer experimental approaches to the creation of a more habitable world. Drawing inspiration from the active archives of feminist precursors, existing and re-imagined, and by way of a re-engagement in the histories, theories and projected futures of critical feminist projects, the book presents a collection of twenty-three essays and eight projects, with the aim of taking stock of our current condition and re-engaging in our precarious environment-worlds.