Catherine de Smet - Böcker
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2 produkter
2 produkter
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471 kr
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Published to accompany the major exhibition at the Grand Palais, Paris, Colour Unbound reveals the dazzlingly original work of Matisse’s final years. 1941 marked a turning point in the life and work of Henri Matisse. At the age of seventy-two, he underwent major surgery that left him physically fragile. Yet Matisse viewed this moment not as a setback but as an opportunity ‘to make the greatest progress of my life’. From that point until his death in 1954, he entered one of the most inspired and productive periods of his career. During those years, he created some of his greatest masterpieces – from the Chapel of the Rosary in Vence to his luminous cut-out gouaches, including Jazz. Vibrant and full of life, his late work stands in striking contrast to his declining physical state: dynamic, immediate and universally accessible. Published to accompany the major exhibition at the Grand Palais, this catalogue brilliantly captures this late burst of creative vitality. Elegantly designed and beautifully printed, it brings together superb full-page reproductions of Matisse’s artworks alongside rarely seen photographs of his studio, taken by renowned photographers such as Adant, Capa, Carone, Cartier-Bresson, Sima and Maywald. This visual dialogue – enriched by expert commentary – offers a deeper understanding of Matisse’s final years and vividly conveys the synergy between art and life.
425 kr
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Read Frame Type Film stems from the ambitious “TypoFilm” research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists’ films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious “TypoFilm” research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists’ film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography.