Catherine Ingram – författare

Presence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and ‘place’ intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation.The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation.In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and – particularly pertinent to East Asia in the twenty-first century – local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.

Presence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and ‘place’ intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation.The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation.In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and – particularly pertinent to East Asia in the twenty-first century – local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.

Many researchers and China observers would agree that understanding how China pursues global communication is critical for assessing its growing soft power. While soft power as a concept has, in many ways, become almost inextricably linked with the PRC's (People's Republic of China) international diplomacy of the twenty-first century, the specific role of global media within soft power diplomacy and the corresponding influence of Western mediated public diplomacy within China is a lacuna that has remained largely unexplored. Moreover, the different Chinese and Western perspectives on the influence of global media and public diplomacy on Sino-Western relations, and the changing role of global media on this crucial aspect of international politics, have not yet been critically examined. This volume presents a broad social science audience with recent innovative scholarship and research findings on global media and public diplomacy concerning Sino-Western relations. It focuses on the implicit nexus between global media and public diplomacy, and their actual utilisation in and impact on the shifting relationships between China and the West. Special attention is given to the changing nature of globalised media in both China and Western nations, and how globalised media is influencing, shaping and changing international politics. The contributions delve deeply into both theory and practice, and focus especially upon the analysis of several key aspects of the issue from both Chinese and Western perspectives. This combination of approaches distinguishes the volume from most other published works on the topic, and greatly enriches our knowledge base in this important contemporary field.

Many researchers and China observers would agree that understanding how China pursues global communication is critical for assessing its growing soft power. While soft power as a concept has, in many ways, become almost inextricably linked with the PRC's (People's Republic of China) international diplomacy of the twenty-first century, the specific role of global media within soft power diplomacy and the corresponding influence of Western mediated public diplomacy within China is a lacuna that has remained largely unexplored. Moreover, the different Chinese and Western perspectives on the influence of global media and public diplomacy on Sino-Western relations, and the changing role of global media on this crucial aspect of international politics, have not yet been critically examined. This volume presents a broad social science audience with recent innovative scholarship and research findings on global media and public diplomacy concerning Sino-Western relations. It focuses on the implicit nexus between global media and public diplomacy, and their actual utilisation in and impact on the shifting relationships between China and the West. Special attention is given to the changing nature of globalised media in both China and Western nations, and how globalised media is influencing, shaping and changing international politics. The contributions delve deeply into both theory and practice, and focus especially upon the analysis of several key aspects of the issue from both Chinese and Western perspectives. This combination of approaches distinguishes the volume from most other published works on the topic, and greatly enriches our knowledge base in this important contemporary field.

Andy Warhol–Top of the Pops, devout Catholic, silver-wig wearer and now the star of Where’s Warhol?Spot Warhol in the corridors of the Bauhaus or the Sistine Chapel as he and his famous friends pop up in 12 spectacles of art history. Expand your art horizons and indulge in some celebrity spotting: all ages will enjoy this original take on a classic format.

Immerse yourself in the colourful world of Frida Kahlo with this search and find book which details key aspects of her life - from her eccentric teenaged years and infatuation with Diego Rivera, to her dynamic arrival as an international artist, her incredible studio and house in Mexico and her deep love of Mexican culture.With twelve intricately drawn scenes, you can find Frida, among other places, at home with Diego Rivera, among a bustling Day of the Dead scene and at her Paris gallery opening.Find Frida not only features the iconic and flamboyant artist but is populated with a huge cast of over 200 extras for you to spot - including artists, filmmakers, writers and photographers - allowing the book to tell the complete story of Kahlo's life and her huge cultural influence.

Extraordinary Art Dealers brings together 30 essays on the history of art dealing, from the eighteenth century to the modern period, distilled into 30 figures and their varied stories. From connoisseur-dealers – figures posing as ‘cultural architects’ with the expertise and authority to demarcate aesthetic taste – to commercially-driven salespeople and profiteering opportunists. In-between, there are stories of exceptional talent and creativity, passion, idealism, cultural respectability and occasional moral corruption, revealing the fragmented and multifaceted psychology of the art dealer.By delving into the past, exploring the profession of art dealing as continually evolving in parallel with the changing positioning of the role of art in society, this publication sheds light on the mechanics of dealing today – from the artist-centric approach, to the economically-driven and personality-motivated.Organised into six chapters, this illustrated publication offers insight into a topic often sidelined in discussions of art history, revealing the significant role art dealers have played in cultivating the canon of art as we know it – perfect for the cultural junkies, fine art and art history students, artists and aspiring or existing art dealers.

Extraordinary Art Dealers: Stories of Obsession, Innovation and Creativity brings together 30 essays on 30 art dealers, from accounts of crafty opportunists and commercially driven moguls to tales of soulful idealism, exceptional talent and relentless creativity.Featuring art dealers from the eighteenth to mid-twentieth century, the book explores their varied roles as cultural architects, eccentric idealists, commercially driven salespeople, and everything in-between. Highlighting the unexpected creativity of art dealers, their exceptional sensitivity to new art, and the impact they’ve had on shaping the art world, the book challenges the widespread notion that dealers are solely profit-driven.Organised into six chapters, Extraordinary Art Dealers offers fresh insights into the often-overlooked role of art dealers in art history – key players in cultivating the canon of art as we know it. By delving into the past, exploring the profession of art dealing as continually evolving in parallel with the changing positioning of the role of art in society, this publication sheds light on the mechanics of dealing today – from the artist-centric approach to the economically driven and personality-motivated. Illustrated throughout, Extraordinary Art Dealers is perfect for the cultural junkies, fine art and art history students, artists and aspiring or existing art dealers. Including chapters on William Hogarth, Joseph Duveen, Betty Parsons, Robert Fraser, Leo Castelli, Alfred Stieglitz, Virginia Dwan, Kekoo and Khorshed Gandhy, Malick Sidibé, Peggy Guggenheim and many more...

Munch’s Missing! Find the artist hidden in 12 vibrant illustrated scenes which are inspired by the artist’s life, and the themes in his art. Spot him on the hill where he famously heard that resounding scream; find him hidden on stage amongst actors performing an Ibsen play, and search him out in the forest near his home in Ekely. Every scene is jammed with artists and creatives who have been influenced by Munch.While the magical illustrations by Celyn Brazier offer a playful introduction to the artist, they are a unique piece of art in themselves. Accompanying text opens up the stories behind the illustrations, and explores further Munch’s life and art, and the influence he had. This raucous art journey celebrates the startling relevance of Munch who brought us the selfie and liberated us to scream out!