Cedric D. Reverand II – författare

Two months before he died, Dryden published a collection of verse translations and original poetry, Fables Ancient and Modern, the work for which he was most admired throughout the eighteenth and nineteenth centuries. Cedric Reverand argues that Fables, which has for the most part escaped modern scrutiny, embodies a purposeful, subversive strategy, and constitutes a new poetic mode that emerged when the laureate, public spokesman for king and country, lost his official post and became an outcast, a minority voice.In Dryden's Final Poetic Mode, Reverand focuses on Dryden's characteristic concerns-love and war, power and kingship, the heroic code, the Christian ideal-tracing how Dryden assembles informing ideals and yet dissolves them as well. By examining Dryden's treatment of familiar issues, Reverand demonstrates that this final poetic mode is not discontinuous with the earlier poetry bill is a further development, a reevaluation of the principles that sustained the poet throughout his career.Fables expresses Dryden's personal experience dealing with a changed and changing world. With the values he cherished crumbling, he is trapped into trying to reconcile the irreconcilable. His book reveals the fragility of various systems of value and the futility of discovering abiding ideals in a universe of perpetual flux, but it also reveals a poet who actively pursues meaning rather than surrendering to despair.It is this attempt to accommodate to a changing, subversive world that Reverand asserts is the impulse behind Fables and the central issue of Dryden's life in the1690s. Dryden's Final Poetic Mode will interest students and scholars of seventeenth- and eighteenth-century British literature.

The cultural highlights of the reign of Queen Anne (1702-1714) have long been overlooked. However, recent scholarship, including the present volume, is demonstrating that Anne has been seriously underestimated, both as a person, and as a monarch, and that there was much cultural activity of note in what might be called an interim period, coming after the deaths of Dryden and Purcell but before the blossoming of Pope and Handel, after the glories of Baroque architecture but before the triumph of Burlingtonian neoclassicism. The authors of Queen Anne and the Arts make a case for Anne’s reign as a time of experimentation and considerable accomplishment in new genres, some of which developed, some of which faded away. The volume includes essays on the music, drama, poetry, quasi-operas, political pamphlets, and architecture, as well as on newer genres, such as coin and medal collecting, hymns, and poetical miscellanies, all produced during Anne’s reign.

The cultural highlights of the reign of Queen Anne (1702-1714) have long been overlooked. However, recent scholarship, including the present volume, is demonstrating that Anne has been seriously underestimated, both as a person, and as a monarch, and that there was much cultural activity of note in what might be called an interim period, coming after the deaths of Dryden and Purcell but before the blossoming of Pope and Handel, after the glories of Baroque architecture but before the triumph of Burlingtonian neoclassicism. The authors of Queen Anne and the Arts make a case for Anne’s reign as a time of experimentation and considerable accomplishment in new genres, some of which developed, some of which faded away. The volume includes essays on the music, drama, poetry, quasi-operas, political pamphlets, and architecture, as well as on newer genres, such as coin and medal collecting, hymns, and poetical miscellanies, all produced during Anne’s reign.

During his forty-two years as president of AMS Press, Gabriel Hornstein quietly sponsored and stimulated the revival of "long" eighteenth-century studies. Whether by reanimating long-running research publications; by creating scholarly journals; or by converting daring ideas into lauded books, "Gabe" initiated a golden age of Enlightenment scholarship. This understated publishing magnate created a global audience for a research specialty that many scholars dismissed as antiquarianism. Paper, Ink, and Achievement finds in the career of this impresario a vantage point on the modern study of the Enlightenment. An introduction discusses Hornstein's life and achievements, revealing the breadth of his influence on our understanding of the early days of modernity. Three sets of essays open perspectives on the business of long-eighteenth-century studies: on the role of publishers, printers, and bibliophiles in manufacturing cultural legacies; on authors whose standing has been made or eclipsed by the book culture; and on literary modes that have defined, delimited, or directed Enlightenment studies. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.