Chris Berry – författare

Since the 1990s there has been a dramatic increase in cultural flows and connections between the countries in the East Asian region. Nowhere is this more apparent than when looking at popular culture where uneven but multilateral exchanges of Japanese, Korean, Taiwanese, Hong Kong and Chinese products have led to the construction of an ‘East Asian Popular Culture’. This is both influenced by, and in turn influences, the national cultures, and generates transnational co-production and reinvention. As East Asian popular culture becomes a global force, it is increasingly important for us to understand the characteristics of contemporary East Asian popular culture, and in particular its transnational nature. In this handbook, the contributors theorize East Asian experiences and reconsider Western theories on cultural globalization to provide a cutting-edge overview of this global phenomenon.The Routledge Handbook of East Asian Popular Culture will be of great interest to students and scholars of a wide range of disciplines, including: Cultural Studies, Media Studies, Communication Studies, Anthropology, Sociology and Asian Studies in general.

Chinese cinema is the only non-English language cinema to have a significant global presence. From multiplex blockbusters like Ang Lee’s Crouching Tiger, Hidden Dragon to festival hits such as Jia Zhangke’s Still Life, Chinese cinema succeeds like no other foreign-language cinema. The interdisciplinary field of Chinese Cinema Studies has boomed alongside these developments and, today, no Asian Studies, Chinese Studies, or Film and Media Studies programme is complete without courses that cover Chinese cinema, including the cinemas of the People’s Republic of China, Hong Kong, Taiwan, and the wider Chinese diaspora.While research in and around Chinese cinema flourishes as never before, not least because of its highly interdisciplinary nature, much of the relevant literature remains inaccessible or is highly specialized and compartmentalized, so that it is difficult for many of those who are interested in the subject to obtain an informed, balanced, and comprehensive overview. This new four-volume collection from Routledge’s acclaimed series, Critical Concepts in Media and Cultural Studies, addresses that problem and meets the need for a reference work to help make sense of the subject’s vast and widely dispersed literature, and the continuing explosion in research output.The materials gathered by the editor, a leading scholar in the field, include major works that explore: aesthetics through key films and directors; film cultural practices, such as consumption, distribution, exhibition, reception and criticism; production practices, for instance, genres, stars, studio structures, and marketing; and cinema’s connection to society and its relationship to issues such as the nation-state, revolution, and gender. The collection’s temporal scope extends from the arrival of cinema via the Lumière Brothers in 1895 to the present day, and it ranges widely across all territories to include full coverage of the films produced by the ethnic Chinese diaspora.Chinese Cinema is supplemented by a full index and chronological tables of contents. It also includes an introduction, newly written by the editor, which places the gathered materials in their historical and intellectual context.

Since the 1990s there has been a dramatic increase in cultural flows and connections between the countries in the East Asian region. Nowhere is this more apparent than when looking at popular culture where uneven but multilateral exchanges of Japanese, Korean, Taiwanese, Hong Kong and Chinese products have led to the construction of an ‘East Asian Popular Culture’. This is both influenced by, and in turn influences, the national cultures, and generates transnational co-production and reinvention. As East Asian popular culture becomes a global force, it is increasingly important for us to understand the characteristics of contemporary East Asian popular culture, and in particular its transnational nature. In this handbook, the contributors theorize East Asian experiences and reconsider Western theories on cultural globalization to provide a cutting-edge overview of this global phenomenon.The Routledge Handbook of East Asian Popular Culture will be of great interest to students and scholars of a wide range of disciplines, including: Cultural Studies, Media Studies, Communication Studies, Anthropology, Sociology and Asian Studies in general.

This book argues that the fundamental shift in Chinese Cinema away from Socialism and towards Post-Socialism can be located earlier than the emergence of the "Fifth Generation" in the mid-eighties when it is usually assumed to have occured. By close analysis of films from the 1949-1976 Maoist era in comparison with 1976-81 films representing the Cultural Revolution, it demonstrates that the latter already breaks away from Socialism.

This book argues that the fundamental shift in Chinese Cinema away from Socialism and towards Post-Socialism can be located earlier than the emergence of the "Fifth Generation" in the mid-eighties when it is usually assumed to have occured. By close analysis of films from the 1949-1976 Maoist era in comparison with 1976-81 films representing the Cultural Revolution, it demonstrates that the latter already breaks away from Socialism.

Media do not simply portray places that already exist; they actually produce them. In exploring how world populations experience "place" through media technologies, the essays included here examine how media construct the meanings of home, community, work, nation, and citizenship.Tracing how media reconfigure the boundaries between public and private-and global and local-to create "electronic elsewheres," the essays investigate such spaces and identities as the avatars that women are creating on Web sites, analyze the role of satellite television in transforming Algerian neighborhoods, inquire into the roles of radio and television in Israel and India, and take a skeptical look at the purported novelty of the "new media home."Contributors: Asu Aksoy, Istanbul Bilgi U; Charlotte Brunsdon, U of Warwick; Ratiba Hadj-Moussa, York U (Toronto); Tamar Liebes-Plesner, Hebrew U; David Morley, Goldsmiths, U of London; Lisa Nakamura, U of Illinois; Arvind Rajagopal, New York U; Kevin Robins, Goldsmiths, U of London; Jeffrey Sconce, Northwestern U; Marita Sturken, New York U; and Shunya Yoshimi, U of Tokyo.

Mobile Cultures provides much-needed, empirically grounded studies of the connections between new media technologies, the globalization of sexual cultures, and the rise of queer Asia. The availability and use of new media-fax machines, mobile phones, the Internet, electronic message boards, pagers, and global television-have grown exponentially in Asia over the past decade. This explosion of information technology has sparked a revolution, transforming lives and lifestyles, enabling the creation of communities and the expression of sexual identities in a region notorious for the regulation of both information and sexual conduct. Whether looking at the hanging of toy cartoon characters like “Hello Kitty” from mobile phones to signify queer identity in Japan or at the development of queer identities in Indonesia or Singapore, the essays collected here emphasize the enormous variance in the appeal and uses of new media from one locale to another. Scholars, artists, and activists from a range of countries, the contributors chronicle the different ways new media galvanize Asian queer communities in Taiwan, South Korea, Japan, Indonesia, Thailand, Malaysia, India, and around the world. They consider phenomena such as the uses of the Internet among gay, lesbian, or queer individuals in Taiwan and South Korea; the international popularization of Japanese queer pop culture products such as Yaoi manga; and a Thai website’s reading of a scientific tract on gay genetics in light of Buddhist beliefs. Essays also explore the politically subversive possibilities opened up by the proliferation of media technologies, examining, for instance, the use of Cyberjaya-Malaysia’s government-backed online portal-to form online communities in the face of strict antigay laws.Contributors. Chris Berry, Tom Boellstorff, Larissa Hjorth, Katrien Jacobs, Olivia Khoo, Fran Martin, Mark McLelland, David Mullaly, Baden Offord, Sandip Roy, Veruska Sabucco, Audrey Yue

Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 90s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy, as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself.A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history.

This book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films.

Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 90s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy, as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself.A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history.

Taiwanese-Language Cinema: Rediscovered and Reconsidered presents diverse approaches to the vibrant commercial film industry known as Taiwanese-language cinema (taiyupian). After a long period of neglect, films are being restored and made available with subtitles.Taiwanese-language cinema was a cycle of over 1,000 dramatic feature films produced between the mid-50s and early 70s in the local Minnanhua Chinese language most commonly spoken on the island, also known as "Taiwanese" (taiyu). The rediscovery of Taiwanese-language cinema is stimulating new scholarship, both in Chinese in Taiwan and in other languages, which challenges our conventional understandings of Taiwanese film history and opens up new approaches to the films themselves. This volume includes a mix of new English-language scholarship material with key essays by Taiwanese scholars newly translated from Chinese for the volume.

Taiwanese-Language Cinema: Rediscovered and Reconsidered presents diverse approaches to the vibrant commercial film industry known as Taiwanese-language cinema (taiyupian). After a long period of neglect, films are being restored and made available with subtitles.Taiwanese-language cinema was a cycle of over 1,000 dramatic feature films produced between the mid-50s and early 70s in the local Minnanhua Chinese language most commonly spoken on the island, also known as "Taiwanese" (taiyu). The rediscovery of Taiwanese-language cinema is stimulating new scholarship, both in Chinese in Taiwan and in other languages, which challenges our conventional understandings of Taiwanese film history and opens up new approaches to the films themselves. This volume includes a mix of new English-language scholarship material with key essays by Taiwanese scholars newly translated from Chinese for the volume.

Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present.  The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema.Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John ZouThe Editor:  Chris Berry is Professor of Film and Television at Goldsmiths, University of London.

Raunchy rugby league hunk Greg Duggan is having a tough season with basement club Hopton Town until a new owner offers him his dream job. Suddenly Greg's life and loves are under pressure like never before fromperpetrators bent on their goals. Is the reason sex, money or revenge? One way or another this is now his toughest season yet!Passions run high on all fields of play as Greg attempts to unravel why he is being targeted and tries to hold on to the ball while his world suffers the ultimate conversion that sees him hurtling from disaster to destruction.Can Greg survive? Can Town survive?TOUGH SEASON is the first ever crime thriller featuring the sport and is the debut novel by Yorkshire Post feature writer, former rugby league magazine editor and previously published author Chris Berry.

The heat is on once again for troubled rugby league star Greg Duggan when he takes up the offer to join new club Lanzarote Eruption in the hot summer on the Canary Islands.Eruption are destined for Super League and Greg's life, in tatters from a broken marriage, corrupt officials and convalescence after a bullet wound, looks set for sunshine.But all is not what it seems behind the scenes at the high flyers and Greg finds himself in the centre of another volcanicstorm, while his past won't leave him alone.Greg very nearly pulled off a miracle in saving his home town club Hopton Town in the first book of this crime thriller trilogy, this time it looks likely he will have to suffer further, through those intent on Eruption's downfall. Can Greg's skill and determination on the pitch be matched by his new-found undercover talent at unmasking the perpetrators, or will his legendary liking for female company cause his downfall?This is the sizzling, new sequel to author Chris Berry's Tough Season launched last Summer and a long-time #1 in the Amazon rugby league charts while also a new hit book in the crime thriller charts. It isdestined to become one of this year's favourite Summer reads.

The Tough Season series moves to Australia.It's the Rugby League World Cup and Duggan is in the heat of the action in this high-adrenaline fuelled crime thriller.When the charred remains of a body are found off Krakor Island in the Republic of Vanuatu in the South Pacific there is no hint of the violence, corruption and further death toll that is set to mount nor the mastermind responsible.Rugby League hero Greg Duggan's life has hit rock bottom. He's been sacked by his club, he's not received a call up for the World Cup, he's feeling bad about missing his son growing up, he feels his girlfriend is holding out on him about something - and then his mother calls with even more bad news. His dad is dying.Greg flies out to Australia to be with his parents and when an injury crisis takes its toll he joins the England squad. But just as his luck appears to have changed, he finds himself dodging bullets, on the run, at the centre of a murder inquiry and criminal activity. Then his son goes missing, followed by his girlfriend.The third book in the Greg Duggan series is author Chris Berry's action-packed, high-adrenaline fuelled crime thriller.

When Milkman Mike's big daft dog Spike sees children playing football he joins in - but it doesn't last long!Milkman Mike books are a delightful children's series for those aged from 2 to 7 years, ideal for those bedtime reads withparents and then when children can read themselves.Milkman Mike lives with his 'big daft dog' Spike in idyllic countryside in the beautiful village of Dairyville and collects his milk from Farmer Cream every morning.Each of the Milkman Mike stories sees Mike and Spike out delivering milk and Spike always ends up being a bit silly along the way.In this first set of 4 books Spike attempts to chase after the runaway bottles, he acts asleep while Mike sees a spaceship, he gets stuck up in a tree and he bursts a football.Everything is solved by Mike with a bottle of milk and a cup of tea.These lovely books are the first in a series that will see further Milkman Mike stories next year. There is already talk of ananimated series similar to Postman Pat and Fireman Sam

Why should the murders of three prominent figures in Aerospace Valley in southwest France cause washed-up rugby league star Greg Duggan to be followed, chased, abducted, drugged and shot after having received a note while on the touchline during a dramatic stormtrooper heist at a game?Greg finds himself questioning anything he ever thought he knew about people he trusted, trying to find answers through people he doesn't know, and attempting to get his life and his career back on track with his new team, the Pyrenees Royals in the French city of Pau.Finding a new ally in action woman Fortune T'Ela and an unknown friend or foe in another mysterious woman The Zebra, Greg is plunged into a world that is his most dangerous and life threatening yet, with an explosive conclusion that has the most incredible finale. This could not just be the end of his career, not just the end of his life. This goes way beyond all of that!The fourth book in the Greg Duggan series is author Chris Berry's latest action-packed, high-adrenaline fuelled crime thriller. Tough Season (2019), Tough Season In The Sun (2020) and Tough World (2021) were all #1 in the Amazon charts.

Independent cinema in China is not only made outside the commercial system but also without being submitted for censorship. We know that for several decades it has been the crucible out of which China’s most exciting new films have flowed. The essays in this volume interrogate what else we think we know.

Highlights how regional popular cultures and creative industries have become globally powerful, analyzing gender and labor issues amid differing regulatory frameworks of cultural production and piracy in Asia.

The New Chinese Documentary Film Movement is the first English-language book on Chinese documentary film, the signature mode of contemporary Chinese visual culture. The book offers an introduction, a detailed historical analysis, and specialized essays on specific themes and individual films to illuminate this exciting trend.

China's convulsive Cultural Revolution was conceived in 1966 as a 'great revolution that would touch the people to their very souls'. How are we to assess its impact fifty years on? In this volume, leading social and political scientists, historians and anthropologists examine the long-lasting consequences of the political, social, economic and cultural upheaval unleashed by Mao Zedong. Contributions from authors working within and outside the People's Republic of China consider the impact of this tumultuous mass movement from perspectives as diverse as market-based economic reform, clothing and fashion, the grassroots movements of late 1960s across the globe and the so-called 'lost generation' of sent-down youth. We find that collective and personal memories of the Cultural Revolution and its enduring institutional and social legacies continue to exert a profound effect on China and the Chinese people today.

This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. The volume gatehrs a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s. Taiwan and its internationally renowned cinema are " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the "Little Tiger" economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation; in recent years it has pioneered democratization of authoritarian regimes in East Asia.

Highlights how regional popular cultures and creative industries have become globally powerful, analyzing gender and labor issues amid differing regulatory frameworks of cultural production and piracy in Asia.