Chris Fleming – författare

In recent years there has been a renewed interest in the work of Rene Girard, thought by many to be one of the most important, if controversial, cultural theorists of the twentieth century. Girard's work is extraordinarily innovative and wide-ranging, cutting across central concerns in philosophy, psychoanalysis, literary theory, anthropology, theology, and sociology.In this much-needed introduction, Chris Fleming traces the development of Girard's thought over forty years, describing the context in which he worked and his influence on a number of disciplines. He unpacks the hypotheses at the centre of Girard's thought - mimetic desire, surrogate victimage and scapegoating, myth, ritual, and the sacred - and provides an assessment of Girard's place in the contemporary academy.Comprehensive and clearly written, this book constitutes an excellent overview of Girard's work and is essential reading for students and researchers in continental philosophy, theology, literary studies, French studies, and cultural studies.

In recent years there has been a renewed interest in the work of Rene Girard, thought by many to be one of the most important, if controversial, cultural theorists of the twentieth century. Girard's work is extraordinarily innovative and wide-ranging, cutting across central concerns in philosophy, psychoanalysis, literary theory, anthropology, theology, and sociology.In this much-needed introduction, Chris Fleming traces the development of Girard's thought over forty years, describing the context in which he worked and his influence on a number of disciplines. He unpacks the hypotheses at the centre of Girard's thought - mimetic desire, surrogate victimage and scapegoating, myth, ritual, and the sacred - and provides an assessment of Girard's place in the contemporary academy.Comprehensive and clearly written, this book constitutes an excellent overview of Girard's work and is essential reading for students and researchers in continental philosophy, theology, literary studies, French studies, and cultural studies.

In a new historical interpretation of the relationship between Australia and East Timor, Susan Connelly draws on the mimetic theory of René Girard to show how the East Timorese people were scapegoated by Australian foreign policy during the 20th century.Charting key developments in East Timor’s history and applying three aspects of Girard’s framework – the scapegoat, texts of persecution and conversion – Connelly reveals Australia’s mimetic dependence on Indonesia and other nations for security. She argues that Australia’s complicity in the Indonesian invasion and occupation of East Timor perpetuated the sacrifice of the Timorese people as victims, thus calling into question the traditional Australian values of egalitarianism and fairness. Connelly also examines the embryonic conversion process apparent in levels of recognition of the innocent victim and of the Australian role in East Timor’s suffering, as well as the consequent effects on Australian self-perception.Emphasising Girardian considerations of fear, suffering, forgiveness and conversion, this book offers a fresh perspective on Australian and Timorese relations that in turn sheds light on the origins and operations of human violence.

Violence, Desire and the Sacred presents the most up-to-date inter-disciplinary work being developed with the ground-breaking insights of René Girard's mimetic theory. The collection showcases the work of outstanding scholars in mimetic theory and how they are applying and developing Girard's insights in a variety of fields. Girard's mimetic insight has provided a fruitful way for different disciplines, such as literature, anthropology, theology, religion studies, cultural studies, and philosophy, to engage on common anthropological ground, with a shared understanding of the human person. The aim of this edited collection is to present this interdisciplinary work and to illustrate how Girard's insights provide fertile ground for bringing together disparate disciplines in a shared purpose. As academic work on Girard's insights is growing, this collection would meet the need to show the critical, interdisciplinary applications of these insights.

This collection of state of the art interpretations of the thought of René Girard follows on from the volume Violence, Desire, and the Sacred: Girard's Mimetic Theory Across the Disciplines (2012). The previous collection has been acclaimed for demonstrating and showcasing Girard's mimetic theory at its inter-disciplinary best by bringing together scholars who apply Girard's insights in different fields. This new volume builds on and extends the work of that earlier collection by moving into new areas such as psychology, politics, classical literature, national literature, and practical applications of Girard's theory in pastoral/spiritual care, peace-making and religious thought and practice.

The brilliant and ground-breaking mimetic theory of the French-American theorist René Girard (1923-2015)has gained wide-ranging recognition, yet its development has received less attention. This volume presents the important correspondence—conducted in French and as yet unpublished, let alone translated into English—between Girard and his major theological interlocutor Raymund Schwager SJ (1935-2004). It presents the personal relationship between two great thinkers that led to the development of a significant break-through in the humanities. In particular it reveals the theological development of Girard’s thought in dialogue with Schwager, who was concerned to assist Girard in areas where he had little expertise and had encountered major criticism, such as the theological application of sacrifice. These issues in particular had placed major barriers to Girard’s acceptance in theological circles. These letters reveal how Girard, with Schwager’s help, entered the mainstream of theological debate.

Building on the growing recognition and critical acclaim of volumes 1 and 2 of Violence, Desire, and the Sacred, this third volume in the series showcases the most groundbreaking, interdisciplinary research in mimetic theory, with a focus on well-known films, television series, and other media. Mimesis, Movies, and Media reaches beyond the traditional boundaries of continental theory to demonstrate how scholars apply and develop René Girard’s insights in light of contemporary media. It brings together major Australian and international scholars working at the intersection of popular culture and philosophy.

“I died at Auschwitz,” French writer Charlotte Delbo asserts, “and nobody knows it.” Möbian Nights: Reading Literature and Darkness develops a new understanding of literary reading: that in the wake of disasters like the Holocaust, death remains a premise of our experience rather than a future. Challenging customary “aesthetic” assumptions that we write in order not to die, Sandor Goodhart suggests (with Kafka) we write to die. Drawing upon analyses developed by Girard, Foucault, Blanchot, and Levinas (along with examples from Homer to Beckett), Möbian Nights proposes that all literature works “autobiographically”, which is to say, in the wake of disaster; with the credo “I died; therefore, I am”; and for which the language of topology (for example, the “Möbius strip”) offers a vocabulary for naming the “deep structure” of such literary, critical, and scriptural sacrificial and anti-sacrificial dynamics.

One of the most pressing issues of our time is the outbreak of extremist violence and terrorism, done in the name of religion. This volume critically analyses the link made between religion and violence in contemporary theory and proposes that ‘religion’ does not have a special relation to violence in opposition to culture, ideology or nationalism. Rather, religion and violence must be understood with relation to fundamental anthropological and philosophical categories such as culture, desire, disaster and rivalry.Does Religion Cause Violence? explores contemporary instances of religious violence, such as Islamist terrorism and radicalization in its various political, economic, religious, military and technological dimensions, as well as the legitimacy and efficacy of modern cultural mechanisms to contain violence, such as nuclear deterrence. Including perspectives from experts in theology, philosophy, terrorism studies, and Islamic studies, this volume brings together the insights of René Girard, the premier theorist of violence in the 20th century, with the latest scholarship on religion and violence, particularly exploring the nature of extremist violence.

The interdisciplinary French-American thinker René Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of René Girard’s first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et vérité romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l’art, Girard asserted that the novel may be an “outmoded” form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of vérité filmique?In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable “Girardian aesthetics.” One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a “Girardian aesthetic”? Each of the contributors addresses these questions through the analysis of a film.

The brilliant and ground-breaking mimetic theory of the French-American theorist René Girard (1923-2015)has gained wide-ranging recognition, yet its development has received less attention. This volume presents the important correspondence—conducted in French and as yet unpublished, let alone translated into English—between Girard and his major theological interlocutor Raymund Schwager SJ (1935-2004). It presents the personal relationship between two great thinkers that led to the development of a significant break-through in the humanities. In particular it reveals the theological development of Girard’s thought in dialogue with Schwager, who was concerned to assist Girard in areas where he had little expertise and had encountered major criticism, such as the theological application of sacrifice. These issues in particular had placed major barriers to Girard’s acceptance in theological circles. These letters reveal how Girard, with Schwager’s help, entered the mainstream of theological debate.

One of the most pressing issues of our time is the outbreak of extremist violence and terrorism, done in the name of religion. This volume critically analyses the link made between religion and violence in contemporary theory and proposes that ‘religion’ does not have a special relation to violence in opposition to culture, ideology or nationalism. Rather, religion and violence must be understood with relation to fundamental anthropological and philosophical categories such as culture, desire, disaster and rivalry.Does Religion Cause Violence? explores contemporary instances of religious violence, such as Islamist terrorism and radicalization in its various political, economic, religious, military and technological dimensions, as well as the legitimacy and efficacy of modern cultural mechanisms to contain violence, such as nuclear deterrence. Including perspectives from experts in theology, philosophy, terrorism studies, and Islamic studies, this volume brings together the insights of René Girard, the premier theorist of violence in the 20th century, with the latest scholarship on religion and violence, particularly exploring the nature of extremist violence.

The interdisciplinary French-American thinker René Girard (1923-2015) has been one of the towering figures of the humanities in the last half-century. The title of René Girard’s first book offered his own thesis in summary form: romantic lie and novelistic truth [mensonge romantique et vérité romanesque]. And yet, for a thinker whose career began by an engagement with literature, it came as a shock to some that, in La Conversion de l’art, Girard asserted that the novel may be an “outmoded” form for revealing humans to themselves. However, Girard never specified what, if anything, might take the place of the novel. This collection of essays is one attempt at answering this question, by offering a series of analyses of films that aims to test mimetic theory in an area in which relatively little has so far been offered. Does it make any sense to talk of vérité filmique?In addition, Mimetic Theory and Film is a response to the widespread objection that there is no viable “Girardian aesthetics.” One of the main questions that this collection considers is: can we develop a genre-specific mimetic analysis (of film), and are we able to develop anything approaching a “Girardian aesthetic”? Each of the contributors addresses these questions through the analysis of a film.

While conspiracy theory is often characterized in terms of the collapse of objectivity and Enlightenment reason, Modern Conspiracy traces the important role of conspiracy in the formation of the modern world: the scientific revolution, social contract theory, political sovereignty, religious paranoia and mass communication media. Rather than seeing the imminent death of Enlightenment reason and a regression to a new Dark Age in conspiratorial thinking, Modern Conspiracy suggests that many characteristic features of conspiracies tap very deeply into the history of the Enlightenment: its vociferous critique of established authorities and a conception of political sovereignty fuelled by fear of counter-plots, for example. Perhaps, ultimately, conspiracy theory affords us a renewed opportunity to reflect on our very relationship to the truth itself.

This collection of state of the art interpretations of the thought of René Girard follows on from the volume Violence, Desire, and the Sacred: Girard's Mimetic Theory Across the Disciplines (2012). The previous collection has been acclaimed for demonstrating and showcasing Girard's mimetic theory at its inter-disciplinary best by bringing together scholars who apply Girard's insights in different fields. This new volume builds on and extends the work of that earlier collection by moving into new areas such as psychology, politics, classical literature, national literature, and practical applications of Girard's theory in pastoral/spiritual care, peace-making and religious thought and practice.

While conspiracy theory is often characterized in terms of the collapse of objectivity and Enlightenment reason, Modern Conspiracy traces the important role of conspiracy in the formation of the modern world: the scientific revolution, social contract theory, political sovereignty, religious paranoia and mass communication media. Rather than seeing the imminent death of Enlightenment reason and a regression to a new Dark Age in conspiratorial thinking, Modern Conspiracy suggests that many characteristic features of conspiracies tap very deeply into the history of the Enlightenment: its vociferous critique of established authorities and a conception of political sovereignty fuelled by fear of counter-plots, for example. Perhaps, ultimately, conspiracy theory affords us a renewed opportunity to reflect on our very relationship to the truth itself.

Building on the growing recognition and critical acclaim of volumes 1 and 2 of Violence, Desire, and the Sacred, this third volume in the series showcases the most groundbreaking, interdisciplinary research in mimetic theory, with a focus on well-known films, television series, and other media. Mimesis, Movies, and Media reaches beyond the traditional boundaries of continental theory to demonstrate how scholars apply and develop René Girard’s insights in light of contemporary media. It brings together major Australian and international scholars working at the intersection of popular culture and philosophy.