Chris Welch – författare

Yes have now been on the rock circuit for almost 40 years. Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire and Bill Bruford are just some of the star names who helped make the band one of the greatest-ever names in classic rock. Their turbulent story spans the early days of pub and club gigs, international supergroup status in the heyday of rock, and various line-ups since. An updated edition of the bestselling biography of Yes to include the historic return of Rick Wakeman to the classic Yes line-up and their ongoing highly successful tour of America.

The extraordinary story of Vivian Stanshall, lead singer of the Bonzo Dog Doo-Dah Band, true British eccentric.Charismatic and flamboyant, Vivian Stanshall was a natural frontman for The Bonzo Dog Doo Dah Band. The eccentric group who satirised trad jazz, pop and rock, reached Number five with `I’m The Urban Spaceman’ in 1968. A punishing schedule of tours and television followed, including work with the future Monty Python team. The following year, broke and burned out, the Bonzos split up, leaving behind a loyal cult following.Vivian launched into myriad solo projects in music, film and theatre, giving himself several nervous breakdowns in the process. His comic masterpiece, `Sir Henry at Rawlinson End’, was heard in radio, on an album, and then hit the big screen. Vivian wrote the musical `Stinkfoot’, was narrator on `Tubular Bells’ and provided lyrics for Steve Winwood. In person, he was just as multi-faceted, by turns the erudite artist and the truculent Teddy Boy, breathtakingly rude. A powerful figure, tall, red-haired and never less than extravagant in his fashion, Vivian Stanshall was a hell-raiser of legendary reputation – ably assisted through much of the 1970s by Who drummer Keith Moon. Vivian drove the many who loved him to the limit, struggling with terrible tranquilliser and alcohol dependency. He died at home in a house fire in 1995. The story of his turbulent life is utterly compelling.

One of the greatest names in classic rock, Yes have been on the circuit for an incredible 34 years. Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire and Bill Bruford are just some of the star players who helped take the band to incredible heights.Their turbulent story spans the early days of pub and club gigs, international super group status in the heyday of rock, and various line-ups since.Chris Welch''s definitive biography has been updated to include the historic return of Rick Wakeman to the classic Yes line up during 2002 and their subsequent highly successful tour of America.

An unforgettable history of the ''fifth'' member of Led Zeppelin and the toughest rock manager of them all. Chris Welch separates fact from myth and uncovers his complete story from childhood in war torn London, to becoming a bouncer, doorman and wrestler and helping turn Zep into rock''s biggest attraction of the 70s.

Das unentbehrliche Handbuch, vollgepackt mit Informationen zur Musik von The Police und Sting.Album für Album informiert es detailreich über sämtliche Songs, die Gordon Sumner mit seiner Band sowie als Solokünstler produziert hat - angefangen mit ''Outlandos d''Amour'', auf dem die Klassiker ''Roxanne'', ''So Lonely'' und ''Next To You zu finden sind, bis hin zu ''Synchronicity'', das als definitiv letztes ''echtes'' Police-Album gilt und aus dem ''Every Breath You Take'' hervorging.Anschließend widmet sich das Buch eingehend Stings Soloalben, einschließlich dem 1985er-Album ''The Dream Of The Blue Turtles'', seinen Beiträgen zu wichtigen Soundtracks sowie dem in der Kritik sehr unterschiedlich bewerteten Lautenprojekt ''Songs From The Labyrinth'' aus dem Jahr 2006.

The indispensable consumers'' guide to the music of Genesis, one of the most commercially successful rock bands of the 1980s. An album by album, track by track rundown of the music of Genesis, including special sections detailing the work of members Phil Collins, Mike Rutherford, Tony Banks, Steve Hackett and Peter Gabriel. The guide features:An album by album analysisA full discography, from the earliest Johnathan King recordings, through the Gabriel years, to their final recordings as a trio.Details of when and where the music was recordedA special section concerning compilation, archive, reissue and bootleg releasesSixteen pages of full-colour images

Written by Chris Welch, former Melody Maker journalist and Cream confidante, this newly-researched book is the first full account of rock''s premiere three-man supergroup: guitarist Eric Clapton, bassist Jack Bruce, and drummer Ginger Baker. From Cream''s formation in 1966 to their breakup in 1968, the book analyzes the group''s working methods and offers detailed descriptions of all their recordings. A special section explores the musical interactions of Clapton, Bruce and Baker, plus key songwriters Bruce and Pete Brown. With rare full-color photos throughout, it also includes a complete discography, studio sessionography, and diary of live shows.

The extraordinary story of Vivian Stanshall, lead singer of the Bonzo Dog Doo-Dah Band, true British eccentric.Charismatic and flamboyant, Vivian Stanshall was a natural frontman for The Bonzo Dog Doo Dah Band. The eccentric group who satirised trad jazz, pop and rock, reached Number five with ‘I’m The Urban Spaceman’ in 1968. A punishing schedule of tours and television followed, including work with the future Monty Python team. The following year, broke and burned out, the Bonzos split up, leaving behind a loyal cult following.Vivian launched into myriad solo projects in music, film and theatre, giving himself several nervous breakdowns in the process. His comic masterpiece, ‘Sir Henry at Rawlinson End’, was heard in radio, on an album, and then hit the big screen. Vivian wrote the musical ‘Stinkfoot’, was narrator on ‘Tubular Bells’ and provided lyrics for Steve Winwood. In person, he was just as multi-faceted, by turns the erudite artist and the truculent Teddy Boy, breathtakingly rude. A powerful figure, tall, red-haired and never less than extravagant in his fashion, Vivian Stanshall was a hell-raiser of legendary reputation – ably assisted through much of the 1970s by Who drummer Keith Moon. Vivian drove the many who loved him to the limit, struggling with terrible tranquilliser and alcohol dependency. He died at home in a house fire in 1995. The story of his turbulent life is utterly compelling.