Simon Napier-Bell – författare

The most authoritative, intelligent, diligently researched and unpretentious analysis of the British pop scene yet written' Sunday TelegraphBlack Vinyl White Powder charts the amazing fifty year history of the British music business in unparalleled scale and detail. As a key player across the decades, Napier-Bell - who discovered Marc Bolan and managed amongst others The Yardbirds and Wham! - uses his wealth of contacts and extraordinary personal experiences to tell the story of an industry that is like no other. Where bad behaviour is not only tolerated but encouraged, where drugs are sometimes as important as talent, where artists are pushed to their physical and mental limits in the name of profit and ego. 'The Greatest Ever Book Written about English Pop-Breathtakingly Brilliant' Julie Burchill'The cold print equivalent of a sparkling evening with a world-class raconteur.' Charles Shaar Murray, IndependentBitchy, glib, fun and shrewd' Daily Telegraph

Pop manager extraordinaire Simon Napier-Bell had had enough. He'd had enough of pop groups. He'd had enough of the constant grief at home with his two ex-boyfriends bickering and bleeding him dry; and most of all he'd had enough of the music biz. But then he fell in love with a new passion - the Far East; and a dynamic new duo - George and Andrew - jointly called Wham! Soon, in an audacious attempt to have the best of both worlds, he found himself offering to arrange for Wham! to be the first ever Western pop group to play in communist China - a masterstroke of PR which, in one swift stroke, would make them one of the biggest groups in the world. What follows is an exciting, unpredictable and hilarious romp around the more curious corners of the world as Napier-Bell dives into the unknown, attempting to achieve the unachievable. We soon find ourselves in the company of a wonderful cast of petulant pop stars, shady international 'businessmen', and a hilarious confusion of spies, students and institutionalised officials and ministers as he edges ever closer to inadvertently becoming one of the first Westerners to break down the walls of communist China.

Pop manager extraordinaire Simon Napier-Bell had had enough. He'd had enough of pop groups. He'd had enough of the constant grief at home with his two ex-boyfriends bickering and bleeding him dry; and most of all he'd had enough of the music biz. But then he fell in love with a new passion - the Far East; and a dynamic new duo - George and Andrew - jointly called Wham! Soon, in an audacious attempt to have the best of both worlds, he found himself offering to arrange for Wham! to be the first ever Western pop group to play in communist China - a masterstroke of PR which, in one swift stroke, would make them one of the biggest groups in the world. What follows is an exciting, unpredictable and hilarious romp around the more curious corners of the world as Napier-Bell dives into the unknown, attempting to achieve the unachievable. We soon find ourselves in the company of a wonderful cast of petulant pop stars, shady international 'businessmen', and a hilarious confusion of spies, students and institutionalised officials and ministers as he edges ever closer to inadvertently becoming one of the first Westerners to break down the walls of communist China.

The most authoritative, intelligent, diligently researched and unpretentious analysis of the British pop scene yet written' Sunday TelegraphBlack Vinyl White Powder charts the amazing fifty year history of the British music business in unparalleled scale and detail. As a key player across the decades, Napier-Bell - who discovered Marc Bolan and managed amongst others The Yardbirds and Wham! - uses his wealth of contacts and extraordinary personal experiences to tell the story of an industry that is like no other. Where bad behaviour is not only tolerated but encouraged, where drugs are sometimes as important as talent, where artists are pushed to their physical and mental limits in the name of profit and ego. 'The Greatest Ever Book Written about English Pop-Breathtakingly Brilliant' Julie Burchill'The cold print equivalent of a sparkling evening with a world-class raconteur.' Charles Shaar Murray, IndependentBitchy, glib, fun and shrewd' Daily Telegraph

You probably know Simon Napier-Bell as the manager of the Yardbirds. Or you may know him as the man who managed Marc Bolan, or Japan. You should definitely know him as the man who managed Wham! And if none of these rings a bell, maybe you'll remember him as the man who co-wrote 'You Don't Have To Say You Love Me' for Dusty Springfield. You Don't Have To Say You Love Me is one of the funniest books you will read and equally provoking. From his revelation that the entire music industry was motivated by sex, to an embarrassing come-on from a suicidal Brian Epstein, it's all shocking stuff. But when you're on the run from the German police with Marc Bolan, brothel-hopping with Keith Moon and generally living the life of Riley at the music industry's expense, it would be a shame not to share those amazing experiences with the rest of the world, wouldn't it? Of all the great pop-music books written, it is worth savouring You Don't Have To Say You Love Me for its brilliant sideways insight into one of the most exciting cultural periods Britain has ever seen.

A highly acclaimed history of the popular music business, as told by its ultimate insider

Sour Mouth, Sweet Bottom is the book Simon Napier-Bell’s fans have always hoped he’d write. His previous bestsellers lifted the lid on the industry, combining brilliant analysis with unforgettable stories of fame and wild excess. But those books hardly scratched the surface. Now, at long last, he’s turned the spotlight on himself.From a childhood spent in the cinemas of post-war London and a brief spell playing trumpet in the seedy bars of Montreal, to getting stoned by the pool with Peter Falk and Jack Lemmon in Beverly Hills and co-writing a hit single for Dusty Springfield, this book is a kaleidoscopic sequence of more than sixty episodes drawn from Simon's life that makes most memoirs look like thin gruel by comparison. There are stories of the stellar acts Simon has managed – from the Yardbirds and Marc Bolan to Wham! and Sinéad O'Connor – and there’s also the wisdom gathered from a louche existence of clubs, restaurants, gigs, award ceremonies, bankruptcies, booze and sex, both gay and straight. You could call the book ‘How to Use the Music Industry to Create a Lifestyle’. You might equally call it ‘How to Use Your Lifestyle to Gain Access to the Music Industry’.Either way, Simon pulls no punches, and the result is a frank, funny and fascinating account of a life truly like no other.