Christen A Smith - Böcker

Tourists exult in Bahia, Brazil, as a tropical paradise infused with the black population's one-of-a-kind vitality. But the alluring images of smiling black faces and dancing black bodies masks an ugly reality of anti-black authoritarian violence. Christen A. Smith argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, Smith follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As Smith reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians. Based on years of field work, Afro-Paradise is a passionate account of a long-overlooked struggle for life and dignity in contemporary Brazil.

Tourists exult in Bahia, Brazil, as a tropical paradise infused with the black population's one-of-a-kind vitality. But the alluring images of smiling black faces and dancing black bodies masks an ugly reality of anti-black authoritarian violence. Christen A. Smith argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, Smith follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As Smith reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians. Based on years of field work, Afro-Paradise is a passionate account of a long-overlooked struggle for life and dignity in contemporary Brazil.

Collected writings by one of the most influential Black Brazilian intellectuals of the twentieth centuryBeatriz Nascimento (1942–1995) was a poet, historian, artist, and political leader in Brazil’s Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.The Dialectic Is in the Sea traces the development of Nascimento’s thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento’s work. This engaging collection includes an essay by Bethânia Gomes, Nascimento’s only daughter, who shares illuminating and uniquely personal insights into her mother’s life and career.

Collected writings by one of the most influential Black Brazilian intellectuals of the twentieth centuryBeatriz Nascimento (1942–1995) was a poet, historian, artist, and political leader in Brazil’s Black movement, an innovative and creative thinker whose work offers a radical reimagining of gender, space, politics, and spirituality around the Atlantic and across the Black diaspora. Her powerful voice still resonates today, reflecting a deep commitment to political organizing, revisionist historiography, and the lived experience of Black women. The Dialectic Is in the Sea is the first English-language collection of writings by this vitally important figure in the global tradition of Black radical thought.The Dialectic Is in the Sea traces the development of Nascimento’s thought across the decades of her activism and writing, covering topics such as the Black woman, race and Brazilian society, Black freedom, and Black aesthetics and spirituality. Incisive introductory and analytical essays provide key insights into the political and historical context of Nascimento’s work. This engaging collection includes an essay by Bethânia Gomes, Nascimento’s only daughter, who shares illuminating and uniquely personal insights into her mother’s life and career.

An innovative contribution to the field of Black Feminist Studies, this landmark collection brings together the most influential historical and contemporary thinkers in Black feminist theories across transnational contexts.Featuring ground-breaking new work alongside canonical essays from key thinkers, this book adopts a truly global approach to its subject. In doing so, it looks beyond North America to showcase a diverse range of continents and perspectives. The collection includes not only standard academic essays, but also vital statements, interviews, manifestoes, and creative work, which transmit and embody Black feminist thought.The book is broken up into five carefully curated sections:- Black Feminist Foundations- Statements and Manifestos- Cultures and Aesthetics- Bodies, Genders, and Sexualities- Black Feminist FuturesTimely and important, this is an indispensable resource for students and scholars of Black Studies, Women & Gender Studies and Black Feminist Studies, as well as more generally to American Studies, African Studies, Caribbean Studies, and African Diaspora Studies.

An innovative contribution to the field of Black Feminist Studies, this landmark collection brings together the most influential historical and contemporary thinkers in Black feminist theories across transnational contexts.Featuring ground-breaking new work alongside canonical essays from key thinkers, this book adopts a truly global approach to its subject. In doing so, it looks beyond North America to showcase a diverse range of continents and perspectives. The collection includes not only standard academic essays, but also vital statements, interviews, manifestoes, and creative work, which transmit and embody Black feminist thought.The book is broken up into five carefully curated sections:- Black Feminist Foundations- Statements and Manifestos- Cultures and Aesthetics- Bodies, Genders, and Sexualities- Black Feminist FuturesTimely and important, this is an indispensable resource for students and scholars of Black Studies, Women & Gender Studies and Black Feminist Studies, as well as more generally to American Studies, African Studies, Caribbean Studies, and African Diaspora Studies.

A collection of essays, interviews, and conversations by and between scholars, activists, and artists from Latin America and the Caribbean that paints a portrait of Black women's experiences across the region.Black women in Latin America and the Caribbean suffer a triple erasure: as Black people, as women, and as non-English speakers in a global environment dominated by the Anglophone North. Black Feminist Constellations is a passionate and necessary corrective. Focused on and written by Black women of the southern Americas, the original works composing this volume make legible the epistemologies that sustain radical scholarship, art, and political organizing by Black women everywhere. In essays, poems, and dialogues, the writers in Black Feminist Constellations reimagine liberation from the perspectives of radical South American and Caribbean Black women thinkers. The volume’s methodologically innovative approach reflects how Black women come together to theorize the world and challenges the notion that the university is the only site where knowledge can emerge. A major work of intellectual history, Black Feminist Constellations amplifies rarely heard voices, centers the uncanonized, and celebrates the overlooked work of Black women.

A collection of essays, interviews, and conversations by and between scholars, activists, and artists from Latin America and the Caribbean that paints a portrait of Black women's experiences across the region.Black women in Latin America and the Caribbean suffer a triple erasure: as Black people, as women, and as non-English speakers in a global environment dominated by the Anglophone North. Black Feminist Constellations is a passionate and necessary corrective. Focused on and written by Black women of the southern Americas, the original works composing this volume make legible the epistemologies that sustain radical scholarship, art, and political organizing by Black women everywhere. In essays, poems, and dialogues, the writers in Black Feminist Constellations reimagine liberation from the perspectives of radical South American and Caribbean Black women thinkers. The volume’s methodologically innovative approach reflects how Black women come together to theorize the world and challenges the notion that the university is the only site where knowledge can emerge. A major work of intellectual history, Black Feminist Constellations amplifies rarely heard voices, centers the uncanonized, and celebrates the overlooked work of Black women.

Writings from feminist scholars of color about their experiences during the pandemic.Bringing uncertainty, fear, and change, the COVID-19 pandemic shook the world, altered people’s lives, and sparked a wave of introspection. Underserved communities-people of color, women, and queer people among them-were affected the most, and their experiences, in turn, reflected hope and opportunities to reinvent themselves individually and collectively. Drawing on Gloria AnzaldÚa’s use of nepantla-the NÁhuatl word meaning “in-between space,” the en medio and a liminal space between worlds imbued with change-World Making in Nepantla collects writings about the hurdles feminist scholars of color faced during the pandemic years. Contributors explore how COVID affected feminist scholars of color while recognizing the ways in which inequality influences experience and also celebrating the resilience of communities all over the world. Dispatches from classrooms and quarantined homes and introspective essays on disability, mutual aid, and borders are included among the essays here. These pieces serve as a concrete record, capturing an ephemeral time already being lost to memory. Created during the heart of the pandemic, World Making in Nepantla is an honest and intimate recording of how feminist scholars of color navigated struggles and found strength during an era that forever changed the modern world.