Christian Bobin – författare

Christian Bobin is one of the most prolific and best-selling inspirational writers in France. His ‘lyric essays’, neither prose nor poetry, utilise a limited vocabulary manipulated with the precision of a watchmaker. Bobin often obtains his effects through startling juxtapositions of the ordinary, aimed straight at the heart and not without the intention of drawing blood.Prevalent themes in his work include the natural world, the perspectives of the very old and the very young, and the distilled wisdom of his contemplative Catholic faith. A lifelong sufferer from ‘persuasive melancholy’, Bobin mines the narrow seam of joy and wonder in the dank rock face of depression, and writing has been the tool he has employed to chip it out. The Eighth Day comprises – in an original English translation – a superb collection of Bobin’s writings from the last 30 years. A guaranteed best-selling author in France – his books can sell up to 200,000 copies per edition – he is an inspirational writer yet to be discovered in the English-speaking world.This anthology is designed to introduce him to a new readership, and includes fresh introductions to each chapter by translator and compiler Pauline Matarasso.

To this day, Emily Dickinson remains a beloved and enigmatic figure in American poetry. This “lady in white,” who shut herself away from the world and found solace alone with her words, has since her death been viewed primarily through the lens of her poetry, which afforded her beauty and hope amid the agony and loneliness of her life.As a reclusive writer himself, contemporary French author Christian Bobin felt a kindred tie to the poet, and his book The Lady in White honors Dickinson in the form of a brief, poetically imagined account of her life and the work that she gave the world. This fresh and personal interpretation of Dickinson’s life leaves one with an impression of knowing Dickinson both through her poetry, as recalled by Bobin, and as he senses the person she was through her work and the sparse facts we have about her life.

How did we come to revere this thirteenth-century Italian merchant's son as a saint? This penetrating meditation provides what may be the best answer yet, by gently but sure-handedly cutting through every pious legend to discover what is timeless and universally true about Saint Francis.

Why have we come to revere Francis of Assisi, a simple thirteenth-century Italian merchant's son, as a saint? Why has his appeal endured over eight hundred years and even expanded beyond the world of Catholicism to make him one of the most beloved religious figures of all time? This penetrating meditation on Francis's life gently but sure-handedly cuts through every pious legend to uncover what is timeless and universally true about him. Christian Bobin's unexpected and thoroughly original work presents a compelling image of a man whose power is found in humility, whose radical casting aside of wealth, honor, and even personal identity is inseparable from his overwhelming intimacy with God. Poetic, luminous, utterly hypnotic, "The Very Lowly " is a unique modern variation on the saint's life that will entrance everyone, whether "religious" or--almost especially--not.

Parlant de sa ville natale, Christian Bobin fait exploser toutes les notions tristes d’appartenance, de racines, voire d’identité. Il dessine ses rues, ses maisons préférées, le ciel qui roule au-dessus et contracte le tout dans le dessin d’une feuille d’automne, ou la minuscule cathédrale d’un flocon de neige. Celui qui était réputé immobile, plus sédentaire qu’un arbre, se révèle en vérité habitant de tous les mondes, vagabond de tous les ciels.

Ce Cahier est l’exploration de ce que Christian Bobin appela dès ses vingt ans Les différentes régions du ciel, et qui n’est autre qu’une sorte de chemin buissonnier contournant les croyances et les incroyances du monde. Les nombreux textes de Christian Bobin réunis dans ce volume démontrent la puissance de son écriture lumineuse qui ne cesse de conquérir un public fervent, et touche comme seule touche l’écriture des poètes.