Christian Ernsten – författare

In recent years, walking has emerged as a methodological tool and as a conceptually exciting point of departure across a range of disciplines and practices. This volume explores walking as a form of embodied research practice that offers fresh perspectives on key contemporary debates and areas of interest. These include the climate emergency and the debate around the Anthropocene, decolonial thinking and the struggle for social justice, feminist and queer walking methodologies, and the notion of the ‘infraordinary’ and practices of everyday life. Contributions to this volume are by scholars, artists and practitioners drawn from a wide range of disciplines and fields, and from across the Global South and North. An overarching theme of the volume is the manner in which the act of walking brings the body into presence as a material part of the research process, and the forms of attentiveness that this encourages. Another theme is the intimate connection between the act of walking and the act of writing. As familiar landscapes change under the weight of Anthropogenic environmental change, walking becomes an act of witnessing and a spur to action. Rather than being a singular activity, walking itself is understood as a socially, economically and politically constructed and contested act. This volume will serve as a source of inspiration to readers from across the arts, humanities, and social sciences who are interested in walking methodologies and in new and sustainable research practices.

In recent years, walking has emerged as a methodological tool and as a conceptually exciting point of departure across a range of disciplines and practices. This volume explores walking as a form of embodied research practice that offers fresh perspectives on key contemporary debates and areas of interest. These include the climate emergency and the debate around the Anthropocene, decolonial thinking and the struggle for social justice, feminist and queer walking methodologies, and the notion of the ‘infraordinary’ and practices of everyday life. Contributions to this volume are by scholars, artists and practitioners drawn from a wide range of disciplines and fields, and from across the Global South and North. An overarching theme of the volume is the manner in which the act of walking brings the body into presence as a material part of the research process, and the forms of attentiveness that this encourages. Another theme is the intimate connection between the act of walking and the act of writing. As familiar landscapes change under the weight of Anthropogenic environmental change, walking becomes an act of witnessing and a spur to action. Rather than being a singular activity, walking itself is understood as a socially, economically and politically constructed and contested act. This volume will serve as a source of inspiration to readers from across the arts, humanities, and social sciences who are interested in walking methodologies and in new and sustainable research practices.

In recent years, walking has emerged as a methodological tool and as a conceptually exciting point of departure across a range of disciplines and practices. This volume explores walking as a form of embodied research practice that offers fresh perspectives on key contemporary debates and areas of interest. These include the climate emergency and the debate around the Anthropocene, decolonial thinking and the struggle for social justice, feminist and queer walking methodologies, and the notion of the ‘infraordinary’ and practices of everyday life. Contributions to this volume are by scholars, artists and practitioners drawn from a wide range of disciplines and fields, and from across the Global South and North. An overarching theme of the volume is the manner in which the act of walking brings the body into presence as a material part of the research process, and the forms of attentiveness that this encourages. Another theme is the intimate connection between the act of walking and the act of writing. As familiar landscapes change under the weight of Anthropogenic environmental change, walking becomes an act of witnessing and a spur to action. Rather than being a singular activity, walking itself is understood as a socially, economically and politically constructed and contested act. This volume will serve as a source of inspiration to readers from across the arts, humanities, and social sciences who are interested in walking methodologies and in new and sustainable research practices.

In recent years, walking has emerged as a methodological tool and as a conceptually exciting point of departure across a range of disciplines and practices. This volume explores walking as a form of embodied research practice that offers fresh perspectives on key contemporary debates and areas of interest. These include the climate emergency and the debate around the Anthropocene, decolonial thinking and the struggle for social justice, feminist and queer walking methodologies, and the notion of the ‘infraordinary’ and practices of everyday life. Contributions to this volume are by scholars, artists and practitioners drawn from a wide range of disciplines and fields, and from across the Global South and North. An overarching theme of the volume is the manner in which the act of walking brings the body into presence as a material part of the research process, and the forms of attentiveness that this encourages. Another theme is the intimate connection between the act of walking and the act of writing. As familiar landscapes change under the weight of Anthropogenic environmental change, walking becomes an act of witnessing and a spur to action. Rather than being a singular activity, walking itself is understood as a socially, economically and politically constructed and contested act. This volume will serve as a source of inspiration to readers from across the arts, humanities, and social sciences who are interested in walking methodologies and in new and sustainable research practices.

This book traces and analyses the role of heritage in the urban transformation of the city of Cape Town. By looking at discourses of heritage and urban design, the book shows how Cape Town positions itself as an emerging global city in the context of a series of global events. The book points at how a heritage focus on the themes of post-colonial and post-apartheid reconciliation, restitution and memory in the city shifts to a focus on creativity, design and the arts. Thereby showing how traumatic remnants of colonialism and apartheid are reframed as “design challenges”. Furthermore, it argues that the idea of a transformed society is projected into a future time and the chaotic present everyday life is left to its own devices. Against this backdrop, the book lays out the opportunities for epistemological reset and decolonial reflection on the city’s deep histories, its embedded injustices and traumas that surfaced.​