Christina Laffin – författare
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2 produkter
2 produkter
380 kr
Skickas inom 10-15 vardagar
In an important and unique contribution to the study of noh, this volume includes, for the first time, essays on the subject of one noh play written by scholars from both sides of the Pacific Ocean in their own language, Japanese or English (with a summary of each contribution translated into the other language also included). The essays show some of the breadth and depth that is available for the study of Japanese literature and drama both in Japan and abroad. Japanese scholars Amano Fumio, Nishino Haruo, Takemoto Mikio, and Wakita Haruko join with actor Uzawa Hisa and American scholars Monica Bethe, Steven Brown, Susan Klein, William LaFleur, Susan Matisoff, Carolyn Morley, Mae Smethurst, and Arthur Thornhill, to interpret the noh Ominameshi, all from the vantage point of their own analytical approaches. The intent is to provide the reader with more than just an introduction to the variety of ways of studying noh in general by focusing on one particular play and analyzing it closely and from many directions.The volume includes a preface and introduction plus 19 color and 4 black-and-white illustrations; one less literal and one more literal translation of the noh accompanied by the Japanese texts; and contributions interpreting Ominameshi in the light of medieval commentaries, the ai-kyōgen, new historicism, gender studies, legends surrounding the history of the play's setting, the etiology of the graves of the two principal characters, poetic usage, other plays on the subject of ominameshi, the religious background and meaning, authorship, structure, performance, costumes and masks. The volume concludes with reflections on the performance of the play by Uzawa Hisa in Pittsburgh, Pennsylvania, during the conference out of which the book developed.
Del 2 - Language, Writing and Literary Culture in the Sinographic Cosmopolis
Kanbunmyaku
The Literary Sinitic Context and the Birth of Modern Japanese Language and Literature
Inbunden, Engelska, 2020
947 kr
Skickas inom 5-8 vardagar
In Kanbunmyaku: The Literary Sinitic Context and the Birth of Modern Japanese Language and Literature, Saito Mareshi demonstrates the centrality of Literary Sinitic poetry and prose in the creation of modern literary Japanese. Saito’s new understanding of the role of “kanbunmyaku” in the formation of Japanese literary modernity challenges dominant narratives tied to translations from modern Western literatures and problematizes the antagonism between Literary Sinitic and Japanese in the modern academy. Saito shows how kundoku (vernacular reading) and its rhythms were central to the rise of new inscriptional styles, charts the changing relationship of modern poets and novelists to kanbunmyaku, and concludes that the chronotope of modern Japan was based in a language world supported by the Literary Sinitic Context.