Häftad, Engelska, 2010
418 kr
Skickas inom 5-8 vardagar
An investigation of a wide range of contemporary sources, from domestic conduct guides to emblem books, this study offers fresh perspectives on both culture and literature.
Christina Luckyj – författare
Visar alla böcker från författaren Christina Luckyj. Handla med fri frakt och snabb leverans.
12 produkter
12 produkter
- Häftad, Engelska, 2011
535 kr
Skickas inom 10-15 vardagar
This is a comprehensive introduction to "The Duchess of Malfi" that introduces its critical and performance history, the current critical landscape and new directions in research. John Webster's classic revenge tragedy "The Duchess of Malfi" was first performed in 1614 and published in 1623. This guide offers students and scholars an introduction to its critical and performance history, including recent versions on stage and screen. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays presenting new critical positions on the text include gender and political perspectives on the idea of secrecy in the play and debates surrounding Webster's religio-political allegiances. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research. "Continuum Renaissance Drama" offers practical and accessible introductions to the critical and performative contexts of key Elizabethan and Jacobean plays.Each guide introduces the text's critical and performance history but also provides students with an invaluable insight into the landscape of current scholarly research through a keynote essay on the state of the art and newly commissioned essays of fresh research from different critical perspectives. - Inbunden, Engelska, 2011
1 926 kr
Skickas inom 10-15 vardagar
This is a comprehensive introduction to "The Duchess of Malfi" that introduces its critical and performance history, the current critical landscape and new directions in research. John Webster's classic revenge tragedy "The Duchess of Malfi" was first performed in 1614 and published in 1623. This guide offers students and scholars an introduction to its critical and performance history, including recent versions on stage and screen. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays presenting new critical positions on the text include gender and political perspectives on the idea of secrecy in the play and debates surrounding Webster's religio-political allegiances. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research. "Continuum Renaissance Drama" offers practical and accessible introductions to the critical and performative contexts of key Elizabethan and Jacobean plays.Each guide introduces the text's critical and performance history but also provides students with an invaluable insight into the landscape of current scholarly research through a keynote essay on the state of the art and newly commissioned essays of fresh research from different critical perspectives. - Inbunden, Engelska, 2022
1 520 kr
Skickas inom 5-8 vardagar
The female voice was deployed by male and female authors alike to signal emerging discourses of religious and political liberty in early Stuart England. Christina Luckyj's important new study focuses critical attention on writing in multiple genres to show how, in the coded rhetoric of seventeenth-century religious politics, the wife's conscience in resisting tyranny represents the rights of the subject, and the bride's militant voice in the Song of Songs champions Christ's independent jurisdiction. Revealing this gendered system of representation through close analysis of writings by Elizabeth Cary, Aemilia Lanyer, Rachel Speght, Mary Wroth and Anne Southwell, Luckyj illuminates the dangers of essentializing female voices and restricting them to domestic space. Through their connections with parliament, with factional courtiers, or with dissident religious figures, major women writers occupied a powerful oppositional stance in relation to early Stuart monarchs and crafted a radical new politics of the female voice. - Häftad, Engelska, 2024
457 kr
Skickas inom 5-8 vardagar
The female voice was deployed by male and female authors alike to signal emerging discourses of religious and political liberty in early Stuart England. Christina Luckyj's important new study focuses critical attention on writing in multiple genres to show how, in the coded rhetoric of seventeenth-century religious politics, the wife's conscience in resisting tyranny represents the rights of the subject, and the bride's militant voice in the Song of Songs champions Christ's independent jurisdiction. Revealing this gendered system of representation through close analysis of writings by Elizabeth Cary, Aemilia Lanyer, Rachel Speght, Mary Wroth and Anne Southwell, Luckyj illuminates the dangers of essentializing female voices and restricting them to domestic space. Through their connections with parliament, with factional courtiers, or with dissident religious figures, major women writers occupied a powerful oppositional stance in relation to early Stuart monarchs and crafted a radical new politics of the female voice. - E-bokEngelska, 2022
441 kr
Läs direkt efter köp
The female voice was deployed by male and female authors alike to signal emerging discourses of religious and political liberty in early Stuart England. Christina Luckyj''s important new study focuses critical attention on writing in multiple genres to show how, in the coded rhetoric of seventeenth-century religious politics, the wife''s conscience in resisting tyranny represents the rights of the subject, and the bride''s militant voice in the Song of Songs champions Christ''s independent jurisdiction. Revealing this gendered system of representation through close analysis of writings by Elizabeth Cary, Aemilia Lanyer, Rachel Speght, Mary Wroth and Anne Southwell, Luckyj illuminates the dangers of essentializing female voices and restricting them to domestic space. Through their connections with parliament, with factional courtiers, or with dissident religious figures, major women writers occupied a powerful oppositional stance in relation to early Stuart monarchs and crafted a radical new politics of the female voice. - E-bokPDF, Engelska, 2022
441 kr
Läs direkt efter köp
The female voice was deployed by male and female authors alike to signal emerging discourses of religious and political liberty in early Stuart England. Christina Luckyj''s important new study focuses critical attention on writing in multiple genres to show how, in the coded rhetoric of seventeenth-century religious politics, the wife''s conscience in resisting tyranny represents the rights of the subject, and the bride''s militant voice in the Song of Songs champions Christ''s independent jurisdiction. Revealing this gendered system of representation through close analysis of writings by Elizabeth Cary, Aemilia Lanyer, Rachel Speght, Mary Wroth and Anne Southwell, Luckyj illuminates the dangers of essentializing female voices and restricting them to domestic space. Through their connections with parliament, with factional courtiers, or with dissident religious figures, major women writers occupied a powerful oppositional stance in relation to early Stuart monarchs and crafted a radical new politics of the female voice. - E-bokEngelska, 2014
209 kr
Läs direkt efter köp
"Woman to man is either a god or a wolf" John Webster''s first independent play, The White Devil, originally performed in 1612, centres on the beautiful Vittoria Corombona and her lover, Duke Brachiano, whose passionate, adulterous affair unleashes the powerful revenge of their enemies. While clearly guilty of lust and murder, these unsavoury characters become startlingly heroic under pressure, challenging both conventional moral judgments and oppressive social forces. This revised student edition contains a lengthy new Introduction with background on the author, date and sources, theme, critical interpretation and stage history. The Introduction discusses Webster''s radical experimentation with tragic modes, his interest in the heroic potential of women, and evaluates the handling of both in recent stage productions. - E-bokPDF, Engelska, 2014
211 kr
Läs direkt efter köp
"Woman to man is either a god or a wolf" John Webster''s first independent play, The White Devil, originally performed in 1612, centres on the beautiful Vittoria Corombona and her lover, Duke Brachiano, whose passionate, adulterous affair unleashes the powerful revenge of their enemies. While clearly guilty of lust and murder, these unsavoury characters become startlingly heroic under pressure, challenging both conventional moral judgments and oppressive social forces. This revised student edition contains a lengthy new Introduction with background on the author, date and sources, theme, critical interpretation and stage history. The Introduction discusses Webster''s radical experimentation with tragic modes, his interest in the heroic potential of women, and evaluates the handling of both in recent stage productions. - E-bokPDF, Engelska, 2011
579 kr
Läs direkt efter köp
John Webster's classic revenge tragedy The Duchess of Malfi was first performed in 1613 and published in 1623. This guide offers students an introduction to its critical and performance history, including recent versions on stage and screen. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays presenting new critical positions that offer divergent perspectives on Webster's religio-political allegiances and the politics and gendering of secrecy in the play. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research. - E-bokEngelska, 2011
579 kr
Läs direkt efter köp
John Webster''s classic revenge tragedy The Duchess of Malfi was first performed in 1613 and published in 1623. This guide offers students an introduction to its critical and performance history, including recent versions on stage and screen. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays presenting new critical positions that offer divergent perspectives on Webster''s religio-political allegiances and the politics and gendering of secrecy in the play. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research. - Inbunden, Engelska, 2017
903 kr
Skickas inom 10-15 vardagar
2018 Best Collaborative Project from the Society for the Study of Early Modern WomenIn the last thirty years scholarship has increasingly engaged the topic of women’s alliances in early modern Europe. The Politics of Female Alliance in Early Modern England expands our knowledge of yet another facet of female alliance: the political. Archival discoveries as well as new work on politics and law help shape this work as a timely reevaluation of the nature and extent of women’s political alliances.Grouped into three sections-domestic, court, and kinship alliances-these essays investigate historical documents, drama, and poetry, insisting that female alliances, much like male friendship discourse, had political meaning in early modern England. Offering new perspectives on female authors such as the Cavendish sisters, Anne Clifford, Aemilia Lanyer, and Katherine Philips, as well as on male-authored texts such as Romeo and Juliet, The Winter’s Tale, Swetnam the Woman-Hater, and The Maid’s Tragedy, the essays bring both familiar and unfamiliar texts into conversation about the political potential of female alliances.Some contributors are skeptical about allied women’s political power, while others suggest that such female communities had considerable potential to contain, maintain, or subvert political hierarchies. A wide variety of approaches to the political are represented in the volume and the scope will make it appealing to a broad audience.
