Christine Daigle - Böcker

What are the challenges that Nietzsche's philosophy poses for contemporary phenomenology? Elodie Boublil, Christine Daigle, and an international group of scholars take Nietzsche in new directions and shed light on the sources of phenomenological method in Nietzsche, echoes and influences of Nietzsche within modern phenomenology, and connections between Nietzsche, phenomenology, and ethics. Nietzsche and Phenomenology offers a historical and systematic reconsideration of the scope of Nietzsche's thought.

What are the challenges that Nietzsche's philosophy poses for contemporary phenomenology? Elodie Boublil, Christine Daigle, and an international group of scholars take Nietzsche in new directions and shed light on the sources of phenomenological method in Nietzsche, echoes and influences of Nietzsche within modern phenomenology, and connections between Nietzsche, phenomenology, and ethics. Nietzsche and Phenomenology offers a historical and systematic reconsideration of the scope of Nietzsche's thought.

While many scholars consider Simone de Beauvoir an important philosopher in her own right, thorny issues of mutual influence between her thought and that of Jean-Paul Sartre still have not been settled definitively. Some continue to believe Beauvoir's own claim that Sartre was the philosopher and she was the follower even though their relationship was far more complex than this proposition suggests. Christine Daigle, Jacob Golomb, and an international group of scholars explore the philosophical and literary relationship between Beauvoir and Sartre in this penetrating volume. Did each elaborate a philosophy of his or her own? Did they share a single philosophy? Did the ideas of each have an impact on the other? How did influences develop and what was their nature? Who influenced whom most of all? A crisscrossed picture of mutual intricacies and significant differences emerges from the skillful and sophisticated exchange that takes place here.

A critical figure in twentieth-century literature and philosophy, Jean-Paul Sartre changed the course of critical thought, and claimed a new, important role for the intellectual. Christine Daigle sets Sartre’s thought in context, and considers a number of key ideas in detail, charting their impact and continuing influence, including: Sartre’s theories of consciousness, being and freedom as outlined in Being and Nothingness and other texts the ethics of authenticity and absolute responsibility concrete relations, sexual relationships and gender difference, focusing on the significance of the alienating look of the Other the social and political role of the author the legacy of Sartre’s theories and their relationship to structuralism and philosophy of mind. Introducing both literary and philosophical texts by Sartre, this volume makes Sartre’s ideas newly accessible to students of literary and cultural studies as well as to students of continental philosophy and French.

A critical figure in twentieth-century literature and philosophy, Jean-Paul Sartre changed the course of critical thought, and claimed a new, important role for the intellectual. Christine Daigle sets Sartre’s thought in context, and considers a number of key ideas in detail, charting their impact and continuing influence, including: Sartre’s theories of consciousness, being and freedom as outlined in Being and Nothingness and other texts the ethics of authenticity and absolute responsibility concrete relations, sexual relationships and gender difference, focusing on the significance of the alienating look of the Other the social and political role of the author the legacy of Sartre’s theories and their relationship to structuralism and philosophy of mind. Introducing both literary and philosophical texts by Sartre, this volume makes Sartre’s ideas newly accessible to students of literary and cultural studies as well as to students of continental philosophy and French.

This volume examines the significant increase in representations of serial killers as central characters in popular television over the last two decades. Via critical analyses of the philosophical and existential themes presented to viewers and their place in the cultural landscape of contemporary America, the authors ask: What is it about serial killers that incited such a boom in these types of narratives in popular television post-9/11?Looking past the serial format of television programming as uniquely suited for the presentation of the serial killer’s actions, the chapters delve into deeper reasons as to why TV has proven to be such a fertile ground for serial killer narratives in contemporary popular culture. An international team of authors question: What is it about serial killers that makes these characters deeply enlightening representations of the human condition that, although horrifically deviant, reflect complex elements of the human psyche? Why are serial killers intellectually fascinating to audiences? How do these characters so deeply affect us?Shedding new light on a contemporary phenomenon, this book will be a fascinating read for all those at the intersection of television studies, film studies, psychology, popular culture, media studies, philosophy, genre studies, and horror studies.

This volume examines the significant increase in representations of serial killers as central characters in popular television over the last two decades. Via critical analyses of the philosophical and existential themes presented to viewers and their place in the cultural landscape of contemporary America, the authors ask: What is it about serial killers that incited such a boom in these types of narratives in popular television post-9/11?Looking past the serial format of television programming as uniquely suited for the presentation of the serial killer’s actions, the chapters delve into deeper reasons as to why TV has proven to be such a fertile ground for serial killer narratives in contemporary popular culture. An international team of authors question: What is it about serial killers that makes these characters deeply enlightening representations of the human condition that, although horrifically deviant, reflect complex elements of the human psyche? Why are serial killers intellectually fascinating to audiences? How do these characters so deeply affect us?Shedding new light on a contemporary phenomenon, this book will be a fascinating read for all those at the intersection of television studies, film studies, psychology, popular culture, media studies, philosophy, genre studies, and horror studies.

Uncovering the theoretical and creative interconnections between posthumanism and philosophies of immanence, this volume explores the influence of the philosophy of immanence on posthuman theory; the varied reworkings of immanence for the nonhuman turn; and the new pathways for critical thinking created by the combination of these monumental discourses. With the philosophy of Gilles Deleuze and Félix Guattari serving as a vibrant node of immanence, this volume maps a multiplicity of pathways from Deleuze, Guattari and their theoretical allies – including Spinoza and Nietzsche – to posthuman thought. As positions that insist, respectively, on the equal yet distinct powers of mind and body (immanence) and the urgent need to dismantle human privilege and exceptionality (posthumanism), each chapter reveals concepts for rethinking established notions of being, thought, experience, and life. The authors here take examples from a range of different media, including literature and contemporary cinema, featuring films such as Enthiran/The Robot (India, 2010) and CHAPPiE (USA/Mexico, 2015), and new developments in technology and theory. In doing so, they investigate Deleuzian and Guattarian posthumanism from a variety of political and ethical frameworks and perspectives, from afro-pessimism to feminist thought, disability studies, biopolitics, and social justice. Countering the dualisms of Cartesian philosophy and flattening the hierarchies imposed by Humanism, From Deleuze and Guattari to Posthumanism launches vital interrogations of established knowledge and sparks the critical reflection necessary for life in the posthuman era.

Uncovering the theoretical and creative interconnections between posthumanism and philosophies of immanence, this volume explores the influence of the philosophy of immanence on posthuman theory; the varied reworkings of immanence for the nonhuman turn; and the new pathways for critical thinking created by the combination of these monumental discourses. With the philosophy of Gilles Deleuze and Félix Guattari serving as a vibrant node of immanence, this volume maps a multiplicity of pathways from Deleuze, Guattari and their theoretical allies – including Spinoza and Nietzsche – to posthuman thought. As positions that insist, respectively, on the equal yet distinct powers of mind and body (immanence) and the urgent need to dismantle human privilege and exceptionality (posthumanism), each chapter reveals concepts for rethinking established notions of being, thought, experience, and life. The authors here take examples from a range of different media, including literature and contemporary cinema, featuring films such as Enthiran/The Robot (India, 2010) and CHAPPiE (USA/Mexico, 2015), and new developments in technology and theory. In doing so, they investigate Deleuzian and Guattarian posthumanism from a variety of political and ethical frameworks and perspectives, from afro-pessimism to feminist thought, disability studies, biopolitics, and social justice. Countering the dualisms of Cartesian philosophy and flattening the hierarchies imposed by Humanism, From Deleuze and Guattari to Posthumanism launches vital interrogations of established knowledge and sparks the critical reflection necessary for life in the posthuman era.

Problematic assumptions which see humans as special and easily defined as standing apart from animals, plants, and microbiota, both consciously and unconsciously underpin scientific investigation, arts practice, curation, education, and research across the social sciences and humanities. This is the case particularly in those traditions emerging from European and Enlightenment philosophies. Posthumanism disrupts these traditional humanist outlooks and interrogates their profound shaping of how we see ourselves, our place in the world, and our role in its protection.In Posthumanism in Practice, artists, researchers, educators, and curators set out how they have developed and responded to posthumanist ideas across their work in the arts, sciences, and humanities, and provide examples and insights to support the exploration of posthumanism in how we can think, create, and live. In capturing these ideas, Posthumanism in Practice shows how posthumanist thought can move beyond theory, inform action, and produce new artefacts, effects, and methods that are more relevant and more useful for the incoming realities for all life in the 21st century.

Problematic assumptions which see humans as special and easily defined as standing apart from animals, plants, and microbiota, both consciously and unconsciously underpin scientific investigation, arts practice, curation, education, and research across the social sciences and humanities. This is the case particularly in those traditions emerging from European and Enlightenment philosophies. Posthumanism disrupts these traditional humanist outlooks and interrogates their profound shaping of how we see ourselves, our place in the world, and our role in its protection.In Posthumanism in Practice, artists, researchers, educators, and curators set out how they have developed and responded to posthumanist ideas across their work in the arts, sciences, and humanities, and provide examples and insights to support the exploration of posthumanism in how we can think, create, and live. In capturing these ideas, Posthumanism in Practice shows how posthumanist thought can move beyond theory, inform action, and produce new artefacts, effects, and methods that are more relevant and more useful for the incoming realities for all life in the 21st century.

A timely dethroning of the human subject and embracing of a new kind of existence, in this book Christine Daigle highlights the affirmative potential of vulnerability amidst unprecedented times of more-than-human crises. By bringing together traditions as diverse as feminist materialist philosophy, phenomenology, and affect theory, Daigle convincingly pleas for the radical embracing of a shared posthumanist vulnerability.Posthuman Vulnerability fills a significant theoretical gap - whilst feminism has explored the affirming power of vulnerability, it's been from a very human-centric viewpoint. In posing a feminist and posthuman take on vulnerability, Daigle is bridging traditions in a totally original and much needed way.

A timely dethroning of the human subject and embracing of a new kind of existence, in this book Christine Daigle highlights the affirmative potential of vulnerability amidst unprecedented times of more-than-human crises. By bringing together traditions as diverse as feminist materialist philosophy, phenomenology, and affect theory, Daigle convincingly pleas for the radical embracing of a shared posthumanist vulnerability.Posthuman Vulnerability fills a significant theoretical gap - whilst feminism has explored the affirming power of vulnerability, it's been from a very human-centric viewpoint. In posing a feminist and posthuman take on vulnerability, Daigle is bridging traditions in a totally original and much needed way.

Traditional Western attitudes towards death deal with it as a painful inevitability, something that has to be navigated as a trauma and a taboo. They focus essentially on the ‘management’ of death, an anthropocentric practice prioritising the human life above every other type of existence.Patricia MacCormack explores how we can develop a ‘death activism’ – a variety of tactics and posthuman practices which celebrate death, its inevitability, its forms, from the slow to times of crisis, and how trauma and mourning emerge as their own forms of expression. Crucial to the foundation of death activism is the dissymmetry with which different deaths are met including the mass death of nonhuman animals and ecologies.Death Activism is a feminist, queer, postcolonialist enquiry, that seeks to queer death – making queer our usual familiar death habits and trajectories of thought, toward a jubilant activism that can transform death into a more democratically equal, and a more jubilant force for life.

Examining our relationships with architecture beyond human-centric perspectives, Xenoaesthetics challenges conventional views of design and space inhabitation by exploring the architectural project as an autonomous entity. Drawing together insights from philosophy and architecture, this book delves into the conditions, roles, and implications of architectural encounters, conceptualising the architectural project as a site of unity-multiplicity tension, and introducing the concept of xenoaesthetics as a cognitive mode attuned to this structure. This approach invites readers to reimagine architectural experience as a dual action that reveals the project to us and realizes itself through us. As well as implying disciplinary consequences for design questions, Vaillo’s work holds socio-political significance for our everyday architectural interactions, contributing to the quest for practices and discourses on equality. Methodologically, his argument draws from Object-Oriented Ontology and the architect Enric Miralles, offering an additional retrospective crossover that enriches both references.A resource for students, architects, scholars, and enthusiasts interested in exploring architecture beyond assumptions and prescribed value systems, Xenoaesthetics encourages a deeper understanding of the intricate relationship between humans and the architectural project.

Christine Daigle explores Nietzsche's phenomenological method, a 'wild phenomenology', to elucidate his understanding of the human being as an intentional embodied consciousness, as a being-in-the-world and as a being-with-others. Establishing this phenomenological conception of the human allows her to revisit the Nietzschean notions of free spirit and the Overhuman and how they express the ethical and cultural-political flourishing Nietzsche envisions for human beings. Daigle shows that reading Nietzsche as a wild phenomenologist entails a reinterpretation of his views on ethics and politics, specifically of the notions of free spirit, Overhumanity, and authentic flourishing, in the individual and socio-cultural sense. This daring reinterpretation of Nietzsche's philosophy resolves inconsistencies in scholarship and offers a thought-provoking take on his ethical and political views.

Radically revises Nietzsche's ethical and political views by controversially interpreting his philosophy as phenomenologicalClosely analyses the often-disregarded middle period works by Nietzsche, including The Gay Science, Daybreak and Human, All Too HumanIncludes a new interpretation of key concepts, such as will to power, to emphasise their phenomenological importEngages with prominent commentators from the continental and analytic tradition including Ruth Abbey, Keith Ansell-Pearson, Rebecca Bamford, Christa Davis Acampora, and Robert C. MinerAdvances new perspectives on central and well-known passages from Nietzsche's corpusChristine Daigle explores Nietzsche's phenomenological method, a 'wild phenomenology', to elucidate his understanding of the human being as an intentional embodied consciousness, as a being-in-the-world and as a being-with-others. Establishing this phenomenological conception of the human allows Daigle to revisit the Nietzschean notions of free spirit and the Overhuman and how they express the ethical and cultural-political flourishing Nietzsche envisions for human beings. This daring reinterpretation of Nietzsche's philosophy resolves inconsistencies in previous scholarship and offers a thought-provoking new take on his ethical and political views.