Christine De Pizan – författare

In 1401, Christine de Pizan (1365–1430?), one of the most renowned and prolific woman writers of the Middle Ages, wrote a letter to the provost of Lille criticizing the highly popular and widely read Romance of the Rose for its blatant and unwarranted misogynistic depictions of women. The debate that ensued, over not only the merits of the treatise but also of the place of women in society, started Europe on the long path to gender parity. Pizan’s criticism sparked a continent-wide discussion of issues that is still alive today in disputes about art and morality, especially the civic responsibility of a writer or artist for the works he or she produces.

In Debate of the “Romance of the Rose,” David Hult collects, along with the debate documents themselves, letters, sermons, and excerpts from other works of Pizan, including one from City of Ladies—her major defense of women and their rights—that give context to this debate. Here, Pizan’s supporters and detractors are heard alongside her own formidable, protofeminist voice.  The resulting volume affords a rare look at the way people read and thought about literature in the period immediately preceding the era of print.

Originally published in 1993, this book offers a translation of Christine de Pizan''s Christine''s Vision, as translated by Glenda K. McLeod. One of France''s first professionl writers, Christine de Pizan wrote a large and remarkable body of work, distinguished not only for its variety and quality but also for its unusual blend of introspective and public commentary. As Christine''s Vision makes clear, Christine sensed the similarities between her fate and France''s and felt a close bond with her adopted land.

Originally published in 1993, this book offers a translation of Christine de Pizan''s Christine''s Vision, as translated by Glenda K. McLeod. One of France''s first professionl writers, Christine de Pizan wrote a large and remarkable body of work, distinguished not only for its variety and quality but also for its unusual blend of introspective and public commentary. As Christine''s Vision makes clear, Christine sensed the similarities between her fate and France''s and felt a close bond with her adopted land.

»Hittills har många kloka och rättfärdiga människor berömt kvinnornas verk, utan att kvinnorna själva skrivit en bok om dessa ting. Vad gäller tiden som har gått utan att deras anklagare och belackare har blivit bemötta, säger jag dig bara, att i evigheten har var sak sin tid.« - Christine de PizanSå har tiden äntligen kommit för den första svenska översättningen av Christine de Pizans Kvinnostaden (1405), ett av senmedeltidens viktigaste litterära verk och en uppgörelse med den tidens kvinnofientliga tanke- och samhällsmönster.Med hjälp av »tre höga fruar« går Christine ut på Litteraturens fält för att grunda Kvinnostaden. Byggstenarna utgörs av historiska och mytologiska kvinnoöden, allt ifrån drottning Semiramis och Jungfru Maria till samtida kvinnor i Christines närhet. Med uppfriskande klarhet analyserar hon sin tids skrankor och formulerar en utopisk vision som fortfarande inte har förlorat sin aktualitet.Översättning Jens Nordenhök · förord Carin FranzénChristine de Pizan (1364-1431) har kallats »den första feministen« och inledde sin bana som professionell författare när hon vid tjugofem års ålder blev änka och ensam måste försörja tre barn och sin mor. Född i Venedig och verksam i Paris.