Renate Blumenfeld-Kosinski - Böcker

For almost forty years, from 1378 to 1417, the Western Church was divided into rival camps headed by two—and eventually three—competing popes. The so-called Schism provoked a profound and long-lasting anxiety throughout Europe—an anxiety that reverberated throughout clerical circles and among the ordinary faithful. In Poets, Saints, and Visionaries of the Great Schism, Renate Blumenfeld-Kosinski looks beyond the political and ecclesiastical storm and finds an outpouring of artistic, literary, and visionary responses to one of the great calamities of the late Middle Ages. Modern historians have analyzed the Great Schism mostly from the perspective of church politics. Blumenfeld-Kosinski shifts our attention to several groups that have not before been considered together: saintly men and women (such as Catherine of Siena, Pedro of Aragon, Vincent Ferrer, and Constance de Rabastens), politically aware and committed poets (such as Philippe de Mézières and Christine de Pizan), and prophets (for example, the mysterious Telesphorus of Cosenza and the authors of the anonymous Prophecies of the Last Popes). Not surprisingly, these groups often saw the Schism as an apocalyptic sign of the end times. Images abounded of the divided Church as a two-headed monster or suffering widow.A twelfth-century “prelude” looks at the schism of 1159 and the role the famous visionaries Hildegard of Bingen and Elisabeth of Schönau played in this earlier crisis in order to define common threads of “mystical activism” as well as the profound differences with the later Great Schism. Poets, Saints, and Visionaries of the Great Schism will be of interest to students and scholars of medieval and early modern history, religious studies, and literature.

For almost forty years, from 1378 to 1417, the Western Church was divided into rival camps headed by two—and eventually three—competing popes. The so-called Schism provoked a profound and long-lasting anxiety throughout Europe—an anxiety that reverberated throughout clerical circles and among the ordinary faithful. In Poets, Saints, and Visionaries of the Great Schism, Renate Blumenfeld-Kosinski looks beyond the political and ecclesiastical storm and finds an outpouring of artistic, literary, and visionary responses to one of the great calamities of the late Middle Ages. Modern historians have analyzed the Great Schism mostly from the perspective of church politics. Blumenfeld-Kosinski shifts our attention to several groups that have not before been considered together: saintly men and women (such as Catherine of Siena, Pedro of Aragon, Vincent Ferrer, and Constance de Rabastens), politically aware and committed poets (such as Philippe de Mézières and Christine de Pizan), and prophets (for example, the mysterious Telesphorus of Cosenza and the authors of the anonymous Prophecies of the Last Popes). Not surprisingly, these groups often saw the Schism as an apocalyptic sign of the end times. Images abounded of the divided Church as a two-headed monster or suffering widow.A twelfth-century “prelude” looks at the schism of 1159 and the role the famous visionaries Hildegard of Bingen and Elisabeth of Schönau played in this earlier crisis in order to define common threads of “mystical activism” as well as the profound differences with the later Great Schism. Poets, Saints, and Visionaries of the Great Schism will be of interest to students and scholars of medieval and early modern history, religious studies, and literature.

This Norton Critical Edition presents selections from eighteen of Christine’s major works in fresh, contemporary translations.  Each text is fully annotated and is accompanied by an introduction placing it in the context of Christine’s oeuvre and tracing the literary developments and the historical situation of the period.  The Book of Fortune’s Transformation and The Book of the City of Ladies include manuscript illuminations."Criticism" collects seven important interpretations of the literary and historical aspects of Christine’s work, by Jacqueline Cerquiglini, Beatrice Gottlieb, Renate Blumenfeld-Kosinski, Sheila Delany, Patricia A. Phillippy, Joel Blanchard, and Kevin Brownlee.  A Selected Bibliography is included.

The articles in this collection focus on politics in the widest sense and its influence and visibility in translations from the early Middle Ages to the late Renaissance - from Eusbius' translations of "Virgil" to Shakespeare's adaptation of the story of Titus Andronicus. No translation, this collection argues, is an innocent, transparent rendering of the original; translation is always carried out in a certain cultural and political ambience.

This book explores the appropriation and transformation of classical mythology by French culture from the mid-twelfth century to about 1430. Each of the five chapters focuses on a specific moment in this process and asks: What were the purposes of transforming classical myth? Which techniques did poets use to integrate classical subject matter into their own texts? Was a special interpretive tradition created for vernacular texts?In Chapter 1, the author shows how Latin epic texts were reoriented for political purposes in the twelfth-century Anglo-Norman realm, gaining new depth by the addition of Ovidian elements that evoked threats of a disorder different from the struggles of classical epic. Chapter 2 analyzes the complex use of myth in the thirteenth-century Roman de la Rose, which offers new conjunctions and interpretations of myths related to language, artistic expression, and sexuality. Chapter 3 focuses on the interpretive techniques and vocabulary of the fourteenth-century Ovide moralisé, such as "allegory," "fable," and istoire, arguing that the Christianization of the Metamorphoses created a "new Ovid" in the form of a fourteenth-century friar.Chapter 4 reveals that, although Guillaume de Machaut questioned the usefulness of mythic fables, he turned to them to invoke artistic consolation and ward off threats to his poetic voice. It also describes how Jean Froissart produced new myths by combining existing fables with newly invented elements in an attempt to dramatize the poetic creativity of his age. Finally, Chapter 5 demonstrates how Christine de Pizan offered the full range of medieval possibilities for myth: playing with the mythographic tradition, inscribing herself into Ovidian myths, offering historical explanations, rewriting myths from a pro-woman stance, and finally creating mythic universes of her own.

In 1384, a poor and illiterate peasant woman named Ermine moved to the city of Reims with her elderly husband. Her era was troubled by war, plague, and schism within the Catholic Church, and Ermine could easily have slipped unobserved through the cracks of history. After the loss of her husband, however, things took a remarkable but frightening turn. For the last ten months of her life, Ermine was tormented by nightly visions of angels and demons. In her nocturnal terrors, she was attacked by animals, beaten and kidnapped by devils in disguise, and exposed to carnal spectacles; on other nights, she was blessed by saints, even visited by the Virgin Mary. She confessed these strange occurrences to an Augustinian friar known as Jean le Graveur, who recorded them all in vivid detail.Was Ermine a saint in the making, an impostor, an incipient witch, or a madwoman? Renate Blumenfeld-Kosinski ponders answers to these questions in the historical and theological context of this troubled woman's experiences. With empathy and acuity, Blumenfeld-Kosinski examines Ermine's life in fourteenth-century Reims, her relationship with her confessor, her ascetic and devotional practices, and her reported encounters with heavenly and hellish beings. Supplemented by translated excerpts from Jean's account, The Strange Case of Ermine de Reims brings to life an episode that helped precipitate one of the major clerical controversies of late medieval Europe, revealing surprising truths about the era's conceptions of piety and possession.

In 1384, a poor and illiterate peasant woman named Ermine moved to the city of Reims with her elderly husband. Her era was troubled by war, plague, and schism within the Catholic Church, and Ermine could easily have slipped unobserved through the cracks of history. After the loss of her husband, however, things took a remarkable but frightening turn. For the last ten months of her life, Ermine was tormented by nightly visions of angels and demons. In her nocturnal terrors, she was attacked by animals, beaten and kidnapped by devils in disguise, and exposed to carnal spectacles; on other nights, she was blessed by saints, even visited by the Virgin Mary. She confessed these strange occurrences to an Augustinian friar known as Jean le Graveur, who recorded them all in vivid detail.Was Ermine a saint in the making, an impostor, an incipient witch, or a madwoman? Renate Blumenfeld-Kosinski ponders answers to these questions in the historical and theological context of this troubled woman's experiences. With empathy and acuity, Blumenfeld-Kosinski examines Ermine's life in fourteenth-century Reims, her relationship with her confessor, her ascetic and devotional practices, and her reported encounters with heavenly and hellish beings. Supplemented by translated excerpts from Jean's account, The Strange Case of Ermine de Reims brings to life an episode that helped precipitate one of the major clerical controversies of late medieval Europe, revealing surprising truths about the era's conceptions of piety and possession.

Margaret of Oingt was born around 1240 into a noble family in the French Beaujolais region, and became prioress of the Carthusian charterhouse of Poletains; visionary and mystic, her writings are intelligent and humorous. Includedhere are the Page of Meditations, on sin and salvation; the Mirror, a vision of Christ; the Life of the Virgin Saint Beatrice of Ornacieux, an exemplary text; and letters and stories, including comments on her problems as prioress. They are translated from the Latin and Francoprovencal with an introduction, notes, and interpretative essay.Renate Blumenfeld-Kosinski is Chair, Department of French and Italian, and Professorof French, at the University of Pittsburgh.

Othea’s Letter to Hector, one of Christine de Pizan’s most popular works, is at the same time one of her most complex creations. Combining a somewhat Sibylline verse text based on a mythological figure with extensive citation of pagan sapiential authorities, the Bible, and the Church Fathers, it showcases Christine’s extraordinary learning and her innovative approach to didacticism. An appendix provides new insights on her skillful use of patristic sources and creative command of Latin authors.

"Not of woman born, the Fortunate, the Unborn"—the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. Examining representations of Caesarean birth in legend and art and tracing its history in medical writing, Renate Blumenfeld-Kosinski addresses the web of religious, ethical, and cultural questions concerning abdominal delivery in the Middle Ages and the Renaissance. Not of Woman Born increases our understanding of the history of the medical profession, of medical iconography, and of ideas surrounding "unnatural" childbirth.Blumenfeld-Kosinski compares texts and visual images in order to trace the evolution of Caesarean birth as it was perceived by the main actors involved—pregnant women, medical practitioners, and artistic or literary interpreters. Bringing together medical treatises and texts as well as hitherto unexplored primary sources such as manuscript illuminations, she provides a fresh perspective on attitudes toward pregnancy and birth in the Middle Ages and the Renaissance; the meaning and consequences of medieval medicine for women as both patients and practitioners, and the professionalization of medicine. She discusses writings on Caesarean birth from the twelfth and thirteenth centuries, when Church Councils ordered midwives to perform the operation if a mother died during childbirth in order that the child might be baptized; to the fourteenth century, when the first medical text, Bernard of Gordon's Lilium medicinae, mentioned the operation; up to the gradual replacement of midwives by male surgeons in the fifteenth and sixteenth centuries. Not of Woman Born offers the first close analysis of Frarnois Rousset's 1581 treatise on the operation as an example of sixteenth-century medical discourse. It also considers the ambiguous nature of Caesarean birth, drawing on accounts of such miraculous examples as the birth of the Antichrist. An appendix reviews the complex etymological history of the term "Caesarean section."Richly interdisciplinary, Not of Woman Born will enliven discussions of the controversial issues surrounding Caesarean delivery today. Medical, social, and cultural historians interested in the Middle Ages and the Renaissance, historians, literary scholars, midwives, obstetricians, nurses, and others concerned with women's history will want to read it.