Christophe Thouny – författare

The Urban Planetary and Tokyo Modernity: Dwelling in Passing analyzes everyday experiences in Tokyo during the 1910s and 1920s, showing how urban literature and urban ethnography both tried to come to terms with an emerging planetary situation defined by both ongoing movement and an intensification of local experiences. This book argues that modern urban experiences are not primarily a question of alienation, consumerism, or national life but first one of dwelling, and in particular “a dwelling in passing”. Looking at the work of the Japanese urban ethnographer Kon Wajiro in relation to early 20th century literary mappings of Tokyo in Japanese literature such as Mori Ogai’s 1912 novel Youth to Tayama Katai’s 1916 The Tokyo Near-Suburb, Christophe Thouny argues for the need to reconsider these texts in terms of a speculative genealogy of local answers to an insistent planetary situation.

This collection examines the event of Fukushima in Japan in terms of urban sociology and cultural politics to portray the triple catastrophe of March 2011 as both a planetary event and a dual economic and environmental crisis which indelibly marked Japan and the wider global community. The contributors examine how this new situation has been expressed in particular cultural forms (literature, film), political discourses and urban everyday life in Tokyo and Fukushima, arguing for an imperative need to redefine the national frame of analysis in terms of the concept of the planetary. Building on recent debates in ecocriticism, Planetary Atmospheres and Urban Life After Fukushima deconstructs the spatial logic of containment that reduces the event of Fukushima to a place-bound object to instead reinscribe this event within an open narrative of the planetary. This we believe will allow us to redefine our topologies of attachment to local places beside national discourses of unity, resilience and global strategies of risk management, and open the way to a radical rethink of Japan’s cultural politics of Japan after March 2011.

This collection examines the event of Fukushima in Japan in terms of urban sociology and cultural politics to portray the triple catastrophe of March 2011 as both a planetary event and a dual economic and environmental crisis which indelibly marked Japan and the wider global community. The contributors examine how this new situation has been expressed in particular cultural forms (literature, film), political discourses and urban everyday life in Tokyo and Fukushima, arguing for an imperative need to redefine the national frame of analysis in terms of the concept of the planetary. Building on recent debates in ecocriticism, Planetary Atmospheres and Urban Life After Fukushima deconstructs the spatial logic of containment that reduces the event of Fukushima to a place-bound object to instead reinscribe this event within an open narrative of the planetary. This we believe will allow us to redefine our topologies of attachment to local places beside national discourses of unity, resilience and global strategies of risk management, and open the way to a radical rethink of Japan’s cultural politics of Japan after March 2011.