Douglas Slaymaker – författare

This book explores one of the crucial themes in postwar Japanese fiction. Through an examination of the work of a number of prominent twentieth century Japanese writers, the book analyses the meaning of the body in postwar Japanese discourse, the gender constructions of the imagery of the body and the implications for our understanding of individual and national identity. This book will be of interest to all students of modern Japanese literature.

This book explores one of the crucial themes in postwar Japanese fiction. Through an examination of the work of a number of prominent twentieth century Japanese writers, the book analyses the meaning of the body in postwar Japanese discourse, the gender constructions of the imagery of the body and the implications for our understanding of individual and national identity. This book will be of interest to all students of modern Japanese literature.

Yöko Tawada: Voices from Everywhere is the first volume of criticism dedicated to the work of Yöko Tawada, one of the most highly acclaimed writers of her generation. Douglas Slaymaker has collected a range of essays including many that were featured at the 2006 MLA Conference, where a presidential panel featuring Yöko Tawada was organized by MLA President Marjorie Perloff, who has contributed a preface to this volume. The essays explore the plurality of voices and cultures in Tawada's work and push on to explicate the poetics and intellectual underpinnings of her writing. Analyses of her fiction are paired with examinations of its philosophic and aesthetic foundations. The essayists represent a wide range of scholars and translators who are intimate with Tawada's work in German, Japanese, and/or English. Many of the essays begin as close readings of the German and Japanese texts.Yöko Tawada: Voices from Everywhere is an essential collection for anyone with an interest in this important young writer.

Sakaguchi Ango (1906-1955) was a writer who thrived on iconoclasm and agitation. He remains one of the most creative and stimulating thinkers of twentieth-century Japan. Ango was catapulted into the public consciousness in the months immediately following Japan's surrender to the Allied Forces in 1945. The energy and iconoclasm of his writings were matched by the outrageous and outsized antics of his life. Behind that life, and in the midst of those tumultuous times, Ango spoke with a cutting clarity. The essays and translations included in Literary Mischief probe some of the most volatile issues of culture, ideology, and philosophy of postwar Japan. Represented among the essayists are some of Japan's most important contemporary critics (e.g., Karatani K?jin and Ogino Anna). Many of Ango's works were produced during Japan's wars in China and the Pacific, a context in which words and ideas carried dire consequences for both writers and readers. All of the contributions to this volume consider this dimension of Ango's legacy, and it forms one of the thematic threads tying the volume together. The essays use Ango's writings to situate his accomplishment and contribute to our understanding of the potentials and limitations of radical thought in times of cultural nationalism, war, violence, and repression. This collection of essays and translations takes advantage of current interest in Sakaguchi Ango's work and makes available to the English-reading audience translations and critical work heretofore unavailable. As a result, the reader will come away with a coherent sense of Ango the individual and the writer, a critical apparatus for evaluating Ango, and access to new translations of key texts.

Critics typically regard Abe Kobo (1924-93) as writing against realism, due to his avant-garde aesthetics that challenged the Naturalist realism dominating the literary mainstream and the Socialist realism of the orthodox Left in postwar Japan. He considered his work thoroughly realist, however, and starting in the early 1950s in a series of avant-garde art and literary groups, he championed the possibility of a vital, contemporary realism that challenged the reader to question the "reality" represented in the text through increasingly self-conscious writing strategies. Through a reassessment of the texts in which he worked out his theory of realism, this study traces the development of his commitment to making "truth from a lie"—to fiction, drama, and reportage that openly display their artifice. Key argues that the reflexivity of Abe's texts, which lay bare their own processes of artificial construction in order to reflect how our everyday sense of reality is constructed and maintained, created a critical space for metatextual ideas that were not acknowledged by the literary establishment of his time and have yet to be recognized by critics today. Undergirding his theory and practice of realism was a critique of conventional documentary and of the classic detective story. The texts examined here expose the degree to which the documentarian and the detective are active fabricators of meaning rather than neutral observers of fact. By paying close attention to the tension between the documentary and the fictive in Abe's works, Key draws out the ethical implications of his documentary approach, arguing persuasively that the documentary qualities of his writing, such as its valorization of objectivity over psychologism and the realm of "concrete things" over abstraction are strategies for challenging the dominant assumptions about what constitutes good ethics and good art, as well as the relationship between these two spheres. Truth from a Lie explores the ways in which Abe put documentary and the de

The fifty months of the Siberian Intervention encompass the existential crisis which affected Japanese at virtually all levels when confronted with the new "world situation" left in the wake of the First World War. From elite politicians and military professionals, to public intellectuals and the families of servicemen in small garrison towns, the intervention was perceived as a test of how Japan might fit itself into the emerging postwar world order. Both domestically and internationally Japan's actions in Siberia were seen as critical proof of the nation's ability, depending on one's viewpoint, to embrace or to ride out the "trends of the times," the seeming triumph of constitutional democracy and Wilsonian internationalism. The course of the Siberian Intervention illuminates the struggle to cement "responsible" party cabinets at the heart of Japanese decision making, the high water mark of efforts to bring the Japanese military under civilian control, the attempt to fundamentally reshape Japanese continental policy, and the hopes of millions of Japanese that their voices be heard and their desires respected by the nation's leaders. The book attempts a broad examination of domestic politics, foreign policy, and military action by incorporating a wide array of voices through a detailed examination of public comment and discussion in journals and magazines, the major circulation daily newspapers of Tokyo and Osaka as well as those of smaller cities such as Nara, Mito, Oita, and Tsuruga.

The fifty months of the Siberian Intervention encompass the existential crisis which affected Japanese at virtually all levels when confronted with the new "world situation" left in the wake of the First World War. From elite politicians and military professionals, to public intellectuals and the families of servicemen in small garrison towns, the intervention was perceived as a test of how Japan might fit itself into the emerging postwar world order. Both domestically and internationally Japan's actions in Siberia were seen as critical proof of the nation's ability, depending on one's viewpoint, to embrace or to ride out the "trends of the times," the seeming triumph of constitutional democracy and Wilsonian internationalism. The course of the Siberian Intervention illuminates the struggle to cement "responsible" party cabinets at the heart of Japanese decision making, the high water mark of efforts to bring the Japanese military under civilian control, the attempt to fundamentally reshape Japanese continental policy, and the hopes of millions of Japanese that their voices be heard and their desires respected by the nation's leaders. The book attempts a broad examination of domestic politics, foreign policy, and military action by incorporating a wide array of voices through a detailed examination of public comment and discussion in journals and magazines, the major circulation daily newspapers of Tokyo and Osaka as well as those of smaller cities such as Nara, Mito, Oita, and Tsuruga.

Haiku Poetics in Twentieth Century Avant-Garde Poetry is the first study to examine the historical importance of haiku in theorizing a global poetic, tracing its spread from translations to practice, and following its permutations into diverse modernist avant-garde poetry. While Haiku Poetics is an investigation into the cultural borrowing of haiku, it also documents interpretation and transformation, as even the translators George Aston and Paul-Louis Couchoud moved beyond translation in the acquisition of haiku. The French translations focused on Yosa Buson's visual haiku, while the English prioritized Matsuo Bash?'s lyricism. After the first translations, haiku was disseminated throughout the world of poetry. This book argues that haiku grew out of a broad Japonisme and was on the cusp of the Modernist transformation of western art, and viewed over the course of the century, haiku would serve as the most important model for Modernist reformers.Through a hybrid of Buddhist and avant-garde theories, Haiku Poetics reveals that haiku and its permutations deploy concrete particulars in abrupt juxtaposition to engage the reader's intuitive apprehension, and suggest via images which must be shaped into allegories. The push to collapse poetry into the act of the perception of objects in the phenomenological world means that this poetry conjures from the unconscious to the physical, and in so doing, evokes greater creative processes. The poets swept up in this haiku revolution that this book examines include Ezra Pound, Paul Eluard, Fededrico García Lorca, Guillermo de Torre, José Juan Tablada, Octavio Paz, Jorge Luis Borges, among others.

Japan’s Backroom Politics is the translation of a classic study of the rough and tumble of Japanese politics and conservative party factions in the first two decades of postwar Japan. The original book, published in 1967, was written by the preeminent political writer at the time, Watanabe Tsuneo, who later became the controversial owner of the Yomiuri Shimbun. The book was written when a generational change was occurring in Japanese politics after several of the early party leaders had passed away, including his political mentor, Ono Bamboku. Comprising ten chapters, including a comprehensive preface on the author, Japan’s Backroom Politics discusses in great detail the history of and personalities within the near-dozen factions and sub-factions that existed at the time. He introduces the resiliency of factions within the ruling Liberal Democratic Party, noting the role of money, influence, party presidency, and the chance at the premiership, among other factors, which subsequent commentators and scholars have elaborated on. Moreover, using extensive data and a penetrating analysis, Watanabe provides a historical as well as an international comparison of Japanese factions, making predictions about the future of Japanese politics.

Japan’s Backroom Politics is the translation of a classic study of the rough and tumble of Japanese politics and conservative party factions in the first two decades of postwar Japan. The original book, published in 1967, was written by the preeminent political writer at the time, Watanabe Tsuneo, who later became the controversial owner of the Yomiuri Shimbun. The book was written when a generational change was occurring in Japanese politics after several of the early party leaders had passed away, including his political mentor, Ono Bamboku. Comprising ten chapters, including a comprehensive preface on the author, Japan’s Backroom Politics discusses in great detail the history of and personalities within the near-dozen factions and sub-factions that existed at the time. He introduces the resiliency of factions within the ruling Liberal Democratic Party, noting the role of money, influence, party presidency, and the chance at the premiership, among other factors, which subsequent commentators and scholars have elaborated on. Moreover, using extensive data and a penetrating analysis, Watanabe provides a historical as well as an international comparison of Japanese factions, making predictions about the future of Japanese politics.

The acceleration of media culture globalization processes cross-fertilization and people’s exchange beyond the confinement of national borders, but not all of them lead to substantial transformations of national identity or foster cosmopolitan outlook in terms of openness, togetherness and dialogue within and beyond the national borders. Whilst national borders continue to become more and more porous, the measures of border control are constantly reformulated to tame disordered flows and tightly re-demarcate the borders—materially, physically, symbolically and imaginatively. Border crossing does not necessarily bring about the transgression of borders. Transgression of borders requires one to fundamentally question how borders in the existing form have been socio-historically constructed and also seek to displace their exclusionary power that unevenly divide “us” and “them” and “here” and “there.” This book considers how media culture and the management of people’s border crossing movement combine with Japan's cultural diversity to institute the creation of national cultural borders in Japanese millennials. Critical analysis of this development is a pressing matter if we are to seriously consider how to make Japan’s national cultural borders more inclusive and dialogic.

The acceleration of media culture globalization processes cross-fertilization and people’s exchange beyond the confinement of national borders, but not all of them lead to substantial transformations of national identity or foster cosmopolitan outlook in terms of openness, togetherness and dialogue within and beyond the national borders. Whilst national borders continue to become more and more porous, the measures of border control are constantly reformulated to tame disordered flows and tightly re-demarcate the borders—materially, physically, symbolically and imaginatively. Border crossing does not necessarily bring about the transgression of borders. Transgression of borders requires one to fundamentally question how borders in the existing form have been socio-historically constructed and also seek to displace their exclusionary power that unevenly divide “us” and “them” and “here” and “there.” This book considers how media culture and the management of people’s border crossing movement combine with Japan's cultural diversity to institute the creation of national cultural borders in Japanese millennials. Critical analysis of this development is a pressing matter if we are to seriously consider how to make Japan’s national cultural borders more inclusive and dialogic.

Combining work and family remains a major challenge for married women in contemporary Japan, and it’s not uncommon for them to quit working when starting a family. Single mothers, by contrast, almost always work, regardless of the age of their children. Despite their eagerness to support themselves and their children through employment, their average income remains low and many live on a household budget close to the poverty line. This book examines how the difficult living conditions facing single mothers in Japan highlight not only the challenges they face in earning a family wage and managing the work-family balance, but also reveals the class dimensions of family life in contemporary Japan.The need to make ends meet with few resources means that mothers may find it difficult to uphold the lifestyle they may consider as most appropriate for the upbringing of their children, and that they may have to choose between their presence at home, in line with the ideal of the middle-class housewife and mother, or devoting more time to earning an income that can pay for a good education. Social class, in this case, is not just a matter of education, occupation, or income, but is also expressed by mothers’ approaches to their children’s’ upbringing and future opportunities in education and employment. Based on life history interviews with single mothers, this study examines the gendered meanings of social class and social achievement and the role of maternal practices in shaping their children’s future life trajectories.

Combining work and family remains a major challenge for married women in contemporary Japan, and it’s not uncommon for them to quit working when starting a family. Single mothers, by contrast, almost always work, regardless of the age of their children. Despite their eagerness to support themselves and their children through employment, their average income remains low and many live on a household budget close to the poverty line. This book examines how the difficult living conditions facing single mothers in Japan highlight not only the challenges they face in earning a family wage and managing the work-family balance, but also reveals the class dimensions of family life in contemporary Japan.The need to make ends meet with few resources means that mothers may find it difficult to uphold the lifestyle they may consider as most appropriate for the upbringing of their children, and that they may have to choose between their presence at home, in line with the ideal of the middle-class housewife and mother, or devoting more time to earning an income that can pay for a good education. Social class, in this case, is not just a matter of education, occupation, or income, but is also expressed by mothers’ approaches to their children’s’ upbringing and future opportunities in education and employment. Based on life history interviews with single mothers, this study examines the gendered meanings of social class and social achievement and the role of maternal practices in shaping their children’s future life trajectories.

Creating Japan’s Ground Self-Defense Force, 1945–2015 is a timely contribution to postwar Japan security studies. It is the first comprehensive account of Japan’s post-1945 army, including a comprehensive institutional history, together with the evolution of roles and missions and the adoption of successive professional identities. The organizational history is embedded within a thorough examination of Japan’s own defense policy, as well as of America’s policy of alliance with Japan. The book examines and challenges assumptions about the drafting and adoption of the War Renunciation clause of Japan’s postwar Peace Constitution, Article 9, which uniquely not only renounces war, but the arms to wage war. Thus Japan’s army is not called an army, but the Ground Self-Defense Force (GSDF). The work also examines the place of an army and soldiers in the formation of Japan’s national identity after its last devastating war, and explores the impact of constitutional, legal and policy restrictions, as well as the power of the legacy of the still-largely vilified Imperial Japanese Army on GSDF members who seek to serve because “there are people we want to protect.” The study is rounded by an examination of the place of soldiers in Japan’s popular culture, focused on movies, manga and anime, assessing the impact on the GSDF of a public imagination that most often ignores or villainizes soldiers, though ending with a note that some positive images of soldiers and of the GSDF members themselves have started to appear in the last few years. The book’s author, a retired U.S. Army soldier who spent more than twenty years working, studying and training with the GSDF, offers a broad-ranging exploration of a unique organization. This work is extensively researched, using English and Japanese sources, and will appeal to anyone interested in Japanese security studies, alliance studies, and military imagery in Japanese pop culture, as well as to students of military history, international security, international relations, and cultural identity.

Creating Japan’s Ground Self-Defense Force, 1945–2015 is a timely contribution to postwar Japan security studies. It is the first comprehensive account of Japan’s post-1945 army, including a comprehensive institutional history, together with the evolution of roles and missions and the adoption of successive professional identities. The organizational history is embedded within a thorough examination of Japan’s own defense policy, as well as of America’s policy of alliance with Japan. The book examines and challenges assumptions about the drafting and adoption of the War Renunciation clause of Japan’s postwar Peace Constitution, Article 9, which uniquely not only renounces war, but the arms to wage war. Thus Japan’s army is not called an army, but the Ground Self-Defense Force (GSDF). The work also examines the place of an army and soldiers in the formation of Japan’s national identity after its last devastating war, and explores the impact of constitutional, legal and policy restrictions, as well as the power of the legacy of the still-largely vilified Imperial Japanese Army on GSDF members who seek to serve because “there are people we want to protect.” The study is rounded by an examination of the place of soldiers in Japan’s popular culture, focused on movies, manga and anime, assessing the impact on the GSDF of a public imagination that most often ignores or villainizes soldiers, though ending with a note that some positive images of soldiers and of the GSDF members themselves have started to appear in the last few years. The book’s author, a retired U.S. Army soldier who spent more than twenty years working, studying and training with the GSDF, offers a broad-ranging exploration of a unique organization. This work is extensively researched, using English and Japanese sources, and will appeal to anyone interested in Japanese security studies, alliance studies, and military imagery in Japanese pop culture, as well as to students of military history, international security, international relations, and cultural identity.

The authors argue that with the election of the Abe Government in December 2012, Japanese politics has entered a radically new phase they describe as the “2012 Political System.” The system began with the return to power of the Liberal Democratic Party (LDP), after three years in opposition, but in a much stronger electoral position than previous LDP-based administrations in earlier decades. Moreover, with the decline of previously endemic intra-party factionalism, the LDP has united around an essentially nationalist agenda never absent from the party’s ranks, but in the past was generally blocked, or modified, by factions of more liberal persuasion. Opposition weakness following the severe defeat of the Democratic Party of Japan (DPJ) administration in 2012 has also enabled the Abe Government to establish a political stability largely lacking since the 1990s.The first four chapters deal with Japanese political development since 1945 and factors leading to the emergence of Abe Shinzo as Prime Minister in 2012. Chapter 5 examines the Abe Government’s flagship economic policy, dubbed “Abenomics.” The authors then analyse four highly controversial objectives promoted by the Abe Government: revision of the 1947 ‘Peace Constitution’; the introduction of a Secrecy Law; historical revision, national identity and issues of war apology; and revised constitutional interpretation permitting collective defence. In the final three chapters they turn to foreign policy, first examining relations with China, Russia and the two Koreas, second Japan and the wider world, including public diplomacy, economic relations and overseas development aid, and finally, the vexed question of how far Japanese policies are as reactive to foreign pressure. In the Conclusion, the authors ask how far right wing trends in Japan exhibit common causality with shifts to the right in the United States, Europe and elsewhere. They argue that although in Japan immigration has been a relatively minor factor, economic stagnation, demographic decline, a sense of regional insecurity in the face of challenges from China and North Korea, and widening gaps in life chances, bear comparison with trends elsewhere. Nevertheless, they maintain that “[a] more sane regional future may be possible in East Asia.”

The authors argue that with the election of the Abe Government in December 2012, Japanese politics has entered a radically new phase they describe as the “2012 Political System.” The system began with the return to power of the Liberal Democratic Party (LDP), after three years in opposition, but in a much stronger electoral position than previous LDP-based administrations in earlier decades. Moreover, with the decline of previously endemic intra-party factionalism, the LDP has united around an essentially nationalist agenda never absent from the party’s ranks, but in the past was generally blocked, or modified, by factions of more liberal persuasion. Opposition weakness following the severe defeat of the Democratic Party of Japan (DPJ) administration in 2012 has also enabled the Abe Government to establish a political stability largely lacking since the 1990s.The first four chapters deal with Japanese political development since 1945 and factors leading to the emergence of Abe Shinzo as Prime Minister in 2012. Chapter 5 examines the Abe Government’s flagship economic policy, dubbed “Abenomics.” The authors then analyse four highly controversial objectives promoted by the Abe Government: revision of the 1947 ‘Peace Constitution’; the introduction of a Secrecy Law; historical revision, national identity and issues of war apology; and revised constitutional interpretation permitting collective defence. In the final three chapters they turn to foreign policy, first examining relations with China, Russia and the two Koreas, second Japan and the wider world, including public diplomacy, economic relations and overseas development aid, and finally, the vexed question of how far Japanese policies are as reactive to foreign pressure. In the Conclusion, the authors ask how far right wing trends in Japan exhibit common causality with shifts to the right in the United States, Europe and elsewhere. They argue that although in Japan immigration has been a relatively minor factor, economic stagnation, demographic decline, a sense of regional insecurity in the face of challenges from China and North Korea, and widening gaps in life chances, bear comparison with trends elsewhere. Nevertheless, they maintain that “[a] more sane regional future may be possible in East Asia.”

In the winter of 1913, a small crowd gathered on the streets of a famous red-light district on the outskirts of Tokyo. Curious patrons, journalists, and onlookers formed a steady procession to see the prostitute, Wada Yoshiko, and celebrate the release of her new book. A Prostitute’s Tale divulged inner secrets about her co-workers, patrons, and difficult confinement in a government-run syphilis hospital. According to the press, the author was a literary prostitute, a new expert, and a compelling version of Japan’s new woman. Soon widely acclaimed, her literary work heralded a growing public desire for inside knowledge about the lived experiences of pleasure workers. Wada’s success was the product of more than half-a-century of high-stakes conversations about the future of Japan. Her fame as an author simultaneously challenged and complemented previous discussions about the role of the female prostitute in the modern nation-state. However, while her perspective was new, the information she shared invoked key themes that had proliferated about her in prior decades. Since the 1850s, when Japan was forced to sign the “unequal” commercial treaties with the Western imperial powers, wide-ranging debates had taken place that linked the prostitute to national security and international prestige in imperative new ways.Imagining Prostitution in Modern Japan traces the symbol of the prostitute as a project of nation- and empire-building from the 1850s to 1913, ending one year after the death of the Meiji emperor, and coincidentally, the year of Wada’s publication. It untangles how ideas about pleasure work intersected with Japan’s transformation into a modern nation according to Western models. It asserts that the figure of the prostitute was a powerful symbolic resource that wide-ranging interest groups deployed, variously, to negotiate and define shifting distinctions of status, identity, and power. Each of the debates about the prostitute was in turn central to and mutually constitutive of the emergent social order in Meiji Japan.

Composer Nakayama Shimpei (1887-1952) wrote more than 300 popular songs in his lifetime. Most are still well known and recorded regularly. An entrepreneur, he found ways to create popular songs that powered Japan’s nascent recording industry in the 1920s and 1930s. An artist, his combination of Japanese and Western musical styles and tropes appealed to Japanese sentiments in a way that not only reflected the historical and social context, but anticipated and explained those historical changes to his listeners. This book seeks to apply contextual analysis of Nakayama’s popular songs to the events that occurred in the context of Japan’s development of a record industry and popular music market between 1887 and 1952. The book evaluates Nakayama’s positions within the world of musicians, and as a bridge between intellectuals and pure artists, on the one hand, and the Japanese people on the other to understand how popular songs can enrich and deepen our understanding of the history of political and industrial development in modern Japan.The book concludes that Nakayama’s uncanny ability to make listening to Western music a comfortable experience for Japanese by adding elements from Japanese musical styles allowed him to be successful financially, and to hold respect within the artistic community as well. His skill in creating songs that spoke to large groups of people, successfully marketing those songs through an understanding of how music would sound on record, and careful communication with his audiences to understand their interests and lives made him the most popular composer of his time, and a powerful asset for Japan Victor, Inc., his record company. The ultimate goal of the book is to show how popular songs can be utilized as primary sources to help deepen our understanding of historical contexts.

This study provides a broad political and economic examination of the impact of the silk trade on nineteenth-century Japan. It analyzes the economic role of Japan’s eastern interior region and that of the port of Yokohama. It argues that the economic development in this period laid the foundations for Japan’s prewar industrial development in the late nineteenth century and was largely responsible for the integration of Japan into the global economy.

Based on over two years of participant-observation in labor brokerage firms, factories, schools, churches, and people’s homes in Japan and Brazil, Sarah LeBaron von Baeyer presents an ethnographic portrait of what it means in practice to “live transnationally,” that is, to contend with the social, institutional, and aspirational landscapes bridging different national settings. Rather than view Japanese-Brazilian labor migrants and their families as somehow lost or caught between cultures, she demonstrates how they in fact find creative and flexible ways of belonging to multiple places at once. At the same time, the author pays close attention to the various constraints and possibilities that people face as they navigate other dimensions of their lives besides ethnic or national identity, namely, family, gender, class, age, work, education, and religion

In this book, Yuko Kawai departs from the common conception of Japan as an ethnically homogenous nation. A Transnational Critique of Japaneseness: Cultural Nationalism, Racism, and Multiculturalism in Japan investigates the construction of Japaneseness from a transnational perspective, examining ways to make Japanese nationhood more inclusive. Kawai analyzes a variety of communicational practices during the first two decades of the twenty-first century while situating Japaneseness in its longer historical transformation from the late nineteenth century. Kawai focuses on governmental and popular ideas of Japaneseness in light of local, global, historical, and contemporary contexts as well as in relation to a diverse array of Others in both Asia and the West.

In this book, Yuko Kawai departs from the common conception of Japan as an ethnically homogenous nation. A Transnational Critique of Japaneseness: Cultural Nationalism, Racism, and Multiculturalism in Japan investigates the construction of Japaneseness from a transnational perspective, examining ways to make Japanese nationhood more inclusive. Kawai analyzes a variety of communicational practices during the first two decades of the twenty-first century while situating Japaneseness in its longer historical transformation from the late nineteenth century. Kawai focuses on governmental and popular ideas of Japaneseness in light of local, global, historical, and contemporary contexts as well as in relation to a diverse array of Others in both Asia and the West.

The Urban Planetary and Tokyo Modernity: Dwelling in Passing analyzes everyday experiences in Tokyo during the 1910s and 1920s, showing how urban literature and urban ethnography both tried to come to terms with an emerging planetary situation defined by both ongoing movement and an intensification of local experiences. This book argues that modern urban experiences are not primarily a question of alienation, consumerism, or national life but first one of dwelling, and in particular “a dwelling in passing”. Looking at the work of the Japanese urban ethnographer Kon Wajiro in relation to early 20th century literary mappings of Tokyo in Japanese literature such as Mori Ogai’s 1912 novel Youth to Tayama Katai’s 1916 The Tokyo Near-Suburb, Christophe Thouny argues for the need to reconsider these texts in terms of a speculative genealogy of local answers to an insistent planetary situation.

How do contemporary Japanese television dramas grapple with questions of diversity and inclusion—and what do their stories reveal about the society that produces them? To address these questions, Yasue Kuwahara offers the first comprehensive analysis on how Japanese dramas have portrayed gender, sexual orientation, race, ethnicity, and disability, revealing the cultural logics that shape who is included, how, and to what extent.Drawing on close textual readings, the book uncovers the subtle and overt ways that TV dramas negotiate Japan’s evolving social landscape. It illuminates how deeply rooted norms—especially the pressures of seken (an inescapable, invisible network of social relationships and unwritten rules) and futsu (acceptance through majority consensus)—continue to regulate social boundaries, often reinforcing conformity even when narratives appear progressive.This book also highlights the strategic use of kazoku (family) and the ubiquitous “family meal” as comforting tropes that seek to reconcile marginalized identities with an imagined national unity. These moments of televisual intimacy reveal both the possibilities and limits of media-led inclusion in a society wrestling with shifting demographics and the slow erosion of traditional hegemonies.Crucially, the book interrogates the rise of konpura—a shortened form of “compliance” that originated in business and now permeates multiple institutions—exploring how its cautious logic increasingly shapes cultural production. Rather than guaranteeing equity, konpura often functions as risk management, discouraging overt harm without encouraging structural change.Ultimately, the book asks whether contemporary dramas foster genuine social transformation or merely offer “cosmetic multiculturalism” that performs diversity without challenging inequality.

Through essays on its key players, detailed original maps, and a narrative drawn from contemporary Italian and Latin sources never before translated into English, A Japanese Mission to 17th Century Rome: Date Masamune’s Cosmopolitan Dream presents a nuanced history of the Keicho Mission (1613-1620), a little-known embassy sent to Europe by Masamune Date, the wealthy and ambitious Lord of Oshu (northeastern Japan) seeking to establish trade and cultural ties with Spain and the Roman Catholic Church. Kathryn M. Lucchese describes how the Mission crossed the Pacific, New Spain, and the Atlantic, toured Spain and Italy and paraded in triumph across Rome before making the long return to Sendai. Though its full success was doomed by unfriendly forces in Europe and unfolding policies in Japan, the Mission did open a brief period of trade with New Spain and earned papal support for a Diocese of Japan, leaving traces of its passing in the form of Japanese settlers in Spain and Mexico and the cosmopolitan soul of modern Sendai.

This seminal book is the first sustained critical work that engages with the varieties of literature following the triple disasters—the earthquake, tsunami, and meltdowns at the Fukushima nuclear plant.

This seminal book is the first sustained critical work that engages with the varieties of literature following the triple disasters—the earthquake, tsunami, and meltdowns at the Fukushima nuclear plant.