Jeffrey Johnson – författare

The discovery and application of abstract musical properties has had a prominent role in compositional and theoretical literature during the past 40 years, and an accumulation of source material has been produced that makes a single cross-referenced source essential for standard working procedures. Abstract musical properties, most often associated with analytical or compositional systems, are presented here in an unbiased context that allows the reader freedom of association and interpretation. This type of reference is an important tool for anyone who uses set-class analysis in coursework, or independent thesis research.This book is intended to help verify musical intuition and has an immediate practical application for composers and theorists curious about intervallic properties and transformational potentials of any pitch-class set. It can provide supplemental material for coursework involving theory, analysis, and stylistic awareness of compositional or analytical styles, and also for learning and confirming economical presentations characteristic of recent music-theoretical literature. Organized in two parts, the first is a profile of all set-classes in charts allowing quick comparisons among them, including set-class reference tables, set-classes arranged by ascending interval-class vectors, and a summary of transformational invariances. The second part focuses on individual set-classes, listing its contents, subsets, and significant references to the collection in musical or theoretical literature. Internal segmentations of each set-class that are more structurally informative and memorizable than prime-forms are offered. Three appendices, an extensive bibliography, an index of selected analytical viewpoint and styles, and an index of terms are also included.

An introduction to a new way of modeling musical surfaces for theorists and for generating precompositional relationships for composers, this unique music theory reference work introduces, classifies, and enumerates graph theoretical models for musical transformations in compositional and analytical applications. It also provides a practical application of musical applications for students of graph theory and could serve as an introduction to the further cross-integration of these two disciplines. Of interest to scholars, advanced music theory students, and composers, this work endeavors to facilitate the expression and understanding of musical ideas by presenting an unexplored way of notating relationships between transformational objects that is not attached to specific compositional or analytical systems.Graph theoretical models of abstract musical transformations supplement and refine the ability to articulate orderings with pitch structures in analytical environments. An extended analysis of the opening section of Form IV: Broken Sequences by Stefan Wolpe is used as a demonstration. The use of these diagrams to generate compositional surfaces differs slightly from their use in analysis: an analytical model relates to a single musical surface, whereas compositional applications can be used to generate any potential surface derived from construction of the graphs.

Outlining state-of-the-art developments in the area of complexity and design, this book collates them into a unique and authoritative resource for both the design and complex systems communities. The book is based on research which focuses on a variety of different themes and domains, including architecture, engineering, environmental design, art, fashion and management. A ground-breaking publication marking a new era of appreciation of the import of complexity on design, this book is essential reading for those studying complexity or design.

Haiku Poetics in Twentieth Century Avant-Garde Poetry is the first study to examine the historical importance of haiku in theorizing a global poetic, tracing its spread from translations to practice, and following its permutations into diverse modernist avant-garde poetry. While Haiku Poetics is an investigation into the cultural borrowing of haiku, it also documents interpretation and transformation, as even the translators George Aston and Paul-Louis Couchoud moved beyond translation in the acquisition of haiku. The French translations focused on Yosa Buson's visual haiku, while the English prioritized Matsuo Bash?'s lyricism. After the first translations, haiku was disseminated throughout the world of poetry. This book argues that haiku grew out of a broad Japonisme and was on the cusp of the Modernist transformation of western art, and viewed over the course of the century, haiku would serve as the most important model for Modernist reformers.Through a hybrid of Buddhist and avant-garde theories, Haiku Poetics reveals that haiku and its permutations deploy concrete particulars in abrupt juxtaposition to engage the reader's intuitive apprehension, and suggest via images which must be shaped into allegories. The push to collapse poetry into the act of the perception of objects in the phenomenological world means that this poetry conjures from the unconscious to the physical, and in so doing, evokes greater creative processes. The poets swept up in this haiku revolution that this book examines include Ezra Pound, Paul Eluard, Fededrico García Lorca, Guillermo de Torre, José Juan Tablada, Octavio Paz, Jorge Luis Borges, among others.

Why do people attack monuments and other public objects charged with authority by the societies that produced them? What do open assaults on images and artworks mean? Iconoclasm, the principled destruction of images, has recurred throughout human history as theory and practice. This book contains seven historical studies of the changing causes and meanings of iconoclasm and the radical transformations in the function of images it has brought about in societies around the world, from Ancient Egypt to Islamic India and Revolutionary Mexico, as well as Medieval and Reformation Europe. Scholars of art history, history and archaeology explore shifting definitions of art and the forms of representation in delineating varied forms of 'iconoclasm'.

John Donne discussed as an original religious thinker, drawing on his extant sermons for evidence of his personal theology.John Donne is here treated as an original religious thinker; the evidence for the distinguishing features of his theology is drawn primarily from his extant sermons studied in context, beginning with an exploration of what is forDonne the fundamental belief for regulating Christian faith and practice, the doctrine of the Trinity. Building on this theological groundwork, Johnson goes on to examine such topics as Donne's understanding of common prayer; thepre-eminence of sight and spectacle, in terms of religious self-fashioning and the iconoclastic controversy; the doctrine of repentance, in conjunction with Donne's own sense of clerical calling; and the doctrine of grace, including Donne's views regarding the controversy over the Lord's Supper.JEFFREY JOHNSON is Professor of English at Northern Illinois University.

Dedicated to the late Bertil Gardell, a Swedish Social Scientist, this text comprises of 18 essays that shares a common vision - the impact of work on the interconnected processes of stress and disease.

Dedicated to the late Bertil Gardell, a Swedish Social Scientist, this text comprises of 18 essays that shares a common vision - the impact of work on the interconnected processes of stress and disease.

This book, originally published in 1981, provides the student and general reader alike with a fascinating account of the dynamic re-emergence of Germany after the Second World War as one of the world’s leading and most powerful states. The book gives extensive coverage to all aspects of the former West Germany’s political, social and economic arrangements. As well as dealing with the Basic Law, political parties, Bundestag and government, it also discusses neglected subjects, such as education, the armed forces, welfare services, the role of women, the economy and industrial relations and the mass media.

This book, originally published in 1981, provides the student and general reader alike with a fascinating account of the dynamic re-emergence of Germany after the Second World War as one of the world’s leading and most powerful states. The book gives extensive coverage to all aspects of the former West Germany’s political, social and economic arrangements. As well as dealing with the Basic Law, parties, Bundestag and government, it also discusses neglected subjects, such as education, the armed forces, welfare services, the role of women, the economy and industrial relations and the mass media.

Outlining state-of-the-art developments in the area of complexity and design, this book collates them into a unique and authoritative resource for both the design and complex systems communities. The book is based on research which focuses on a variety of different themes and domains, including architecture, engineering, environmental design, art, fashion and management. A ground-breaking publication marking a new era of appreciation of the import of complexity on design, this book is essential reading for those studying complexity or design.

This book focuses on creative development and empowerment in Marcel Proust’s A la recherche du temps perdu. It demonstrates Proust’s proof of the Romantic notion that art originates in the self of the artist. Approached as a Bildungsroman, the psychological aspects of this development in Marcel, the principal character, are considered in terms of the stimulus/response mechanism in living organisms. It verifies Proust’s argument that time in the body, including all that one experiences unconsciously, is present within us whether it is accessible to memory or not.Through involuntary memories and inspiration at the end of the novel, Marcel finds the means to write the book he has long wished to write. Inspiration provides a link between Marcel, the novel’s protagonist, and Proust, its author. This volume balances its analysis of Marcel’s creative development and empowerment through inspiration with Proust’s experiences in May 1909, when he realized that the concept of the fourth dimension would serve as the unifying thread for his novel. Modernity is viewed as a crucial influence in the transformation of society that Proust’s novel chronicles. This study posits an allegorical reading of the novel in the relationship of the birth of the modern citizen to the making of an artist in an era of doubt.

The modern world is complex beyond human understanding and control. The science of complex systems aims to find new ways of thinking about the many interconnected networks of interaction that defy traditional approaches. Thus far, research into networks has largely been restricted to pairwise relationships represented by links between two nodes. This volume marks a major extension of networks to multidimensional hypernetworks for modeling multi-element relationships, such as companies making up the stock market, the neighborhoods forming a city, people making up committees, divisions making up companies, computers making up the internet, men and machines making up armies, or robots working as teams.This volume makes an important contribution to the science of complex systems by: (i) extending network theory to include dynamic relationships between many elements; (ii) providing a mathematical theory able to integrate multilevel dynamics in a coherent way; (iii) providing a new methodological approach to analyze complex systems; and (iv) illustrating the theory with practical examples in the design, management and control of complex systems taken from many areas of application.

An examination of how Superman and Batman dealt with cultural and social changes in the 1960s and 1970s and how this mirrored American societal changes in general.As the founding fathers of the superhero comic books, Superman and Batman have defined a genre of American mythology from the mid-twentieth century to the present. The author describes how the Man of Steel and the Dark Knight dealt with their midlife crises brought on by the cultural and social changes of the 1960s and 1970s. Johnson describes how the superheroes' problems and adaptations mirror much of American societal changes during that time.Superheroes in Crisis is the second book published in the RIT Press Comics Studies Monograph Series. The series editor is Dr. Gary Hoppenstand, Professor of English at Michigan State University.JEFFREY K> JOHNSON is a World War II Historian at the Joint POW/Accounting Command in Honolulu, Hawaii. He is the author of several books and articles on the influence of comics in popular culture.

The overall aim of this book, an outcome of the European FP7 FET Open NESS project, is to contribute to the ongoing effort to put the quantitative social sciences on a proper footing for the 21st century. A key focus is economics, and its implications on policy making, where the still dominant traditional approach increasingly struggles to capture the economic realities we observe in the world today - with vested interests getting too often in the way of real advances.Insights into behavioral economics and modern computing techniques have made possible both the integration of larger information sets and the exploration of disequilibrium behavior. The domain-based chapters of this work illustrate how economic theory is the only branch of social sciences which still holds to its old paradigm of an equilibrium science - an assumption that has already been relaxed in all related fields of research in the light of recent advances in complex and dynamical systems theory and relateddata mining.The other chapters give various takes on policy and decision making in this context. Written in nontechnical style throughout, with a mix of tutorial and essay-like contributions, this book will benefit all researchers, scientists, professionals and practitioners interested in learning about the 'thinking in complexity' to understand how socio-economic systems really work.