Christopher Anderson – författare
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44 produkter
44 produkter
Häftad, Engelska, 1994
407 kr
Skickas inom 10-15 vardagar
The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry.This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV.This research suggests that the postwar motion picture industry was less an empire on the verge of ruin-as common wisdom has it-than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.
Inbunden, Engelska, 2006
2 506 kr
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Max Reger (1873-1916) was a celebrated German composer, performer on piano and organ, and conductor. Well known for his compositions for keyboards and orchestra, Reger worked during the crucial decades when Western music transformed itself from the misty veil of Romanticism and Impressionism to the more hard-edged modernism that would prevail in the 20th century. Less well known are his writings about music and the composer's craft. Although he wrote a major book on music theory published in 1903 (and translated into English a year later), his extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson, a noted Reger scholar, has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger's writings and music in the context of his time.This volume will appeal strongly to those interested in the Late Romantic era, musical composition and aesthetics, and of course those interested in the music and life of Reger
E-bok
Engelska, 2008144 kr
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BOINK is what happens when a group of undergrads from Boston University decide to publish a sex magazine. Now comes their explosive book, the definitive college guide to carnal knowledge. Openly exploring sexual themes that are relevant to all men and women, these 4-color, beautifully designed pages are filled with never-before-published true stories, prescriptive advice, graphic confessions, and no-holds-barred nude pictures of real university students (not the fake "college co-eds" all over the internet). With student contributors from named major universities, BOINK vividly details what goes on under the dorm room sheets across the country.
Inbunden, Engelska, 2008
501 kr
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Häftad, Engelska
697 kr
Skickas inom 3-6 vardagar
Inbunden, Engelska, 2003
2 506 kr
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Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger’s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger’s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger’s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
Häftad, Engelska, 2000
178 kr
Skickas inom 5-8 vardagar
Will You Still Love Me If I Don't Win? provides advice for using emotional training as well as physical training to aid children in becoming well-rounded, confident young people. This book also guides parents to motivate their children positively for both personal and athletic achievement.
Inbunden, Engelska, 2023
446 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2023
357 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2023
293 kr
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Häftad, Engelska, 2023
186 kr
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Inbunden, Engelska, 2025
429 kr
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Häftad, Engelska, 2025
305 kr
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E-bok
Engelska, 2020194 kr
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"e;Kam"e; is an ex-environmental activist who has hit bottom: His wife has left him, he lives in a rat-infested apartment in town, drinks too much and suffers from blackouts. "e;Brenda"e; is a woman with whom Kam used to engage in Edward Abee style monkeywrenching, until she and her husband were busted and went to prison. When she is out on parole and while her husband is still in prison, she re-establishes the affair she had once had with Kam. Kam also develops a strong bond with Brenda's twelve-year-old son. Abbie is an ex-revolutionist from the 1960s. He used to rob banks with the George Jackson Brigade, was arrested and served time in prison. He is now an old hippie living hand to mouth. When he meets Kam, his old revolutionary ideals are restored. When Brenda's husband is released from prison, this small group of misguided idealists decide to resume the revolution against capitalism.
E-bok
PDF, Engelska, 2013901 kr
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Max Reger (1873-1916) was a celebrated German composer, performer on piano and organ, and conductor. Well known for his compositions for keyboards and orchestra, Reger worked during the crucial decades when Western music transformed itself from the misty veil of Romanticism and Impressionism to the more hard-edged modernism that would prevail in the 20th century. Less well known are his writings about music and the composer''s craft. Although he wrote a major book on music theory published in 1903 (and translated into English a year later), his extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson, a noted Reger scholar, has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger''s writings and music in the context of his time.This volume will appeal strongly to those interested in the Late Romantic era, musical composition and aesthetics, and of course those interested in the music and life of Reger
E-bok
Engelska, 2013901 kr
Läs direkt efter köp
Max Reger (1873-1916) was a celebrated German composer, performer on piano and organ, and conductor. Well known for his compositions for keyboards and orchestra, Reger worked during the crucial decades when Western music transformed itself from the misty veil of Romanticism and Impressionism to the more hard-edged modernism that would prevail in the 20th century. Less well known are his writings about music and the composer''s craft. Although he wrote a major book on music theory published in 1903 (and translated into English a year later), his extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson, a noted Reger scholar, has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger''s writings and music in the context of his time.This volume will appeal strongly to those interested in the Late Romantic era, musical composition and aesthetics, and of course those interested in the music and life of Reger
Häftad, Engelska, 2017
922 kr
Skickas inom 10-15 vardagar
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger’s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger’s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger’s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
Häftad, Engelska, 2016
806 kr
Skickas inom 10-15 vardagar
Max Reger (1873-1916) was a celebrated German composer, performer on piano and organ, and conductor. Well known for his compositions for keyboards and orchestra, Reger worked during the crucial decades when Western music transformed itself from the misty veil of Romanticism and Impressionism to the more hard-edged modernism that would prevail in the 20th century. Less well known are his writings about music and the composer's craft. Although he wrote a major book on music theory published in 1903 (and translated into English a year later), his extended essays on composition, his fellow composers, and analysis have never appeared before in English. Christopher Anderson, a noted Reger scholar, has gone back to original manuscripts as well as the published versions of these writings to produce definitive new texts. Additionally, Anderson has written an opening essay placing Reger's writings and music in the context of his time.This volume will appeal strongly to those interested in the Late Romantic era, musical composition and aesthetics, and of course those interested in the music and life of Reger
Häftad, Engelska, 2011
215 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2015
637 kr
Skickas inom 3-6 vardagar
Inbunden, Engelska, 2015
588 kr
Skickas inom 3-6 vardagar
E-bok
Engelska, 20171 091 kr
Läs direkt efter köp
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger‘s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger‘s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger‘s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
E-bok
PDF, Engelska, 20171 091 kr
Läs direkt efter köp
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger‘s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger‘s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger‘s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
Häftad, Engelska, 2018
501 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2011
217 kr
Skickas inom 5-8 vardagar
E-bok
Engelska, 2000639 kr
Läs direkt efter köp
Will You Still Love Me If I Don''t Win? provides advice for using emotional training as well as physical training to aid children in becoming well-rounded, confident young people. This book also guides parents to motivate their children positively for both personal and athletic achievement.
Inbunden, Engelska, 2020
449 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2020
233 kr
Skickas inom 3-6 vardagar