Christopher B. Barnett – författare

Theological Discourses on Social Media will examine ten different social media platforms across three overarching parts. The task throughout is, first, to delineate the configuration and intent of a given form of social media and, second, to probe its implications for theology. On the whole, the volume will focus on the Judeo-Christian tradition, though dialogue with and insight from other religious traditions will also be featured. The upshot will be a unique theological engagement with the defining issue of our era—a work that will be as relevant as it will be engrossing. Featuring contributions from leading scholars, it will be a must-read for all students of theology, religion and media, and cultural studies.

Theological Discourses on Social Media will examine ten different social media platforms across three overarching parts. The task throughout is, first, to delineate the configuration and intent of a given form of social media and, second, to probe its implications for theology. On the whole, the volume will focus on the Judeo-Christian tradition, though dialogue with and insight from other religious traditions will also be featured. The upshot will be a unique theological engagement with the defining issue of our era—a work that will be as relevant as it will be engrossing. Featuring contributions from leading scholars, it will be a must-read for all students of theology, religion and media, and cultural studies.

Søren Kierkegaard wrote that Pietism is 'the one and only consequence of Christianity'. Praise of this sort - particularly when coupled with Kierkegaard's significant personal connections to the movement in Christian spirituality known as Pietism - would seem to demand thorough investigation. And yet, Kierkegaard's relation to Pietism has been largely neglected in the secondary literature. Kierkegaard, Pietism and Holiness fills this scholarly gap and, in doing so, provides the first full-length study of Kierkegaard's relation to the Pietist movement. First accounting for Pietism's role in Kierkegaard's social, ecclesial, and intellectual background, Barnett goes on to demonstrate Pietism's impact on Kierkegaard's published authorship, principally regarding the relationship between Christian holiness and secular culture. This book not only establishes Pietism as a formative influence on Kierkegaard's life and thinking, but also sheds fresh light on crucial Kierkegaardian concepts, from the importance of 'upbuilding' to the imitation of Christ.

Terrence Malick is one of the most important and controversial filmmakers of the last few decades. Yet his renown does not stem from box office receipts, but rather from his inimitable cinematic vision that mixes luminous shots of nature, dreamlike voiceovers, and plots centered on enduring existential questions. Although scholars have thoroughly examined Malick’s background in philosophy, they have been slower to respond to his theological concerns.This volume is the first to focus on the ways in which Malick integrates theological inquiries and motifs into his films. The book begins with an exploration of Malick’s career as a filmmaker and shows how his Heideggerian interests relate to theology. Further essays from established and up-and-coming scholars analyze seven of Malick’s most prominent films – Badlands (1973), Days of Heaven (1978), The Thin Red Line (1998), The New World (2005), The Tree of Life (2011), To the Wonder (2012), and Knight of Cups (2015) – to show how his cinematic techniques point toward and overlap with principles of Christian theology. A thorough study of an iconic filmmaker, this book is an essential resource for students and scholars in the emerging field of religion and film.

Terrence Malick is one of the most important and controversial filmmakers of the last few decades. Yet his renown does not stem from box office receipts, but rather from his inimitable cinematic vision that mixes luminous shots of nature, dreamlike voiceovers, and plots centered on enduring existential questions. Although scholars have thoroughly examined Malick’s background in philosophy, they have been slower to respond to his theological concerns.This volume is the first to focus on the ways in which Malick integrates theological inquiries and motifs into his films. The book begins with an exploration of Malick’s career as a filmmaker and shows how his Heideggerian interests relate to theology. Further essays from established and up-and-coming scholars analyze seven of Malick’s most prominent films – Badlands (1973), Days of Heaven (1978), The Thin Red Line (1998), The New World (2005), The Tree of Life (2011), To the Wonder (2012), and Knight of Cups (2015) – to show how his cinematic techniques point toward and overlap with principles of Christian theology. A thorough study of an iconic filmmaker, this book is an essential resource for students and scholars in the emerging field of religion and film.

Written against the fractured landscape of contemporary Christianity and the increasing popularity of “political theology,” Christopher B. Barnett wrestles with the question: what if Søren Kierkegaard’s rejection of modern politics was not a form of spiritual quietism, but of Christian resistance?Tracing the rise of the modern secular state, Barnett argues that Kierkegaard’s refusal of “the political” anticipates a crisis now impossible to ignore. For Kierkegaard, obsessive political passion signals a theological inversion: as the state grows in importance, God is displaced. The upshot is not freedom but moral exhaustion—a society saturated with envy, despair, and groupthink.Barnett contends that Kierkegaard’s reflections on politics and the modern state find a receptive audience in a trio of twentieth-century figures: Dietrich Bonhoeffer, Jacques Ellul, and René Girard. Loosely gathered under the heading of “apostolical radicalism,” each of these thinkers demonstrates that the modern state organizes contemporary life through bureaucracy, technique, propaganda, and ritualized antagonism. State politics may promise meaning, identity, and moral clarity, but as the rise of political theology shows, it ultimately absorbs all aspects of life into the sphere of politics.Kierkegaard, Statecraft and Political Theology unleashes Kierkegaard’s political thought as a live provocation, drawing unexpected lines between Christian theology and praxis and our present age of social media, tribalized politics, and permanent war. Ultimately, this book challenges readers to ask whether the modern state leads towards salvation—or the apocalypse.

Søren Kierkegaard wrote that Pietism is 'the one and only consequence of Christianity'. Praise of this sort - particularly when coupled with Kierkegaard's significant personal connections to the movement in Christian spirituality known as Pietism - would seem to demand thorough investigation. And yet, Kierkegaard's relation to Pietism has been largely neglected in the secondary literature. Kierkegaard, Pietism and Holiness fills this scholarly gap and, in doing so, provides the first full-length study of Kierkegaard's relation to the Pietist movement. First accounting for Pietism's role in Kierkegaard's social, ecclesial, and intellectual background, Barnett goes on to demonstrate Pietism's impact on Kierkegaard's published authorship, principally regarding the relationship between Christian holiness and secular culture. This book not only establishes Pietism as a formative influence on Kierkegaard's life and thinking, but also sheds fresh light on crucial Kierkegaardian concepts, from the importance of 'upbuilding' to the imitation of Christ.

Over the last several decades, technology has emerged as an important area of interest for both philosophers and theologians. Yet, despite his status as one of modernity’s seminal thinkers, Søren Kierkegaard is not often seen as one who contributed to the field. Kierkegaard and the Question Concerning Technology argues otherwise. Christopher B. Barnett shows that many of Kierkegaard’s criticisms of "the present age" relate to the increasing dominance of technology in the West, and he puts Kierkegaard’s thought in conversation with subsequent thinkers who grappled with technological issues, from Martin Heidegger to Thomas Merton.Barnett shows that Kierkegaard’s writing, with its marked emphases on personal "upbuilding," stands as a place where deeper, non-technical modes of thinking are both commended and nurtured. In doing so, Barnett presents a Kierkegaard who remains relevant--perhaps all too relevant--in today’s digital age.

Historical Dictionary of Kierkegaard's Philosophy, Second Edition chronicles the life and thoughts of the great Danish thinker Søren Kierkegaard (1813-55). What makes this volume essential is its extensive scope: it provides a glossary of concepts, persons, and places related to Kierkegaard’s authorship, from “Absolute” to “Hans Christian Ørsted.” This is done through a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries oncepts, persons, and places related to the life and work of Søren Kierkegaard. This book is an excellent resource for students, researchers, and anyone wanting to know more about this subject.

Over the last several decades, technology has emerged as an important area of interest for both philosophers and theologians. Yet, despite his status as one of modernity’s seminal thinkers, Søren Kierkegaard is not often seen as one who contributed to the field. Kierkegaard and the Question Concerning Technology argues otherwise. Christopher B. Barnett shows that many of Kierkegaard’s criticisms of "the present age" relate to the increasing dominance of technology in the West, and he puts Kierkegaard’s thought in conversation with subsequent thinkers who grappled with technological issues, from Martin Heidegger to Thomas Merton.Barnett shows that Kierkegaard’s writing, with its marked emphases on personal "upbuilding," stands as a place where deeper, non-technical modes of thinking are both commended and nurtured. In doing so, Barnett presents a Kierkegaard who remains relevant--perhaps all too relevant--in today’s digital age.

Bob Dylan and the Spheres of Existence shows that existential questions lie at the heart of Bob Dylan’s songwriting—a point that will developed with the help of renowned Danish philosopher Søren Kierkegaard. One of the focal points of Kierkegaard’s authorship is the journey towards authentic selfhood. Famously, he thematizes this journey in terms of existential “spheres”—the aesthetic, the ethical, and the religious. Whereas the aesthetic involves a preference for immediacy, the ethical has to do with achieving a sense of personal identity by way of living for enduring commitments and values. Yet, higher than both of these stages is the religious, which initially concerns the immanent human quest for eternal life but, for Kierkegaard, ultimately comes to rest in God’s transcendent self-revelation in Jesus Christ. This book argues that Kierkegaard's theory can help us deepen our understanding of and relation to Dylan’s art. Just as Kierkegaard presupposes existential “movement” and transformation, so is Dylan celebrated for his shifting personae and philosophical variance. But this is not mere aesthetic dabbling on Dylan’s part. On the contrary, his diverse “masks” and voices encourage his audience to engage the worldview being presented, albeit in such a way that religious faith is identified as humanity’s source of ultimate meaning.