Clark J. Elliston – författare

Theological Discourses on Social Media will examine ten different social media platforms across three overarching parts. The task throughout is, first, to delineate the configuration and intent of a given form of social media and, second, to probe its implications for theology. On the whole, the volume will focus on the Judeo-Christian tradition, though dialogue with and insight from other religious traditions will also be featured. The upshot will be a unique theological engagement with the defining issue of our era—a work that will be as relevant as it will be engrossing. Featuring contributions from leading scholars, it will be a must-read for all students of theology, religion and media, and cultural studies.

Theological Discourses on Social Media will examine ten different social media platforms across three overarching parts. The task throughout is, first, to delineate the configuration and intent of a given form of social media and, second, to probe its implications for theology. On the whole, the volume will focus on the Judeo-Christian tradition, though dialogue with and insight from other religious traditions will also be featured. The upshot will be a unique theological engagement with the defining issue of our era—a work that will be as relevant as it will be engrossing. Featuring contributions from leading scholars, it will be a must-read for all students of theology, religion and media, and cultural studies.

Terrence Malick is one of the most important and controversial filmmakers of the last few decades. Yet his renown does not stem from box office receipts, but rather from his inimitable cinematic vision that mixes luminous shots of nature, dreamlike voiceovers, and plots centered on enduring existential questions. Although scholars have thoroughly examined Malick’s background in philosophy, they have been slower to respond to his theological concerns.This volume is the first to focus on the ways in which Malick integrates theological inquiries and motifs into his films. The book begins with an exploration of Malick’s career as a filmmaker and shows how his Heideggerian interests relate to theology. Further essays from established and up-and-coming scholars analyze seven of Malick’s most prominent films – Badlands (1973), Days of Heaven (1978), The Thin Red Line (1998), The New World (2005), The Tree of Life (2011), To the Wonder (2012), and Knight of Cups (2015) – to show how his cinematic techniques point toward and overlap with principles of Christian theology. A thorough study of an iconic filmmaker, this book is an essential resource for students and scholars in the emerging field of religion and film.

Terrence Malick is one of the most important and controversial filmmakers of the last few decades. Yet his renown does not stem from box office receipts, but rather from his inimitable cinematic vision that mixes luminous shots of nature, dreamlike voiceovers, and plots centered on enduring existential questions. Although scholars have thoroughly examined Malick’s background in philosophy, they have been slower to respond to his theological concerns.This volume is the first to focus on the ways in which Malick integrates theological inquiries and motifs into his films. The book begins with an exploration of Malick’s career as a filmmaker and shows how his Heideggerian interests relate to theology. Further essays from established and up-and-coming scholars analyze seven of Malick’s most prominent films – Badlands (1973), Days of Heaven (1978), The Thin Red Line (1998), The New World (2005), The Tree of Life (2011), To the Wonder (2012), and Knight of Cups (2015) – to show how his cinematic techniques point toward and overlap with principles of Christian theology. A thorough study of an iconic filmmaker, this book is an essential resource for students and scholars in the emerging field of religion and film.