Christopher Burke – författare

Otto Neurath (1882–1945) was an Austrian-born philosopher of science, sociologist and political economist, and one of the most multi-faceted and creative thinkers in the Vienna Circle. Forced into exile by fascism, he was part of the intellectual exodus from Central Europe. After an adventurous escape to England and internment as an 'enemy alien', he enthusiastically adapted to British culture, working on documentary films and publications for the war effort using the Isotype method of visualization. He treasured the British habit of 'muddling through', and debated planning and economics with fellow Central European émigrés, Friedrich Hayek, Karl Mannheim and Karl Popper. Based on new archival research, this book explores a little-known period of Neurath's rich and fascinating life, weaving together biographical, historical, and philosophical strands that reflect the cross-cultural currents of twentieth-century intellectual history through the lens of Neurath's contribution.

Based on extensive archival research, this open access book provides a fresh perspective on the early history of Isotype and pictographic communication, with new information about largely unknown episodes throughout its development. The picture-script Isotype (International System of Typographic Picture Education), previously conceived as the Vienna Method of Pictorial Statistics, evolved through numerous publications and exhibitions in the early 20th century. Christopher Burke and Günther Sandner trace how its development responded to differing cultural and political climates, through a period when the idea of a universal language – an artificial or planned language – was linked to ideas of internationality and democratic planning. This book explores in depth, for the first time, the early picture-statistical work carried out at Austrian institutions during a new era of visual education and communication during and after World War II. Examining the work of Isotype’s initiators – Otto Neurath, the founding director of The Social and Economic Museum of Vienna, the artist Gerd Arntz, and Marie Reidemeister, who performed the role of ‘transformer’, a prototype of the modern information designer – this book challenges existing conceptions of an enormously influential pictographic language. Richly illustrated throughout with over 60 examples of work by key figures, this book provides a comprehensive history of Isotype and offers critical reflections on its legacy within, and relevance to, contemporary design practice.The eBook editions of this book are available open access under a CC BY-NC 4.0 licence on bloomsburycollections.com.

Based on extensive archival research, this open access book provides a fresh perspective on the early history of Isotype and pictographic communication, with new information about largely unknown episodes throughout its development. The picture-script Isotype (International System of Typographic Picture Education), previously conceived as the Vienna Method of Pictorial Statistics, evolved through numerous publications and exhibitions in the early 20th century. Christopher Burke and Günther Sandner trace how its development responded to differing cultural and political climates, through a period when the idea of a universal language – an artificial or planned language – was linked to ideas of internationality and democratic planning. This book explores in depth, for the first time, the early picture-statistical work carried out at Austrian institutions during a new era of visual education and communication during and after World War II. Examining the work of Isotype’s initiators – Otto Neurath, the founding director of The Social and Economic Museum of Vienna, the artist Gerd Arntz, and Marie Reidemeister, who performed the role of ‘transformer’, a prototype of the modern information designer – this book challenges existing conceptions of an enormously influential pictographic language. Richly illustrated throughout with over 60 examples of work by key figures, this book provides a comprehensive history of Isotype and offers critical reflections on its legacy within, and relevance to, contemporary design practice.The eBook editions of this book are available open access under a CC BY-NC 4.0 licence on bloomsburycollections.com.