Christopher Dunn – författare

From the pyramids in the north to the temples in the south, ancient artisans left their marks all over Egypt, unique marks that reveal craftsmanship we would be hard pressed to duplicate today. Drawing together the results of more than 30 years of research and nine field study journeys to Egypt, Christopher Dunn presents a stunning stone-by-stone analysis of key Egyptian monuments, including the statue of Ramses II at Luxor and the fallen crowns that lay at its feet. His modern-day engineering expertise provides a unique view into the sophisticated technology used to create these famous monuments in prehistoric times. Using modern digital photography, computer-aided design software, and metrology instruments, Dunn exposes the extreme precision of these monuments and the type of advanced manufacturing expertise necessary to produce them. His computer analysis of the statues of Ramses II reveals that the left and right sides of the faces are precise mirror images of each other, and his examination of the mysterious underground tunnels of the Serapeum illuminates the finest examples of precision engineering on the planet. Providing never-before-seen evidence in the form of more than 280 photographs, Dunn’s research shows that while absent from the archaeological record, highly refined tools, techniques, and even mega-machines must have been used in ancient Egypt.

Reveals how the pyramids of Egypt were sophisticated generators of clean energy.Sharing extensive new evidence and cutting-edge research that the Great Pyramid at Giza was built as an energy-harvesting machine, Christopher Dunn details how the ancient Egyptians were generating clean power for their civilization and reveals how the pyramid builders and the great inventor Nikola Tesla were drawing from the same universal knowledge.Looking at each part of the Great Pyramid, from the internal chambers to its massive stone blocks to the pyramidion on top, Dunn reveals how the pyramids in Egypt served to stimulate the release and collection of electrons in the Earth’s crust by harmonizing seismic energy while also attenuating the accumulating stresses. Drawing on exhaustive ongoing research by NASA scientists into the phenomenon known as “earthquake lights,” the author shows how the pyramid builders were inspired by this phenomenon and learned to stress igneous rocks similar to tectonic plate movement in order to harvest the resulting electron flow, which also enabled the pyramids to mitigate any impending earthquakes. He looks in depth at recent research that supports the pyramid energy theory, including new explorations of the shafts of the Queen’s Chamber, Russian research on how the Great Pyramid can concentrate electromagnetic energy, and analysis of the scorch marks on the ceiling of the Grand Gallery, which supports the King’s Chamber explosion hypothesis. He also examines the stunning significance of the large void above the Grand Gallery discovered in 2017.Analyzing the results of extensive acoustic testing and measurements related to specific frequencies within the Great Pyramid, Dunn looks at the vibration and frequency rates found at ancient sacred sites and shows how the pyramids were tuned to the Earth’s frequency. He also includes multiple technical appendices written by experts.While the pyramids’ sophisticated energy-harvesting abilities are now in disarray and disuse, some remnants of their technologies are still there, waiting to be rediscovered and provide our civilization with an abundance of non-polluting power.

This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.

In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicalia. Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theatre, cinema, visual arts, literature, and especially popular music, Tropicalia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians. Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Ze created this movement together with the musical and poetic vanguards of Sao Paolo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical ""garden"" and the daily brutality visited upon its citizens.

Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil’s most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption. Contributors examine the cultural politics of samba in the 1930s, the trajectory of middle-class musical sensibility associated with MÚsica Popular Brasileira (MPB), rock and re-democratization in the 1980s, music and black identity in Bahia, hip hop and community organizing in SÃo Paulo, and the repression of baile funk in Rio in the 1990s. Among other topics, they consider the use of music by the Landless Workers’ Movement, the performance of identity by Japanese Brazilian musicians, the mangue beat movement of Recife, and the emergence of new regional styles, such as lambadÃo and tecnobrega, that circulate outside of conventional distribution channels. Taken together, the essays reveal the important connections between citizenship, national belonging, and Brazilian popular music.Contributors. Idelber Avelar, Christopher Dunn, JoÃo Freire Filho, Goli Guerreiro, Micael Herschmann, Ari Lima, Aaron Lorenz, Shanna Lorenz, AngÉlica Madeira, Malcolm K. McNee, Frederick Moehn, FlÁvio Oliveira, Adalberto Paranhos, Derek Pardue, Marco AurÉlio Paz Tella, Osmundo Pinho, Carlos Sandroni, Daniel Sharp, Hermano Vianna, Wivian Weller

This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.

Collectively, provincial deputy ministers command the largest assembly of government budgets, employees, and influence in Canada, but despite their importance, they have not been the subject of systematic study until now. This unique volume, which deals with a uniquely significant topic, reviews the role of deputy ministers within government, providing a major new understanding of their responsibilities and interactions at both the federal and provincial levels.  It also contributes important comparative analysis not previously available.Featuring contributions by many of Canada’s most prominent scholars of public administration, Deputy Ministers in Canada examines a number of factors in the evolution of deputies’ roles. Taking into account social, political, and administrative history, the essays probe topics such as the socio-economic characteristics of administrative elites, the politicization of recruitment processes, the impact of New Public Management, and varieties of ministerial-bureaucratic relations. Together, the essays in Deputy Ministers in Canada make an important contribution to the political science and public administration literature.

Provinces is now established as the most comprehensive yet accessible exploration of Canadian provincial politics and government. The authors of each chapter draw on their particular expertise to examine themes and issues pertaining to all the provinces from a comparative perspective. The book is organized into four major sections – political landscapes, the state of democracy in the provinces, political structures and processes, and provincial public policy. The third edition features eleven new chapters, including: province building, provincial constitutions, provincial judicial systems, plurality voting in the provinces, voting patterns in the provinces, provincial public service, provincial party financing, provincial health policy, social policy, climate change, and labour market policy. All other chapters have been thoroughly revised and updated.

Christopher Dunn’s history of authoritarian Brazil exposes the inventivecultural production and intense social transformations that emerged duringthe rule of an iron-fisted military regime during the sixties and seventies.The Brazilian contracultura was a complex and multifaceted phenomenonthat developed alongside the ascent of hardline forces within the regime inthe late 1960s. Focusing on urban, middle-class Brazilians often inspiredby the international counterculture that flourished in the United States andparts of western Europe, Dunn shows how new understandings of race, gender,sexuality, and citizenship erupted under even the most oppressive politicalconditions.Dunn reveals previously ignored connections between the countercultureand Brazilian music, literature, film, visual arts, and alternative journalism.In chronicling desbunde, the Brazilian hippie movement, he shows how thestate of Bahia, renowned for its Afro-Brazilian culture, emerged as a counterculturalmecca for youth in search of spiritual alternatives. As this criticaland expansive book demonstrates, many of the country’s social and justicemovements have their origins in the countercultural attitudes, practices, andsensibilities that flourished during the military dictatorship.

Christopher Dunn’s history of authoritarian Brazil exposes the inventivecultural production and intense social transformations that emerged duringthe rule of an iron-fisted military regime during the sixties and seventies.The Brazilian contracultura was a complex and multifaceted phenomenonthat developed alongside the ascent of hardline forces within the regime inthe late 1960s. Focusing on urban, middle-class Brazilians often inspiredby the international counterculture that flourished in the United States andparts of western Europe, Dunn shows how new understandings of race, gender,sexuality, and citizenship erupted under even the most oppressive politicalconditions.Dunn reveals previously ignored connections between the countercultureand Brazilian music, literature, film, visual arts, and alternative journalism.In chronicling desbunde, the Brazilian hippie movement, he shows how thestate of Bahia, renowned for its Afro-Brazilian culture, emerged as a counterculturalmecca for youth in search of spiritual alternatives. As this criticaland expansive book demonstrates, many of the country’s social and justicemovements have their origins in the countercultural attitudes, practices, andsensibilities that flourished during the military dictatorship.

Brazilian musician Tom Zé (b. 1936) is one of the most inventive artists of the past century. His transformative music and poetic lyricism received critical acclaim in Brazil’s Tropicália, a countercultural movement that blended Brazilian music with global pop, psychedelia, and political critique. As many in the movement ascended to the mainstream, Tom Zé’s commitment to experimentalism kept him in outer orbit, drifting at the fringes of the Brazilian musical universe. That was until his imaginative art and sound captured the attention of Talking Heads front man David Byrne, who propelled Tom Zé to global renown. Taking readers inside Tom Zé’s remarkable seventy-year career, Tropicália expert Christopher Dunn draws upon decades of conversation to decipher the musician’s unique genius, unraveling the cultural and political forces that have shaped Tom Zé’s life and work. Tom Zé conceives of his own performances and concept albums as sung journalism, confronting issues of poverty, authoritarianism, and corruption through irreverent and playful invention. Reminding us of the power of art amid political turmoil, Stray Dog in the Milky Way offers a critical retrospective of a visionary who transcends the constraints of the earthbound here and now.

Brazilian musician Tom Zé (b. 1936) is one of the most inventive artists of the past century. His transformative music and poetic lyricism received critical acclaim in Brazil’s Tropicália, a countercultural movement that blended Brazilian music with global pop, psychedelia, and political critique. As many in the movement ascended to the mainstream, Tom Zé’s commitment to experimentalism kept him in outer orbit, drifting at the fringes of the Brazilian musical universe. That was until his imaginative art and sound captured the attention of Talking Heads front man David Byrne, who propelled Tom Zé to global renown. Taking readers inside Tom Zé’s remarkable seventy-year career, Tropicália expert Christopher Dunn draws upon decades of conversation to decipher the musician’s unique genius, unraveling the cultural and political forces that have shaped Tom Zé’s life and work. Tom Zé conceives of his own performances and concept albums as sung journalism, confronting issues of poverty, authoritarianism, and corruption through irreverent and playful invention. Reminding us of the power of art amid political turmoil, Stray Dog in the Milky Way offers a critical retrospective of a visionary who transcends the constraints of the earthbound here and now.

Did a highly advanced civilization exist in prehistory? Is the Giza Pyramid a remnant of their technology? Then, what was the power source that fueled such a civilization? The technology of harmonic resonance, claims renowned master craftsman and engineer Christopher Dunn. In a brilliant piece of reverse engineering based on twenty years of research, Dunn reveals that the Great Pyramid of Giza was actually a large acoustical device! By its size and dimensions, this crystal edifice created a harmonic resonance with the Earth and converted Earth's vibrational energies to microwave radiation. The author shows how the pyramid's numerous chambers and passageways were positioned with the deliberate precision to maximize its acoustical qualities. This may be the same technology discovered by Nikola Tesla and the solution to our own clean energy needs.