Charles A. Perrone – författare

Masters of Contemporary Brazilian Song is a critical study of MPB (mÚsica popular brasileira), a term that refers to varieties of urban popular music of the 1960s and 1970s, incorporating samba, Bossa Nova, and new materials.

This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.

Crônicas are “urban chronicles” of varied character - short writings about everyday life, personal commentaries, entertaining story-like pieces, even quasi-editorials. This delightful collection is designed to assist students in developing their reading, speaking, and writing knowledge of Portuguese as it is used in present-day Brazil.With a proven track record in the classroom, this edition of Crônicas Brasileiras has been updated with 40 percent new material. New texts better represent how the language has evolved in Brazil since the late-nineteenth century. In addition to enhancing language proficiency, these lively vignettes help readers gain cultural knowledge and sharpen awareness of diverse Brazilian environments.Annotations, reading comprehension questions, grammar exercises, guided composition, suggestions for discussion, and a vocabulary guide make this book a great fit for those who have mastered elementary Portuguese grammar. More advanced learners will find the crônicas valuable for their colloquial style, linguistic variety, and literary significance.

In this highly original volume, Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized world. This pioneering, tour-de-force study focuses on the years from 1985 to the present and examines poetic output-from song and visual poetry to discursive verse--across a range of media.At the core of Perrone's work are in-depth examinations of five phenomena: the use of the English language and the reception of American poetry in Brazil; representations and engagements with U.S. culture, especially with respect to film and popular music; epic poems of hemispheric solidarity; contemporary dialogues between Brazilian and Spanish American poets; and the innovative musical, lyrical, and commercially successful work that evolved from the 1960s movement Tropicalia.

This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.

Chico Buarque comprises a critical appreciation of the self-titled album (1978), which is one of the Brazilian artist’s most representative. This vibrant collection displays the singer-songwriter’s singular talents as a composer/poet of songs with both popular appeal and keen analytical skills. The 11 tracks include both up-beat sambas and lyrical compositions: witty tunes, dramatic laments, international items, and, especially, epochal protest songs with fascinating histories. The album embodies Chico Buarque's affective sensibilities and sociopolitical engagement, and this book situates the album in inter-related contexts: the artist's own career; the evolution of the current he represents MPB (Brazilian Popular Music); and, especially, historical conjuncture—the period of military dictatorship in Brazil, 1964-85.