Christopher Falzon - Böcker

Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like:• Ethics• Social and Political Philosophy• The Theory of Knowledge• The Self and Personal Identity• Critical ThinkingPerfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition.

Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like:• Ethics• Social and Political Philosophy• The Theory of Knowledge• The Self and Personal Identity• Critical ThinkingPerfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films.The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition.

Christopher Falzon argues in this book for a new way of understanding film as philosophy. Inspired and informed by the work of Michel Foucault, Falzon shows how a motion picture can operate not simply as a thought experiment but as a form of experience-centred, experimental reflection. It is film’s ability to show viewers things that challenge their way of thinking, giving them experiences that can make them think differently, that gives the film its status as philosophy.Through these cinematic experiences, not only cultural norms and presuppositions but also cinematic conventions, and even established philosophical positions, can be interrogated and questioned. Experiments in Film and Philosophy explores three films in the light of this new way of thinking about philosophy and film: Jean-Luc Godard’s Breathless, Rubin Ötlund’s Force Majeure, and Jonathon Glazer’s Under the Skin.It will be of interest to advanced students and scholars interested in the current debates about the relationship between film and philosophy.

Christopher Falzon argues in this book for a new way of understanding film as philosophy. Inspired and informed by the work of Michel Foucault, Falzon shows how a motion picture can operate not simply as a thought experiment but as a form of experience-centred, experimental reflection. It is film’s ability to show viewers things that challenge their way of thinking, giving them experiences that can make them think differently, that gives the film its status as philosophy.Through these cinematic experiences, not only cultural norms and presuppositions but also cinematic conventions, and even established philosophical positions, can be interrogated and questioned. Experiments in Film and Philosophy explores three films in the light of this new way of thinking about philosophy and film: Jean-Luc Godard’s Breathless, Rubin Ötlund’s Force Majeure, and Jonathon Glazer’s Under the Skin.It will be of interest to advanced students and scholars interested in the current debates about the relationship between film and philosophy.

Movies hold a mirror up to us, portraying the complexities of human reality through their characters and stories. And they vividly illustrate moral theories that address questions about how we are to live and what sort of people we ought to be. In this book, Christopher Falzon uses movies to provide a rich survey of moral positions as they have emerged through history. These include the ethics of the ancient world, medieval ethics, Enlightenment and Kantian ethics, existentialist ethics and the ethics of the other. Each theory is explained in detail, using a number of examples from the book’s wide selection of movies. The discussion draws on a range of recent and not-so-recent films, from Hollywood blockbusters to art-house cinema. Key Features: In addition to covering thinkers one would expect in an introduction to ethics (e.g., Plato, Aristotle, Kant), the book discusses less canonical figures in detail as well (e.g., Marcuse, Foucault, Habermas).Similarly, the book examines both major ethical theories (e.g., Kantianism, utilitarianism, virtue ethics) and theories too often glossed over in introductory texts (e.g. Stoicism, Epicureanism, Habermas's discourse ethics and Nietzschean ethics).A wide range of movies are discussed, from Hollywood blockbusters and classics like The Dark Knight, Casablanca and Dirty Harry to lesser known films, like Force Majeure and Under the Skin. Atthe end of each chapter a focus on two feature films is included, with a plot summary and interpretations of several key scenes with a time marker indicating when in the film the scenes occur.A Filmography includes all movies discussed in the book and a Glossary covers key philosophical terms and figures; both with corresponding page numbers.

Movies hold a mirror up to us, portraying the complexities of human reality through their characters and stories. And they vividly illustrate moral theories that address questions about how we are to live and what sort of people we ought to be. In this book, Christopher Falzon uses movies to provide a rich survey of moral positions as they have emerged through history. These include the ethics of the ancient world, medieval ethics, Enlightenment and Kantian ethics, existentialist ethics and the ethics of the other. Each theory is explained in detail, using a number of examples from the book’s wide selection of movies. The discussion draws on a range of recent and not-so-recent films, from Hollywood blockbusters to art-house cinema. Key Features: In addition to covering thinkers one would expect in an introduction to ethics (e.g., Plato, Aristotle, Kant), the book discusses less canonical figures in detail as well (e.g., Marcuse, Foucault, Habermas).Similarly, the book examines both major ethical theories (e.g., Kantianism, utilitarianism, virtue ethics) and theories too often glossed over in introductory texts (e.g. Stoicism, Epicureanism, Habermas's discourse ethics and Nietzschean ethics).A wide range of movies are discussed, from Hollywood blockbusters and classics like The Dark Knight, Casablanca and Dirty Harry to lesser known films, like Force Majeure and Under the Skin. Atthe end of each chapter a focus on two feature films is included, with a plot summary and interpretations of several key scenes with a time marker indicating when in the film the scenes occur.A Filmography includes all movies discussed in the book and a Glossary covers key philosophical terms and figures; both with corresponding page numbers.

In an original approach to Foucault’s philosophy, Christopher Falzon argues for a reading of Foucault as a philosopher of finite transcendence, and explores its implications for ethics. In order to distinguish Foucault’s position, Falzon charts the historical trajectory of transcendence as a philosophical concept, starting with the radical notion of transcendence that was introduced by Plato, and which reappears in various forms in subsequent thinkers from the Stoics to Descartes, and from Kant to Sartre. He argues that Foucault’s critique of the transcendent subject of humanism is a rejection not of transcendence per se but of radical transcendence in its distinctively modern form. As such, he shows how Foucault’s conceptualisation of transcendence as finite enables a picture of the human being as neither fully determined nor a creature of infinite possibilities, but as both subject and object, affected by but also able to affect the world. With the notion of finite transcendence Falzon captures the essence of Foucault’s unique philosophy and provides a new insight into his contribution to ethics. Demonstrating its contemporary relevance, Foucault and the History of Philosophical Transcendence further explores the potential application of Foucault’s approach to the current ecological crisis.

In an original approach to Foucault’s philosophy, Christopher Falzon argues for a reading of Foucault as a philosopher of finite transcendence, and explores its implications for ethics. In order to distinguish Foucault’s position, Falzon charts the historical trajectory of transcendence as a philosophical concept, starting with the radical notion of transcendence that was introduced by Plato, and which reappears in various forms in subsequent thinkers from the Stoics to Descartes, and from Kant to Sartre. He argues that Foucault’s critique of the transcendent subject of humanism is a rejection not of transcendence per se but of radical transcendence in its distinctively modern form. As such, he shows how Foucault’s conceptualisation of transcendence as finite enables a picture of the human being as neither fully determined nor a creature of infinite possibilities, but as both subject and object, affected by but also able to affect the world. With the notion of finite transcendence Falzon captures the essence of Foucault’s unique philosophy and provides a new insight into his contribution to ethics. Demonstrating its contemporary relevance, Foucault and the History of Philosophical Transcendence further explores the potential application of Foucault’s approach to the current ecological crisis.

One of the most influential contemporary thinkers, Michel Foucault produced a complex body of work across a wide range of academic disciplines. Foucault and Philosophy presents a collection of thought provoking essays that explore Foucault’s writings as a philosopher — both in relation to philosophers who were important to him and in the context of a range of significant themes and areas of dispute in contemporary philosophy. Foucault’s personal philosophical development and his contributions to a broader field of philosophical reflection are revealed through a series of thematically arranged contributions from an international cast of distinguished philosophers and leading Foucault scholars. Foucault’s philosophical development is first traced through essays that place him in the context of his relationship to ancient philosophy, phenomenology, Marxism, structuralism; and to figures such as Kant, Heidegger, Nietzsche, Habermas, and others. Further essays then evaluate the major contribution of Foucault’s thought to some of the central philosophical problems of our time, including freedom, knowledge, subjectivity, ethics, power, and the nature of philosophy itself. With the 25th anniversary of Foucault’s death upon us, Foucault and Philosophy offers a timely and invaluable scholarly reconsideration of the philosophical development and legacy of a controversial and iconic figure of 20th-century thought.