Christopher Frayling – författare

One of the BBC's '100 Novels That Shaped Our World'The Hound of the Baskervilles gripped readers when it was first serialised and remains one of Sherlock Holmes's greatest and most popular adventures. Could the sudden death of Sir Charles Baskerville have been caused by the gigantic ghostly hound that is said to have haunted his family for generations? Arch-rationalist Sherlock Holmes characteristically dismisses the theory as nonsense. And, immersed in another case, he sends Dr Watson to Devon to protect the Baskerville heir and observe the suspects at close hand. With its atmospheric setting on the ancient, wild moorland and its savage apparition, The Hound of the Baskervilles is one of the greatest crime novels ever written. Rationalism is pitted against the supernatural and good against evil as Sherlock Holmes sets out to defeat a foe almost his equal.This edition contains a full chronology of Arthur Conan Doyle's life and works, an introduction by renowned horror scholar Professor Christopher Frayling discussing the background to the novel and the legends and events that inspired the story, with further reading and explanatory notes.'Arthur Conan Doyle is unique ... Personally, I would walk a mile in tight boots to read him to the milkman'Stephen Fry

One of the BBC's '100 Novels That Shaped Our World'The Hound of the Baskervilles gripped readers when it was first serialised and remains one of Sherlock Holmes's greatest and most popular adventures. Could the sudden death of Sir Charles Baskerville have been caused by the gigantic ghostly hound that is said to have haunted his family for generations? Arch-rationalist Sherlock Holmes characteristically dismisses the theory as nonsense. And, immersed in another case, he sends Dr Watson to Devon to protect the Baskerville heir and observe the suspects at close hand. With its atmospheric setting on the ancient, wild moorland and its savage apparition, The Hound of the Baskervilles is one of the greatest crime novels ever written. Rationalism is pitted against the supernatural and good against evil as Sherlock Holmes sets out to defeat a foe almost his equal.This edition contains a full chronology of Arthur Conan Doyle's life and works, an introduction by renowned horror scholar Professor Christopher Frayling discussing the background to the novel and the legends and events that inspired the story, with further reading and explanatory notes.'Arthur Conan Doyle is unique ... Personally, I would walk a mile in tight boots to read him to the milkman'Stephen Fry

One of the BBC's '100 Novels That Shaped Our World'The Hound of the Baskervilles gripped readers when it was first serialised and remains one of Sherlock Holmes's greatest and most popular adventures. Could the sudden death of Sir Charles Baskerville have been caused by the gigantic ghostly hound that is said to have haunted his family for generations? Arch-rationalist Sherlock Holmes characteristically dismisses the theory as nonsense. And, immersed in another case, he sends Dr Watson to Devon to protect the Baskerville heir and observe the suspects at close hand. With its atmospheric setting on the ancient, wild moorland and its savage apparition, The Hound of the Baskervilles is one of the greatest crime novels ever written. Rationalism is pitted against the supernatural and good against evil as Sherlock Holmes sets out to defeat a foe almost his equal.This edition contains a full chronology of Arthur Conan Doyle's life and works, an introduction by renowned horror scholar Professor Christopher Frayling discussing the background to the novel and the legends and events that inspired the story, with further reading and explanatory notes.'Arthur Conan Doyle is unique ... Personally, I would walk a mile in tight boots to read him to the milkman'Stephen Fry

A comprehensive anthology of vampires in literature, from Dracula to Twilight. Christopher Frayling has spent 50 years exploring the history of one of the most enduring figures in the history of mass culture – the vampire. Vampyres is a comprehensive illustrated history of vampires in literature, from the folklore of Eastern Europe to the Romantics and beyond. Frayling recounts the most significant moments in Gothic history, while extracts from a huge range of sources – including Bram Stoker’s detailed research notes for Dracula, penny-dreadfuls and Angela Carter’s The Lady of the House of Love, are contextualized and analysed. This revised and expanded edition brings Vampyres up to date with 21st-century vampire literature, including new text extracts, commentary and a revised introduction. Christopher Frayling also explores the development of the vampire in the visual arts, with illustrations ranging from 17th-century prints to 21st-century film stills, demonstrating the enduring appeal of the vampire from popular press to fine art and, finally, to film.

Leading cultural historian and broadcaster Christopher Frayling reflects on gothic themes in literature, art and popular culture, through the lens of his friendship and correspondence with Angela Carter during her formative ‘Bath years’, during which she wrote most of her key works; The Bloody Chamber, The Sadeian Woman, The Passion of New Eve.Inside the Bloody Chamber collects Frayling’s articles, essays and lectures written since then on various aspects of the Gothic—several in hard-to-find places, many never published before, but all revised for this new book. The subjects match Angela’s interests, are mirrored in the stories within The Bloody Chamber—and mesh with his memories of their time together in Bath in the 1970s.

Leading cultural historian and broadcaster Christopher Frayling reflects on gothic themes in literature, art and popular culture, through the lens of his friendship and correspondence with Angela Carter during her formative ‘Bath years’, during which she wrote most of her key works; The Bloody Chamber, The Sadeian Woman, The Passion of New Eve.Inside the Bloody Chamber collects Frayling’s articles, essays and lectures written since then on various aspects of the Gothic—several in hard-to-find places, many never published before, but all revised for this new book. The subjects match Angela’s interests, are mirrored in the stories within The Bloody Chamber—and mesh with his memories of their time together in Bath in the 1970s.

Jack Clayton''s gothic masterpiece The Innocents, though not a commercial success on its release in 1961, has been hailed as one of the greatest psychological thrillers of all time. Dividing reviewers with its ambiguous depiction of ghosts, the film ignited a debate about the aesthetics of horror which still rages today.In this stimulating introduction to The Innocents, Sir Christopher Frayling traces the film from its genesis in the original novel The Turn of The Screw by Henry James, via contemporary critical contexts and William Archibald''s 1950 stage adaptation of the same name, to the screenplay by William Archibald, Truman Capote and John Mortimer. Drawing on unpublished material from Jack Clayton''s archive – including Capote''s handwritten drafts for the film – and interviews with Deborah Kerr, Freddie Francis, and John Mortimer, Frayling explores how this classic ghost story came to life on screen. This special edition features original cover artwork by Matthew Young.

The release of ''Things to Come'' in 1936 was one of the key moments in the history of science fiction in the cinema. The film was the brainchild of H. G. Wells, whose worldwide reputation as a thinker had persuaded its producer, Alexander Korda, to offer him a contract giving him virtually total control over the project. Korda drafted a dazzling array of talents to render into pictures Wells''s ideas of the future a hundred years hence. His brother, Vincent Korda, a distinguished painter, was employed as art director, and the Bauhaus artist Laszlo Moholy-Nagy contributed ideas for futuristic sets. As director, Korda hired William Cameron Menzies, who had practically invented the profession of Hollywood art director through his work with Douglas Fairbanks on ''The Thief of Baghdad ''and Rudolf Valentino on ''Son of the Sheik,'' and whose career would climax with ''Gone With the WInd.'' The result was a landmark in cinematic design. Christopher Frayling shows, with a wealth of illustrations, how the boldness and brilliance of the sets and costumes mark out ''Things to Come ''as British cinema''s greatest contribution to the science fiction genre, amply justifying his judgement that ''''Things to Come ''is to modernism as ''Blade Runner'' is to postmodernism.''

The release of ''Things to Come'' in 1936 was one of the key moments in the history of science fiction in the cinema. The film was the brainchild of H. G. Wells, whose worldwide reputation as a thinker had persuaded its producer, Alexander Korda, to offer him a contract giving him virtually total control over the project. Korda drafted a dazzling array of talents to render into pictures Wells''s ideas of the future a hundred years hence. His brother, Vincent Korda, a distinguished painter, was employed as art director, and the Bauhaus artist Laszlo Moholy-Nagy contributed ideas for futuristic sets. As director, Korda hired William Cameron Menzies, who had practically invented the profession of Hollywood art director through his work with Douglas Fairbanks on ''The Thief of Baghdad ''and Rudolf Valentino on ''Son of the Sheik,'' and whose career would climax with ''Gone With the WInd.'' The result was a landmark in cinematic design. Christopher Frayling shows, with a wealth of illustrations, how the boldness and brilliance of the sets and costumes mark out ''Things to Come ''as British cinema''s greatest contribution to the science fiction genre, amply justifying his judgement that ''''Things to Come ''is to modernism as ''Blade Runner'' is to postmodernism.''

Jack Clayton's gothic masterpiece The Innocents, though not a commercial success on its release in 1961, has been hailed as one of the greatest psychological thrillers of all time. Dividing reviewers with its ambiguous depiction of ghosts, the film ignited a debate about the aesthetics of horror which still rages today.In this stimulating introduction to The Innocents, Sir Christopher Frayling traces the film from its genesis in the original novel The Turn of The Screw by Henry James, via contemporary critical contexts and William Archibald's 1950 stage adaptation of the same name, to the screenplay by William Archibald, Truman Capote and John Mortimer. Drawing on unpublished material from Jack Clayton's archive – including Capote's handwritten drafts for the film – and interviews with Deborah Kerr, Freddie Francis, and John Mortimer, Frayling explores how this classic ghost story came to life on screen. This special edition features original cover artwork by Matthew Young.

Jack Clayton''s gothic masterpiece The Innocents, though not a commercial success on its release in 1961, has been hailed as one of the greatest psychological thrillers of all time. Dividing reviewers with its ambiguous depiction of ghosts, the film ignited a debate about the aesthetics of horror which still rages today.In this stimulating introduction to The Innocents, Sir Christopher Frayling traces the film from its genesis in the original novel The Turn of The Screw by Henry James, via contemporary critical contexts and William Archibald''s 1950 stage adaptation of the same name, to the screenplay by William Archibald, Truman Capote and John Mortimer. Drawing on unpublished material from Jack Clayton''s archive – including Capote''s handwritten drafts for the film – and interviews with Deborah Kerr, Freddie Francis, and John Mortimer, Frayling explores how this classic ghost story came to life on screen. This special edition features original cover artwork by Matthew Young.

“Christopher Frayling’s Spaghetti Westerns is a particularly entertaining and enjoyably readable book. Frayling is obviously both a film buff and film critic, so he is able to appreciate Spaghetti Westerns as popular entertainments, to celebrate their cinematic stylishness, while simultaneously knowledgeably exploring their many social and political dimensions.” – Gary Crowdus, Cineaste“Unquestionably the single best book written about the Western.” – Journal of Popular Film and Television

'Craftsmanship has again become fashionable in high places, just as it did in the last few recessions.'The concept of craftsmanship has never been as relevant and timely as it is today. Assailed on all sides by – among many other tendencies - flexible working, short-termism, portfolio careers, quick-fix training and the cult of celebrity, it has recently re-entered public debate with a new sense of urgency. Why?A bestseller in hardback, this series of linked essays by the man who ran the Royal College of Art for many years is now available in paperback, and explores the crafts in education, in history and literature, in the contemporary arts landscape, in the language, in the digital age, taking an unsentimental, hard-headed look at craftsmanship today. Only when the romantic cobwebs have been blown away, it argues, can the key importance of the crafts be fully understood.

Since its origin cinema has had an uneasy relationship with science and technology: scientists are almost always impossibly mad or impossibly saintly, and technology is nearly always very bad for you. In Mad, Bad and Dangerous?, Christopher Frayling explores the genealogy of the film scientist in films made in Western Europe, and especially in Hollywood after the 1930s, showing how in film the scientist has often been used to represent the prevailing phobias of the time.In the 1950s, for example, films were dominated by the fear of botched atomic research, and were a showcase of mutated, outsized creatures and radioactive zombies. Since Hitchcock’s The Birds, however, the role of the scientist has been less straightforward, and by the 1970s damage to the environment and the spread of diseases were the predominant consequences of science gone wrong. Scientists - and the corporations that controlled them - became the ‘baddies’.The author also examines in parallel the portrayal of real-life scientists in the movies, noting how they are in the main depicted as misfits, immersed in their work, sacrificing any normal life to the interests of science, yet distrusted by the scientific establishment. Interestingly, the cinematic portrayal of fictional and real-life scientists follow very similar dramatic conventions, and Frayling concludes that the mad scientist and the saintly one are two sides of the same Hollywood coin.

Design and Popular Entertainment offers a selection of nine essays that examine the range of design for popular entertainment, from theatre and film, to television and radio. Investigating entertainment design from the late nineteenth century to the 1960s, the book is divided into two sections. The first addresses the ‘hardware’ of popular entertainment, in other words the objects through which images, sound and performance are transmitted. The second explores the construction of cinematic and televisual imagery and the design of objects for the screen, the ‘software’ of entertainment. In so doing it offers important insights into this little explored aspect of design.Topics covered by the collection include the design of theatrical lighting and stage sets, cinema and radio design, the representation of designers within film, and the relationship between design and television. The book’s concentration on the 1950s and 1960s reflects the profound changes in modes of entertainment that took place during that period, in particular the spread of television, which not only attracted a huge popular audience but also stimulated experimental designing approaches and thinking. With particular focus on the way that both the objects and the construction of entertainment have altered audience’s experience, the essays present a novel approach to the subject. This book will be of particular interest to students and teachers working in design and cultural history as well as film and theatre studies.