Christopher Janaway – författare

First published in 1818, The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion, in an attempt to account for the world in all its significant aspects. It gives a unique and influential account of what is and is not of value in existence, the striving and pain of the human condition and the possibility of deliverance from it. This translation of the first volume of what later became a two-volume work reflects the eloquence and power of Schopenhauer's prose and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names and bibliography, and succinct editorial notes, including notes on the revisions of the text which Schopenhauer made in 1844 and 1859.

Arthur Schopenhauer (1788-1860) is something of a maverick figure in the history of philosophy. He produced a unique theory of the world and human existence based upon his notion of will. This collection analyses the related but distinct components of will from the point of view of epistemology, metaphysics, philosophy of mind, aesthetics, ethics, and the philosophy of psychoanalysis. This volume explores Schopenhauer's philosophy of death, his relationship to the philosophy of Kant, his use of ideas drawn from both Buddhism and Hinduism, and the important influence he exerted on Nietzsche, Freud, and Wittgenstein.

With the publication of Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes essays on method, logic, the intellect, Kant, pantheism, natural science, religion, education, and language. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.

A key introductory philosophy textbook, making use of an innovative, interactive technique for reading philosophical texts Reading Philosophy: Selected Texts with a Method for Beginners, Second Edition, provides a unique approach to reading philosophy, requiring students to engage with material as they read. It contains carefully selected texts, commentaries on those texts, and questions for the reader to think about as they read. It serves as starting points for both classroom discussion and independent study. The texts cover a wide range of topics drawn from diverse areas of philosophical investigation, ranging over ethics, metaphysics, epistemology, philosophy of mind, aesthetics, and political philosophy. This edition has been updated and expanded. New chapters discuss the moral significance of friendship and love, the subjective nature of consciousness and the ways that science might explore conscious experience. And there are new texts and commentary in chapters on doubt, self and moral dilemmas. Guides readers through the experience of active, engaged philosophical reading Presents significant texts, contextualized for newcomers to philosophy Includes writings by philosophers from antiquity to the late 20th-century Contains commentary that provides the context and background necessary for discussion and argument Prompts readers to think through specific questions and to reach their own conclusions This book is an ideal resource for beginning students in philosophy, as well as for anyone wishing to engage with the subject on their own.

Schopenhauer is the most readable of German philosophers. This book gives a succinct explanation of his metaphysical system, concentrating on the original aspects of his thought, which inspired many artists and thinkers including Nietzsche, Wagner, Freud, and Wittgenstein. Schopenhauer's central notion is that of the will - a blind, irrational force that he uses to interpret both the human mind and the whole of nature. Seeing human behaviour as that of a natural organism governed by the will to life, Schopenhauer developed radical insights concerning the unconscious and sexuality which influenced both psychologists and philosophers.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

German Philosophers contains studies of four of the most important German theorists: Kant, arguably the most influential modern philosopher; Hegel, whose philosophy inspired an enduring vision of a communist society; Schopenhauer, renowned for his pessimistic preference for non-existence; and Nietzsche, who has been appropriated as an icon by an astonishingly diverse spectrum of people.

Willing and Nothingness illuminates Nietzsche's philosophy by examining his relationship with Schopenhauer. Though Nietzsche was influenced by Schopenhauer's work in his early years, in his later writings he often appears dismissive of Schopenhauer. It is a mistake to take either of these facts at face value: a proper assessment demands an independent understanding of Schopenhauer's philosophy, a close look at Nietzsche's development, and an analysis of the detailed continuities and contrasts with Schopenhauerian themes that permeate his work. This allows not only a reassessment of the connection between these two great thinkers, but a notable enrichment of our understanding of Nietzsche's philosophy, which is too often studied in isolation from its intellectual roots. With these aims, eight leading scholars contribute specially written essays in which Nietzsche's changing conceptions of pessimism, tragedy, art, morality, truth, knowledge, religion, atheism, determinism, the will, and the self are revealed as responses to the work of the thinker he called his 'great teacher'. These essays are accompanied by a short critical piece that Nietzsche wrote about Schopenhauer in 1868, newly translated and appearing here in English for the first time, and by a guide to all Nietzsche's references to Schopenhauer.

Plato was the first great figure in Western philosophy to assess the value of the arts; he famously argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound, claiming they are conducive to warped ethical standards, detrimental to the psyche, and purveyors of illusions about important matters in human life. This view has been widely rejected; but Christopher Janaway here argues that Plato's hostile case is a more coherent and a more profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates `good art' in any modern sense, Janaway seeks both to understand Plato's critique in the context of his own philosophy and to locate him in today's philosophy of art, showing how issues in aesthetics arise from responses to his charges. Plato's questions about beauty, emotion, representation, ethical knowledge, artistic autonomy, and censorship are of contemporary relevance as formerly secure assumptions about the value of art and the aesthetic come under scrutiny. Images of Excellence gives a new and original view of a famous issue in the history of philosophy; it is written not only for readers working in ancient philosophy, but for all who are interested in aesthetics, art theory, and literary theory. from the reviews: `Christopher Janaway . . . strikes a fine balance between lucid exposition of the texts, explanation of standard and alternative views and relevant aesthetic theory, and his own interpretations, which grow out of this carefully cultivated ground. His views are often persuasive, and always interesting, meticulously argued, and worthy of serious consideration. . . . Classicists will learn a great deal from Janaway about what philosophers do and how they do it . . . Non-philosophers will also receive a clear and accessible introduction to the theory and history of aesthetics. . . . At the same time Janaway's philosophical analysis is at a highly specialized and sophisticated level. . . . this book makes a powerful statement of Plato's claim to importance in the area of aesthetic theory . . . a stimulating, enlightening, highly intelligent, and well written book.' Mary Whitlock Blundell, Bryn Mawr Classical Review `this is a lucid and thoughtful survey, which is effective both as an introduction to the topic and as a contribution to scholarly debate. . . . I found very little in the main thrust or the detailed argument of Janaway's book which did not strike me as convincing.' Christopher Gill, British Journal of Aesthetics

Plato was the first great figure in Western philosophy to assess the value of the arts; he famously argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound, claiming they are conducive to warped ethical standards, detrimental to the psyche, and purveyors of illusions about important matters in human life. This view has been widely rejected; but Christopher Janaway here argues that Plato's hostile case is a more coherent and profound challenge to the arts than has sometimes been supposed.Denying that Plato advocates `good art' in any modern sense, Dr Janaway seeks both to understand Plato's critique in the context of his own philosophy and to locate him in today's philosophy of art, showing how issues in aesthetics arise from responses to his charges. Plato's questions about beauty, emotion, representation, ethical knowledge, artistic autonomy, and censorship are of contemporary relevance as formerly secure assumptions about the value of art and the aesthetic come under scrutiny.Images of Excellence gives a new and original view of a famous issue in the history of philosophy; it is written not only for readers working in ancient philosophy, but for all who are interested in aesthetics, art theory, and literary theory.

This book provides a detailed and critical account of Schopenhauer's central philosophical achievement; his account of the self and its relation to the world of objects. The author's historical approach is designed to show the philosophical interest of the theme, and explores in unusual depth Schopenhauer's often ambivalent relation to Kant. It also highlights his view of self and world in Wittgenstein and Nietzsche, and traces the many points of contact between Schopenhauer's thought and current philosophical debates about the self.

Arthur Schopenhauer's central philosophical achievement was his account of the self and its relation to the world of objects. Embracing epistemological, metaphysical, psychological, and physiological concerns, his dynamic system of thought reveals in a unique way the serious philosophical conflicts that can arise when we think about the self. This book is the first full-length study of this theme, and Christopher Janaway's approach to it is historical, yet at the same time has a clear philosophical emphasis. He explores in unusual depth Schopenhauer's often ambivalent relation to Kant, seeing him as a pertinent critic, especially on the issues of idealism and free will. He shows that, while accepting transcendental idealism and the notion of a pure knowing 'I', Schopenhauer was always concerned to establish a rival view of the self as willing: primarily active, embodied, organic, and manifesting pre-rational ends and drives. In the final part of the book Janaway highlights the influence of Schop

This book brings together fourteen essays by Christopher Janaway on the philosophy of Schopenhauer and Nietzsche. They illuminate central philosophical issues in the work of these thinkers - the death of God, the meaning of existence, suffering, compassion, the will, Christian values, the affirmation or negation of life. Some of the essays concern Schopenhauer in his own right, focusing on his concept of will to life, an underlying drive which constitutes our inner essence, but which traps us in self-centred desire, a wrong identification of our true self with the human individual, an egoistic conception of the good, conflict with other beings, and an existence pervaded by suffering. Opposed to the will to life stands everything of real value: art, morality, and the kind of redemption from suffering recognized by mystics from several of the world's religions. Other essays discuss Nietzsche's critical responses to Schopenhauer, and his own challenging views on related topics. For Nietzsche, morality is a questionable phenomenon and egoism is wrongly maligned; suffering is an enhancement of life, and the attempt to eliminate it is impoverishing; art is full, not drained, of willing; the world religions and the whole idea of being saved from our life are symptoms of a malaise from which modern culture has somehow to recover. The book also features discussions of the reception of Schopenhauer by two contemporaries of Nietzsche, Richard Wagner and the analyst of pessimism, Olga Plümacher.

Christopher Janaway presents a full commentary on Nietzsche's most studied work, On the Genealogy of Morality, and combines close reading of key passages with an overview of Nietzsche's wider aims. Arguing that Nietzsche's goal is to pursue psychological and historical truths concerning the origins of modern moral values, Beyond Selflessness is distinctive in that it also emphasizes the significance of Nietzsches rhetorical methods as an instrument of persuasion. Nietzsche's outlook is broadly naturalist, but he is critical of typical scientific and philosophical methods for their advocacy of impersonality and suppression of the affects. In contrast to his opponents, Schopenhauer and Paul Rée, who both account for morality in terms of selflessness, Nietzsche believes that our allegiance to a post-Christian morality that centres around selflessness, compassion, guilt, and denial of the instincts is not primarily rational but affective: underlying feelings, often ambivalent and poorly grasped in conscious thought, explain our moral beliefs. The Genealogy is designed to detach the reader from his or her allegiance to morality and prepare for the possibility of new values. Janaway shows how, according to Nietzsches perspectivism, one can best understand a topic such as morality through allowing as many of ones feelings as possible to speak about it, and how Nietzsche seeks to enable us to feel differently': his provocation of the reader's affects helps us grasp the affective origins of our attitudes and prepare the way for healthier values such as the affirmation of life (as tested by the thought of eternal return) and the self-satisfaction to be attained by 'giving style to one's character'.

Christopher Janaway presents a full commentary on Nietzsche's most studied work, On the Genealogy of Morality, and combines close reading of key passages with an overview of Nietzsche's wider aims. Arguing that Nietzsche's goal is to pursue psychological and historical truths concerning the origins of modern moral values, Beyond Selflessness differs from other books on Nietzsche in that it emphasizes the significance of his rhetorical methods as an instrument of persuasion. Nietzsche's outlook is broadly naturalist, but he is critical of typical scientific and philosophical methods for their advocacy of impersonality and suppression of the affects. In contrast to his opponents, Schopenhauer and Paul Rée, who both account for morality in terms of selflessness, Nietzsche believes that our allegiance to a post-Christian morality that centres around selflessness, compassion, guilt, and denial of the instincts is not primarily rational but affective: underlying feelings, often ambivalent and poorly grasped in conscious thought, explain our moral beliefs. The Genealogy is designed to detach the reader from his or her allegiance to morality and prepare for the possibility of new values. In addition to examining how Nietzsche's 'perspectivism' holds that one can best understand a topic such as morality through allowing as many of one's feelings as possible to speak about it, Janaway shows that Nietzsche seeks to enable us to 'feel differently': his provocation of the reader's affects helps us grasp the affective origins of our attitudes and prepare the way for healthier values such as the affirmation of life (as tested by the thought of eternal return) and the self-satisfaction to be attained by 'giving style to one's character'.

Nietzsche, Naturalism, and Normativity comprises ten original essays which critically engage with one of the western canon's most controversial ethical thinkers. Bringing together an internationally renowned line-up of Nietzsche specialists and mainstream moral philosophers, the volume provides a timely and distinctive contribution to our understanding of both Nietzsche and his significance for ethical thought more generally. As well as clarifying Nietzsche's own views, both critical and positive, ethical and meta-ethical, the articles connect Nietzsche's philosophical concerns to contemporary debates in and about ethics, normativity, and value. The volume's topics include: the nature and scope of Nietzsche's critique of morality; the character of the positive ideals Nietzsche advances in light of that critique; the meta-ethical commitments underpinning the substantive views he variously opposes and espouses; his conception of human psychology and its relation to normativity and value; and, more generally, the relation between Nietzsche's revaluative ambitions and the naturalistic worldview it has become common to attribute to him. With an editors' introduction providing a comprehensive and accessible background to these topics, including a state-of-the-art overview of the interpretative and philosophical controversies Nietzsche's normative and naturalistic endeavours raise, Nietzsche, Naturalism, and Normativity stands at the cutting edge of current work in the field and is essential reading for anyone interested in the challenges Nietzsche poses for dominant models of moral philosophy.

Arthur Schopenhauer (1788-1860) is something of a maverick figure in the history of philosophy. He produced a unique theory of the world and human existence based upon his notion of will. This collection analyses the related but distinct components of will from the point of view of epistemology, metaphysics, philosophy of mind, aesthetics, ethics, and the philosophy of psychoanalysis. This volume explores Schopenhauer's philosophy of death, his relationship to the philosophy of Kant, his use of ideas drawn from both Buddhism and Hinduism, and the important influence he exerted on Nietzsche, Freud, and Wittgenstein.

With the publication of the Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', the Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes his 'Aphorisms on the Wisdom of Life', reflections on fate and clairvoyance, trenchant views on the philosophers and universities of his day, and an enlightening survey of the history of philosophy. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.

Arthur Schopenhauer's The Two Fundamental Problems of Ethics (1841) consists of two groundbreaking essays: 'On the Freedom of the Will' and 'On the Basis of Morals'. The essays make original contributions to ethics and display Schopenhauer's erudition, prose-style and flair for philosophical controversy, as well as philosophical views that contrast sharply with the positions of both Kant and Nietzsche. Written accessibly, they do not presuppose the intricate metaphysics which Schopenhauer constructs elsewhere. This is the first English translation of these works to re-unite both essays in one volume. It offers a new translation by Christopher Janaway, together with an introduction, editorial notes on Schopenhauer's vocabulary and the different editions of his essays, a chronology of his life, a bibliography, and a glossary of names.

First published in 1818, The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion, in an attempt to account for the world in all its significant aspects. It gives a unique and influential account of what is and is not of value in existence, the striving and pain of the human condition and the possibility of deliverance from it. This translation of the first volume of what later became a two-volume work reflects the eloquence and power of Schopenhauer's prose and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names and bibliography, and succinct editorial notes, including notes on the revisions of the text which Schopenhauer made in 1844 and 1859.

With the publication of Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes essays on method, logic, the intellect, Kant, pantheism, natural science, religion, education, and language. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.

This volume of translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an essential preliminary to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works.

This flexible introductory textbook explores several key themes in philosophy, and helps the reader learn to engage with the key arguments by introducing and analysing a selection of classic readings. Fully integrated introductory text with readings for beginning students of philosophy. Each chapter focusses on a core philosophical topic, and contains an introduction to the topic, 2 classic readings and interactive commentaries on the readings. An introductory book which doesn't merely tell the reader about the subject, but requires them to engage philosophically with the text. A pedagogical resource developed in the classroom by the authors at the University of London.

Suffering is a theme throughout Nietzsche's writings. His views are often controversial and challenging. He explores ways of understanding suffering not as an 'objection to life', but as something that can enhance life. This Element examines Nietzsche's views on suffering from different angles: his early claim that the representation of suffering in the art form of tragedy enabled the ancient Greeks to affirm life, his analysis of cruelty as an expression of will to power, and his critique of 'the morality of compassion' which he claims would impoverish life by removing its suffering. Nietzsche views suffering as necessary for psychological growth and great human achievement. It is neither good nor bad in itself, and its value depends on who suffers and in what context. Although Nietzsche's rhetoric sometimes glorifies suffering and cruelty irresponsibly, his work advances our understanding of suffering by viewing it through different perspectives and affective attitudes.

Suffering is a theme throughout Nietzsche's writings. His views are often controversial and challenging. He explores ways of understanding suffering not as an 'objection to life', but as something that can enhance life. This Element examines Nietzsche's views on suffering from different angles: his early claim that the representation of suffering in the art form of tragedy enabled the ancient Greeks to affirm life, his analysis of cruelty as an expression of will to power, and his critique of 'the morality of compassion' which he claims would impoverish life by removing its suffering. Nietzsche views suffering as necessary for psychological growth and great human achievement. It is neither good nor bad in itself, and its value depends on who suffers and in what context. Although Nietzsche's rhetoric sometimes glorifies suffering and cruelty irresponsibly, his work advances our understanding of suffering by viewing it through different perspectives and affective attitudes.

Arthur Schopenhauer's The Two Fundamental Problems of Ethics (1841) consists of two groundbreaking essays: 'On the Freedom of the Will' and 'On the Basis of Morals'. The essays make original contributions to ethics and display Schopenhauer's erudition, prose-style and flair for philosophical controversy, as well as philosophical views that contrast sharply with the positions of both Kant and Nietzsche. Written accessibly, they do not presuppose the intricate metaphysics which Schopenhauer constructs elsewhere. This is the first English translation of these works to re-unite both essays in one volume. It offers a new translation by Christopher Janaway, together with an introduction, editorial notes on Schopenhauer's vocabulary and the different editions of his essays, a chronology of his life, a bibliography, and a glossary of names.

Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art. Designed for readers with no or little prior knowledge of the subject.Presents two contrasting pieces on each of six topics.Texts range from Plato's famous critique of art in the 'Republic' through Nietzsche's 'The Birth of Tragedy' to Barthes' 'The Death of the Author' and pieces in recent philosophical aesthetics from a number of traditions.Interactive editorial commentary helps readers to engage with the philosophical train of thought.Explains the argumentative and historical context in which each piece was written.Includes questions for debate and suggestions for further reading.

Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art. Designed for readers with no or little prior knowledge of the subject.Presents two contrasting pieces on each of six topics.Texts range from Plato's famous critique of art in the 'Republic' through Nietzsche's 'The Birth of Tragedy' to Barthes' 'The Death of the Author' and pieces in recent philosophical aesthetics from a number of traditions.Interactive editorial commentary helps readers to engage with the philosophical train of thought.Explains the argumentative and historical context in which each piece was written.Includes questions for debate and suggestions for further reading.