Christopher Lucas – författare

This is the second book in a two-volume comparative history of negation in the languages of Europe and the Mediterranean. The work integrates typological, general, and theoretical research, documents patterns and directions of change in negation across languages, and examines the linguistic and social factors that lie behind such changes. The aim of both volumes is to set out an integrated framework for understanding the syntax of negation and how it changes.While the first volume (OUP, 2013) presented linked case studies of particular languages and language groups, this second volume constructs a holistic approach to explaining the patterns of historical change found in the languages of Europe and the Mediterranean over the last millennium. It identifies typical developments found repeatedly in the histories of different languages and explores their origins, as well as investigating the factors that determine whether change proceeds rapidly,slowly, or not at all. Language-internal factors such as the interaction of syntax, semantics, and pragmatics, and the biases inherent in child language acquisition, are investigated alongside language-external factors such as imposition, convergence, and borrowing. The book proposes an explicit formalaccount of language-internal and contact-induced change for both the expression of sentential negation (''not'') and negative indefinites (''anyone'', ''nothing''). It sheds light on the major ways in which negative systems develop, on the nature of syntactic change, and indeed on linguistic change more generally, demonstrating the insights that large-scale comparison of linguistic histories can offer.

This is the first book in a two-volume comparative history of negation in the languages of Europe and the Mediterranean. The work integrates typological, general, and theoretical research, documents patterns and directions of change in negation across languages, and examines the linguistic and social factors that lie behind such changes. The first volume presents linked case studies of particular languages and language groups, including French, Italian, English,Dutch, German, Celtic, Slavonic, Greek, Uralic, and Afro-Asiatic. Each outlines and analyses the development of sentential negation and of negative indefinites and quantifiers, including negative concord and, where appropriate, language-specific topics such as the negation of infinitives, negativeimperatives, and constituent negation.The second volume (to be pubished in 2014) will offer comparative analyses of changes in negation systems of European and north African languages and set out an integrated framework for understanding them. The aim of both is a universal understanding of the syntax of negation and how it changes. Their authors develop formal models in the light of data drawn from historical linguistics, especially on processes of grammaticalization, and consider related effects on language acquisition andlanguage contact. At the same time the books seek to advance models of historical syntax more generally and to show the value of uniting perspectives from different theoretical frameworks.

This is the first book in a two-volume comparative history of negation in the languages of Europe and the Mediterranean. The work integrates typological, general, and theoretical research, documents patterns and directions of change in negation across languages, and examines the linguistic and social factors that lie behind such changes. The first volume presents linked case studies of particular languages and language groups, including French, Italian, English, Dutch, German, Celtic, Slavonic, Greek, Uralic, and Afro-Asiatic. Each outlines and analyses the development of sentential negation and of negative indefinites and quantifiers, including negative concord and, where appropriate, language-specific topics such as the negation of infinitives, negative imperatives, and constituent negation.The second volume (to be pubished in 2014) will offer comparative analyses of changes in negation systems of European and north African languages and set out an integrated framework for understanding them. The aim of both is a universal understanding of the syntax of negation and how it changes. Their authors develop formal models in the light of data drawn from historical linguistics, especially on processes of grammaticalization, and consider related effects on language acquisition and language contact. At the same time the books seek to advance models of historical syntax more generally and to show the value of uniting perspectives from different theoretical frameworks.

This is the second book in a two-volume comparative history of negation in the languages of Europe and the Mediterranean. The work integrates typological, general, and theoretical research, documents patterns and directions of change in negation across languages, and examines the linguistic and social factors that lie behind such changes. The aim of both volumes is to set out an integrated framework for understanding the syntax of negation and how it changes.While the first volume (OUP, 2013) presented linked case studies of particular languages and language groups, this second volume constructs a holistic approach to explaining the patterns of historical change found in the languages of Europe and the Mediterranean over the last millennium. It identifies typical developments found repeatedly in the histories of different languages and explores their origins, as well as investigating the factors that determine whether change proceeds rapidly, slowly, or not at all. Language-internal factors such as the interaction of syntax, semantics, and pragmatics, and the biases inherent in child language acquisition, are investigated alongside language-external factors such as imposition, convergence, and borrowing. The book proposes an explicit formal account of language-internal and contact-induced change for both the expression of sentential negation ('not') and negative indefinites ('anyone', 'nothing'). It sheds light on the major ways in which negative systems develop, on the nature of syntactic change, and indeed on linguistic change more generally, demonstrating the insights that large-scale comparison of linguistic histories can offer.

This book provides a practical theory and research informed guide to understanding conflict in the creative and cultural industries.This edited collection provides a 360-degree view of the complex and dynamic presence of conflict in the work of creative and cultural industries such as film, television, radio and podcasting, the fine arts, and beyond. A foundational resource for understanding the complexities of the creative industries, it explores ways conflict can be reframed as a necessary, productive, and manageable force. The essays in the book delve into the underlying causes of conflict in creative enterprises, examine the impact of these conflicts on the creative process, and introduce strategies and tactics used by creative workers to execute their visions with and through conditions of conflict. It features a diverse range of case studies, interviews, and discourse analyses, providing readers with concrete examples of conflicts and how they have been addressed. The inclusion of these real-world case studies and theoretical frameworks make the book an excellent teaching resource.This book will be a useful resource to students and scholars of media, culture, and communication, particularly those with an interest in media industries, media management, the creative and cultural industries, and media production.

This book provides a practical theory and research informed guide to understanding conflict in the creative and cultural industries.This edited collection provides a 360-degree view of the complex and dynamic presence of conflict in the work of creative and cultural industries such as film, television, radio and podcasting, the fine arts, and beyond. A foundational resource for understanding the complexities of the creative industries, it explores ways conflict can be reframed as a necessary, productive, and manageable force. The essays in the book delve into the underlying causes of conflict in creative enterprises, examine the impact of these conflicts on the creative process, and introduce strategies and tactics used by creative workers to execute their visions with and through conditions of conflict. It features a diverse range of case studies, interviews, and discourse analyses, providing readers with concrete examples of conflicts and how they have been addressed. The inclusion of these real-world case studies and theoretical frameworks make the book an excellent teaching resource.This book will be a useful resource to students and scholars of media, culture, and communication, particularly those with an interest in media industries, media management, the creative and cultural industries, and media production.

This book provides a practical theory and research informed guide to understanding conflict in the creative and cultural industries.This edited collection provides a 360-degree view of the complex and dynamic presence of conflict in the work of creative and cultural industries such as film, television, radio and podcasting, the fine arts, and beyond. A foundational resource for understanding the complexities of the creative industries, it explores ways conflict can be reframed as a necessary, productive, and manageable force. The essays in the book delve into the underlying causes of conflict in creative enterprises, examine the impact of these conflicts on the creative process, and introduce strategies and tactics used by creative workers to execute their visions with and through conditions of conflict. It features a diverse range of case studies, interviews, and discourse analyses, providing readers with concrete examples of conflicts and how they have been addressed. The inclusion of these real-world case studies and theoretical frameworks make the book an excellent teaching resource.This book will be a useful resource to students and scholars of media, culture, and communication, particularly those with an interest in media industries, media management, the creative and cultural industries, and media production.

This book provides a practical theory and research informed guide to understanding conflict in the creative and cultural industries.This edited collection provides a 360-degree view of the complex and dynamic presence of conflict in the work of creative and cultural industries such as film, television, radio and podcasting, the fine arts, and beyond. A foundational resource for understanding the complexities of the creative industries, it explores ways conflict can be reframed as a necessary, productive, and manageable force. The essays in the book delve into the underlying causes of conflict in creative enterprises, examine the impact of these conflicts on the creative process, and introduce strategies and tactics used by creative workers to execute their visions with and through conditions of conflict. It features a diverse range of case studies, interviews, and discourse analyses, providing readers with concrete examples of conflicts and how they have been addressed. The inclusion of these real-world case studies and theoretical frameworks make the book an excellent teaching resource.This book will be a useful resource to students and scholars of media, culture, and communication, particularly those with an interest in media industries, media management, the creative and cultural industries, and media production.

Soon to be a major motion picture, Seeing Home: The Ed Lucas Story is the incredible true tale of a beloved Emmy-winning blind broadcaster who refused to let his disability prevent him from overcoming many challenging obstacles and achieving his dreams.In 1951, when he was only twelve years old, Ed Lucas was hit between the eyes by a baseball during a sandlot game in Jersey City. He lost his sight forever. To cheer him up, his mother wrote letters to baseball superstars of the day, explaining her son’s condition. Soon Ed was invited into their clubhouses and dugouts, as the players and coaches personally made him feel at home. Despite the warm reception he got from his heroes, Ed was told repeatedly by others that he would never be able to accomplish anything worthwhile because of his limitations. But Hall-of-Famer Phil Rizzuto became Ed’s mentor and encouraged him to pursue his passion—broadcasting. Ed then overcame hundreds of barriers, big and small, to become a pioneer—the first blind person covering baseball on a regular basis, a career he has successfully continued for six decades. Ed may have lost his sight, but he never lost his faith, which got him through many pitfalls and dark days. When Ed’s two sons were very young, his wife walked out and left him to raise them all by himself, which he did. Six years later, Ed’s ex-wife returned and sued him for full custody, saying that a blind man shouldn’t have her kids. The judge agreed, tearing Ed''s sons away from their father''s loving home. Ed fought the heartbreaking decision with appeals all the way up to the highest level of the court system. Eventually, he prevailed, marking the very first time in US history that a disabled person was awarded custody over a non-disabled spouse. Even in his later years, Ed is still enjoying a remarkably blessed life. In 2006, he married his second wife, Allison, at home plate in old Yankee Stadium, the only time that such a thing ever happened on that iconic spot. Yankee owner George Steinbrenner himself catered the whole affair, which was shown live on national television. Seeing Home: The Ed Lucas Story is truly a magical read and a universally uplifting and inspirational tale for everyone, whether or not you happen to be a sports fan. Over his long and amazing life, Ed has collected hundreds of anecdotes from his personal relationships and encounters with everyone, from kings and presidents to movie stars and sports Hall-of-Famers, many of which he shares in this memoir, using his trademark humorous and engaging style, cowritten with his youngest son, Christopher.

Soon to be a major motion picture, Seeing Home: The Ed Lucas Story is the incredible true tale of a beloved Emmy-winning blind broadcaster who refused to let his disability prevent him from overcoming many challenging obstacles and achieving his dreams.In 1951, when he was only twelve years old, Ed Lucas was hit between the eyes by a baseball during a sandlot game in Jersey City. He lost his sight forever. To cheer him up, his mother wrote letters to baseball superstars of the day, explaining her son’s condition. Soon Ed was invited into their clubhouses and dugouts, as the players and coaches personally made him feel at home. Despite the warm reception he got from his heroes, Ed was told repeatedly by others that he would never be able to accomplish anything worthwhile because of his limitations. But Hall-of-Famer Phil Rizzuto became Ed’s mentor and encouraged him to pursue his passion—broadcasting. Ed then overcame hundreds of barriers, big and small, to become a pioneer—the first blind person covering baseball on a regular basis, a career he has successfully continued for six decades. Ed may have lost his sight, but he never lost his faith, which got him through many pitfalls and dark days. When Ed’s two sons were very young, his wife walked out and left him to raise them all by himself, which he did. Six years later, Ed’s ex-wife returned and sued him for full custody, saying that a blind man shouldn’t have her kids. The judge agreed, tearing Ed''s sons away from their father''s loving home. Ed fought the heartbreaking decision with appeals all the way up to the highest level of the court system. Eventually, he prevailed, marking the very first time in US history that a disabled person was awarded custody over a non-disabled spouse. Even in his later years, Ed is still enjoying a remarkably blessed life. In 2006, he married his second wife, Allison, at home plate in old Yankee Stadium, the only time that such a thing ever happened on that iconic spot. Yankee owner George Steinbrenner himself catered the whole affair, which was shown live on national television. Seeing Home: The Ed Lucas Story is truly a magical read and a universally uplifting and inspirational tale for everyone, whether or not you happen to be a sports fan. Over his long and amazing life, Ed has collected hundreds of anecdotes from his personal relationships and encounters with everyone, from kings and presidents to movie stars and sports Hall-of-Famers, many of which he shares in this memoir, using his trademark humorous and engaging style, cowritten with his youngest son, Christopher.

There is not a person on Earth who hasn’t come into contact with Disney in some way. Whetherseeing a Disney film, hearing a Disney song, recognizing a Disney character or visiting a Disneypark, the company’s reach is global. Top Disney will collect the best of the best of Disney in a book of lists.From Walt himself and the beginning of his company, to his successors who have broadenedthe reach of the Disney brand well beyond where even Walt could have imagined it, this bookwill cover every aspect of the 93 years of history that Disney has to offer. In it you will findinformation on everything from Oswald the Lucky Rabbit and Queen Elsa, to the billion dollaracquisitions of Marvel and Lucasfilm.