Christopher Pelling – författare

Plutarch's vivid and engaging portraits of the Spartans and their customs are a major source of our knowledge about the rise and fall of this remarkable Greek city-state between the sixth and third centuries BC. Through his Lives of Sparta's leaders and his recording of memorable Spartan Sayings he depicts a people who lived frugally and mastered their emotions in all aspects of life, who also disposed of unhealthy babies in a deep chasm, introduced a gruelling regime of military training for boys, and treated their serfs brutally. Rich in anecdote and detail, Plutarch's writing brings to life the personalities and achievements of Sparta with unparalleled flair and humanity.

Alexander the Great changed the world that he knew--but how he did it, and how much of his story is truth and how much is invented, is hard to tell. One of our most important sources for his achievements and personality is Plutarch's Life of Alexander, and this is the first detailed commentary in English for over fifty years, along with a thorough introduction and translation. It is a sister volume to the author's 2011 edition (also in the Clarendon Ancient History Series) of Plutarch's Caesar, the Life paired with Alexander in Plutarch's series of Parallel Lives.The life of Alexander the Great was clouded in legend from his own lifetime, not least because Alexander himself curated his image with such care. Disentangling the truth is not an easy task, especially because our surviving narratives, including Plutarch's, all date from centuries later under the Roman empire. Plutarch's Life of Alexander is especially important for Alexander's early years, but for his later achievements too it often supplements or corrects our other accounts; it is also a considerable literary achievement, as Plutarch produces a memorable picture of a brilliant soldier, full of spirit and ambition, gradually coarsened by his own successes and his suspicions of his friends until his final months at Babylon in a court full of superstition, terror, and dread. Plutarch had to navigate his way through an unusually vast stock of material to produce this portrait. This commentary discusses those literary techniques in detail as well as providing a thorough investigation of the historical issues that Plutarch's narrative raises.

Plutarch's Life of Caesar deals with the best known Roman of them all, Julius Caesar, and his vivid narrative covers most of the major events of the last generation of the Republic, as well as painting an insightful picture of this man who sacrificed everything for power. Pelling's volume gives a new translation of the Life together with a full introduction and running commentary on the events it describes. Culminating in the crossing of the Rubicon, Caesar's victory in the Civil War, and finally his assassination on the Ides of March, 44 BC, it goes on to trace the first stages of the new phase of civil war which followed and, in its turn, led to the establishment of the principate. The volume also discusses both the historical and the literary aspects of the Life, relating it both to the broader history of the Republic and to Plutarch's other works, especially the Life of Alexander with which it forms a pair of Parallel Lives. A separate section of the Introduction also discusses Shakespeare's adaptation of Plutarch in Julius Caesar, and points out ways in which the subtle remoulding of Plutarch's material can illuminate the techniques and interests of both authors.

Donald Russell, Emeritus Professor of Classical Literature at Oxford University, has been a leading figure in several fields of classical scholarship over the last few decades. The present volume collects essays written in his honour by scholars who have worked closely with him. The essays fall into three sections, corresponding to Donald Russell's main work: Latin literature, Greek Imperial Literature, and Ancient Literary Criticism. They are unified by two of Russell's own pervasive concerns: Ethics, the concern of classical literature with moral conduct, and Rhetoric, the techniques of effective persuasion.

The tragic theme was no mere diversion for a fifth-century Athenian: it was a focal part of the experience of being a citizen. Tragedy explores fundamental issues of religion, of ethics, of civic ideology, and we should expect it to be a central source for the reconstruction and analysis of the Athenian thought-world. Yet is is also a peculiarly delicate source to use, and the combination of tragic with other material often poses particular problems to the historian. This collection of eleven papers investigates the methods and pitfalls of using tragedy to illuminate fifth-century thought, culture, and society. In the concluding essay Christopher Pelling summarizes two important themes of the book: the problems of using tragedy as evidence; and the light tragedy can shed on civic ideology.

Twelve Voices from Greece and Rome is a book for all readers who want to know more about the literature that underpins Western civilization. Chistopher Pelling and Maria Wyke provide a vibrant and distinctive introduction to twelve of the greatest authors from ancient Greece and Rome, writers whose voices still resonate strongly across the centuries: Homer, Sappho, Herodotus, Euripides, Thucydides, Plato, Caesar, Cicero, Virgil, Horace, Juvenal and Tacitus. To what vital ideas do these authors give voice? And why are we so often drawn to what they say even in modern times? Twelve Voices investigates these tantalizing questions, showing how these great figures from classical antiquity still address some of our most fundamental concerns in the world today (of war and courage, dictatorship and democracy, empire, immigration, city life, art, madness, irrationality, and religious commitment), and express some of our most personal sentiments (about family and friendship, desire and separation, grief and happiness). These twelve classical voices can sound both compellingly familiar and startlingly alien to the twenty-first century reader. Yet they remain suggestive and inspiring, despite being rooted in their own times and places, and have profoundly affected the lives of those prepared to listen to them right up to the present day.

Rediscovering E. R. Dodds offers the first comprehensive assessment of a remarkable classical scholar, who was also a poet with extensive links to twentieth-century English and Irish literary culture, the friend of Auden and MacNeice. Dodds was born in Northern Ireland, but made his name as Regius Professor of Greek at Oxford from 1936 to 1960, succeeding Gilbert Murray. Before this he taught at Reading and Birmingham, was active in the Association of University Teachers, or AUT (of which he became president), and brought an outsider's perspective to the comfortable and introspective world of Oxford. His famous book The Greeks and the Irrational (1951) remains one of the most distinguished and visionary works of scholarship of its time, though much less well-known is his long and influential involvement with psychic research and his work for the reconstruction of German education after the Second World War. The contributions to this volume seek to shed light on these less explored areas of Dodds' life and his significance as perhaps the last classicist to play a significant role in British literary culture, as well as examining his work across different areas of scholarship, notably Greek tragedy. A group of memoirs - one by his pupil and former literary executor, Donald Russell, and three by younger friends who knew, visited, and looked after Dodds in his last years - complement this portrait of the influential scholar and poet, offering a glimpse of the man behind the legacy.

This is a collection of studies on ancient (especially Latin) poetry and historiography, concentrating especially on the impact of rhetoric on both genres, and on the importance of considering the literature to illuminate the historical Roman context and the historical context to illuminate the literature. It takes the form of a tribute to Tony Woodman, Gildersleeve Professor of Classics at the University of Virginia, for whom twenty-one scholars have contributed essays reflecting the interests and approaches that have typified Woodman's own work. The authors that he has continuously illuminated - especially Velleius, Horace, Virgil, Sallust, and Tacitus - figure particularly prominently.

Twelve Voices from Greece and Rome is a book for all readers who want to know more about the literature that underpins Western civilization. Chistopher Pelling and Maria Wyke provide a vibrant and distinctive introduction to twelve of the greatest authors from ancient Greece and Rome, writers whose voices still resonate strongly across the centuries: Homer, Sappho, Herodotus, Euripides, Thucydides, Plato, Caesar, Cicero, Virgil, Horace, Juvenal and Tacitus. To what vital ideas do these authors give voice? And why are we so often drawn to what they say even in modern times? Twelve Voices investigates these tantalizing questions, showing how these great figures from classical antiquity still address some of our most fundamental concerns in the world today (of war and courage, dictatorship and democracy, empire, immigration, city life, art, madness, irrationality, and religious commitment), and express some of our most personal sentiments (about family and friendship, desire and separation, grief and happiness). These twelve classical voices can sound both compellingly familiar and startlingly alien to the twenty-first century reader. Yet they remain suggestive and inspiring, despite being rooted in their own times and places, and have profoundly affected the lives of those prepared to listen to them right up to the present day.

Plutarch's Life of Caesar deals with the best known Roman of them all, Julius Caesar, and his vivid narrative covers most of the major events of the last generation of the Republic, as well as painting an insightful picture of this man who sacrificed everything for power. Pelling's volume gives a new translation of the Life together with a full introduction and running commentary on the events it describes. Culminating in the crossing of the Rubicon, Caesar's victory in the Civil War, and finally his assassination on the Ides of March, 44 BC, it goes on to trace the first stages of the new phase of civil war which followed and, in its turn, led to the establishment of the principate. The volume also discusses both the historical and the literary aspects of the Life, relating it both to the broader history of the Republic and to Plutarch's other works, especially the Life of Alexander with which it forms a pair of Parallel Lives. A separate section of the Introduction also discusses Shakespeare's adaptation of Plutarch in Julius Caesar, and points out ways in which the subtle remoulding of Plutarch's material can illuminate the techniques and interests of both authors.

Maps dominate the modern sense of place and geography. Yet, so far as we can tell, maps were rare in the Greco-Roman world and, when mentioned in sources, are mistrusted and criticized. Today, technological advances have brought to the fore an entirely new set of methods for representing and interacting with space. In contrast to traditional 'topographic' perspectives, the territorial extent of economic and political realms is increasingly conceived though a 'topological' lens, in which the nature and frequency of links among different sites matter more than the physical distances between them.New Worlds from Old Texts focuses on the ancient Greek experience of space, conceived of in terms of both its literature and material culture remains, and uses this to reflect on modern thinking. Comprising twelve chapters written by a highly interdisciplinary range of contributors, this edited collection explores the rich array of representational devices employed by ancient authors, whose narrative depictions of spatial relations defy the logic of images and surfaces that dominates contemporary cartographic thought. The volume focuses on Herodotus' Histories-a text that is increasingly cited by Classicists as an example of how ancient perceptions of space may have been rather different to the modern cartographic view-but also considers perceptions of space through the lens of other authors, genres, cultural contexts, and disciplines. In doing so, it reveals how a study of the ancient world can be reinvigorated by, and in turn help to shape, modern technological innovation and methods.

Our knowledge of Greek history rests largely on literary texts - not merely historians (especially Herodotus, Thucylides and Xenephon), but also tragedies, comedies, speeches, biographies and philosophical works. These texts are themselves among the most skilled and highly wrought productions of a brilliant rhetorical culture. How is the historian to use them? This book addresses this problem by taking a series of extended test-cases, and discussing how we should and should not try to exploit the texts. In some instances we can investigate 'what really happened', and the ways in which the texts manipulate, remould, or colour it according to their own rhetorical strategies; in others the most illuminating aspect may be those strategies themselves, and what they tell us about the culture - how it figured questions of sex and gender, politics, citizenship and the city, the law and the courts and how wars happen. Literary Texts and the Greek Historian concentrates on Athens in the second half of the fifth-century, when many of the principal genres came together, but includes some examples from earlier (Aeschylus ^Oresteia>) and later (including Aristotles poetics). Literary Texts and the Greek Historian examines the range of responses to these texts and suggests new ways in which literary criticism can illuminate the society from which these texts sprang.

Book VI of the Histories is one of Herodotus' most varied books, beginning with the final collapse of the Ionian Revolt and moving on to the Athenian triumph at Marathon (490 BC); it also includes fascinating material on Sparta, full of court intrigue and culminating in Kleomenes' grisly death, and there is comedy too, with Alkmeon's cramming clothes, boots, and even cheeks with gold dust, then Hippokleides 'dancing away his marriage'. In Herodotus' time, Marathon was already reaching almost legendary status, commemorated in epigrams and monuments, and in this edition a substantial introduction discusses Herodotus' relation to these other memorials. It also explores the place of the book in the Histories' overall structure, and pays particular attention to Herodotus' treatment of impiety. A new text is then accompanied by a full commentary, covering literary and historical aspects and offering help with translation. The volume is suitable for undergraduates, graduate students, teachers and scholars.

In Books 6 and 7 Thucydides' narrative is, as Plutarch puts it, 'at its most emotional, vivid, and varied' as he describes the Sicilian Expedition that ended so catastrophically for Athens (415-413 BCE). Book 6 features tense debates both at Athens, with cautious Nicias no match for risk-taking Alcibiades, and at Syracuse, with the statesmanlike Hermocrates confronting the populist Athenagoras. The spectacle of the armada is memorably described; so is the panic at Athens when people fear that acts of sacrilege may be alienating the gods, with Alcibiades himself so implicated that he is soon recalled. The Book ends with Athens seeming poised for victory; that will soon change, and a sister commentary on Book 7 is being published simultaneously. The Introduction discusses the narrative skill and the part these books play in the architecture of the history. Considerable help with the Greek is offered throughout the Commentary.

In Books 6 and 7 Thucydides' narrative is, as Plutarch puts it, 'at its most emotional, vivid, and varied' as he describes the Sicilian Expedition that ended so catastrophically for Athens (415-413 BCE). Book 7 opens with Athens seemingly on the point of victory, but the arrival of the Spartan commander Gylippus marks a change in fortunes and the Athenian commander Nicias is soon sending home a desperate plea for reinforcements. Three narrative masterpieces follow their arrival, first the eerie confusion of the night battle on the heights, then the naval clash in the Great Harbour, and finally the desperate attempt to escape and the slaughter at the river Assinarus. Following the sister commentary on Book 6, the Commentary offers students considerable help understanding the Greek while the Introduction discusses Thucydides' narrative skill and the part these books play in the architecture of the history.

Book VI of the Histories is one of Herodotus' most varied books, beginning with the final collapse of the Ionian Revolt and moving on to the Athenian triumph at Marathon (490 BC); it also includes fascinating material on Sparta, full of court intrigue and culminating in Kleomenes' grisly death, and there is comedy too, with Alkmeon's cramming clothes, boots, and even cheeks with gold dust, then Hippokleides 'dancing away his marriage'. In Herodotus' time, Marathon was already reaching almost legendary status, commemorated in epigrams and monuments, and in this edition a substantial introduction discusses Herodotus' relation to these other memorials. It also explores the place of the book in the Histories' overall structure, and pays particular attention to Herodotus' treatment of impiety. A new text is then accompanied by a full commentary, covering literary and historical aspects and offering help with translation. The volume is suitable for undergraduates, graduate students, teachers and scholars.

In Books 6 and 7 Thucydides' narrative is, as Plutarch puts it, 'at its most emotional, vivid, and varied' as he describes the Sicilian Expedition that ended so catastrophically for Athens (415-413 BCE). Book 6 features tense debates both at Athens, with cautious Nicias no match for risk-taking Alcibiades, and at Syracuse, with the statesmanlike Hermocrates confronting the populist Athenagoras. The spectacle of the armada is memorably described; so is the panic at Athens when people fear that acts of sacrilege may be alienating the gods, with Alcibiades himself so implicated that he is soon recalled. The Book ends with Athens seeming poised for victory; that will soon change, and a sister commentary on Book 7 is being published simultaneously. The Introduction discusses the narrative skill and the part these books play in the architecture of the history. Considerable help with the Greek is offered throughout the Commentary.

In Books 6 and 7 Thucydides' narrative is, as Plutarch puts it, 'at its most emotional, vivid, and varied' as he describes the Sicilian Expedition that ended so catastrophically for Athens (415-413 BCE). Book 7 opens with Athens seemingly on the point of victory, but the arrival of the Spartan commander Gylippus marks a change in fortunes and the Athenian commander Nicias is soon sending home a desperate plea for reinforcements. Three narrative masterpieces follow their arrival, first the eerie confusion of the night battle on the heights, then the naval clash in the Great Harbour, and finally the desperate attempt to escape and the slaughter at the river Assinarus. Following the sister commentary on Book 6, the Commentary offers students considerable help understanding the Greek while the Introduction discusses Thucydides' narrative skill and the part these books play in the architecture of the history.

In the 5th century BCE, Herodotus wrote the first known Western history to build on the tradition of Homeric storytelling, basing his text on empirical observations and arranging them systematically. Herodotus and the Question Why offers a comprehensive examination of the methods behind the Histories and the challenge of documenting human experiences, from the Persian Wars to cultural traditions.In lively, accessible prose, Christopher Pelling explores such elements as reconstructing the mentalities of storyteller and audience alike; distinctions between the human and the divine; and the evolving concepts of freedom, democracy, and individualism. Pelling traces the similarities between Herodotus's approach to physical phenomena (Why does the Nile flood?) and to landmark events (Why did Xerxes invade Greece? And why did the Greeks win?), delivering a fascinating look at the explanatory process itself. The cultural forces that shaped Herodotus's thinking left a lasting legacy for us, making Herodotus and the Question Why especially relevant as we try to record and narrate the stories of our time and to fully understand them.

In the 5th century BCE, Herodotus wrote the first known Western history to build on the tradition of Homeric storytelling, basing his text on empirical observations and arranging them systematically. Herodotus and the Question Why offers a comprehensive examination of the methods behind the Histories and the challenge of documenting human experiences, from the Persian Wars to cultural traditions.In lively, accessible prose, Christopher Pelling explores such elements as reconstructing the mentalities of storyteller and audience alike; distinctions between the human and the divine; and the evolving concepts of freedom, democracy, and individualism. Pelling traces the similarities between Herodotus's approach to physical phenomena (Why does the Nile flood?) and to landmark events (Why did Xerxes invade Greece? And why did the Greeks win?), delivering a fascinating look at the explanatory process itself. The cultural forces that shaped Herodotus's thinking left a lasting legacy for us, making Herodotus and the Question Why especially relevant as we try to record and narrate the stories of our time and to fully understand them.

Much of ancient history can only be written thanks to evidence supplied by Plutarch. The historical methods and qualities of this vital source were for long subjected to little systematic analysis. However, over the last two decades an authoritative and profoundly influential set of studies has appeared in the field, the work of Christopher Pelling. Dispersed until now in a wide range of international journals and symposia, these fifteen studies are here published in a single volume, revised by the author with up-to-date annotations and bibliography. Together with three new studies, they form an essential reference-work for serious students of classical Greece and Rome.

It is unusual for a single scholar practically to reorient an entire sub-field of study, but this is what Chris Stray has done for the history of UK classical scholarship. His remarkable combination of interests in the sociology of scholars and scholarship, in the history of the book and of publishing, and (especially) in the detailed intellectual contextualisation of classical scholarship as a form of classical reception has fundamentally changed the way the history of British classics and its study is viewed. A generation ago the history of classical scholarship still consisted largely of accounts of particular scholars and groups of scholars written by other scholars from a broadly biographical and ‘heroic individual’ perspective. In these works scholars often sought to find their own place in the great tradition, choosing to praise or blame those whose work they admired or deprecated, and to identify with particular schools or trends, and there were few attempts to provide a broader and less prosopographical perspective. Almost all the chapters in the volume originated as papers at a conference in honour of the honorand, and have been improved both by discussion there and by the rigorous peer-review process conducted by the two experienced editors. It covers various aspects of classical reception, with a particular focus on the history of scholars, their institutions, and their writings; the main focus is on the UK, but there are also substantial engagements with continental Europe and (especially) the USA; the period covered runs from the Renaissance to the present. The cast contains a number of world-famous names. Unusually, the volume also contains an essay by the honorand, but we are very keen to include this, especially as it focusses on the topic of scholarly collaboration.