Chu-chueh Cheng – författare
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3 produkter
3 produkter
Häftad, Engelska, 2021
448 kr
Skickas inom 5-8 vardagar
Examines Shanghai both as a real city and an imaginary locale, from diverse cultural and disciplinary perspectives.Revealing/Reveiling Shanghai provides international and interdisciplinary perspectives on representations of Shanghai, a contested location within political discourse and cultural imagination. Shanghai's complex history as a quasi-colonial city, and its contradictory identity as the birthplace of Communist China and the epitome of twenty-first-century capitalism, make it an especially fascinating subject. Contributors examine representations of Shanghai in film, art, literature, memoir, theater, and mass media from the past one hundred years. They address the ways in which texts from the late twentieth and early twenty-first centuries have rewritten past and present Shanghai to reflect our own wishes and anguishes, show how the city resists static interpretations, and challenge notions of authentic representation and identity. By revealing and questioning persistent stereotypes and constructed versions of East and West, the essays offer diverse views so as to create a genuine exchange with contemporary global audiences. A wide variety of texts are discussed, including the films Street Angel (1937) and The White Countess (2005), and the novels The Song of Everlasting Sorrow (1996) and Shanghai Baby (1999).
Inbunden, Engelska, 2020
1 242 kr
Skickas inom 5-8 vardagar
Examines Shanghai both as a real city and an imaginary locale, from diverse cultural and disciplinary perspectives.Revealing/Reveiling Shanghai provides international and interdisciplinary perspectives on representations of Shanghai, a contested location within political discourse and cultural imagination. Shanghai's complex history as a quasi-colonial city, and its contradictory identity as the birthplace of Communist China and the epitome of twenty-first-century capitalism, make it an especially fascinating subject. Contributors examine representations of Shanghai in film, art, literature, memoir, theater, and mass media from the past one hundred years. They address the ways in which texts from the late twentieth and early twenty-first centuries have rewritten past and present Shanghai to reflect our own wishes and anguishes, show how the city resists static interpretations, and challenge notions of authentic representation and identity. By revealing and questioning persistent stereotypes and constructed versions of East and West, the essays offer diverse views so as to create a genuine exchange with contemporary global audiences. A wide variety of texts are discussed, including the films Street Angel (1937) and The White Countess (2005), and the novels The Song of Everlasting Sorrow (1996) and Shanghai Baby (1999).
Häftad, Engelska, 2010
584 kr
Skickas inom 5-8 vardagar
The title of this volume illustrates the significance of margins and the instability of demarcation in the fiction of Kazuo Ishiguro. The author approaches Ishiguro’s writings as a corpus rather than separate units, examining the novels to illuminate their generic, theoretical or stylistic affiliations. The chapters attend to seemingly peripheral elements – trivial details, incoherent conversations, hackneyed notions, minor characters and everyday occurrences – in order to expose what is deliberately obscured or contained within the explicit narrative.The poststructuralist approach and the structuralist objective of this study may appear incongruous, but the seemingly incompatible pairing in fact articulates a number of paradoxes that Ishiguro’s novels manifest: the alterity of the international, the disclosure of the concealed, the innovation of the banal, the significance of the trivial, the presence of the absent and the accord of the cacophonous.