Ciaran Carson – författare

‘I write to try to see you as you were, or what you have become. You left no forwarding address: that was part of your intention. For when we wrote those letters to each other all those years ago, we wrote as much for ourselves as for each other.’More than twenty years after the end of their love affair, Gabriel receives a cryptic postcard from old flame Nina. It is the first of thirteen cards from her, each one provoking a series of reveries about their life together in 1980s Belfast.The Pen Friend is, however, much more than a love story. As Gabriel teases out the significance of the cards, his reveries develop into richly textured meditations on writing, memory, spiritualism and surveillance. The result is an intricate web of fact and fiction – moving easily between such varied subjects as the Troubles, Esperanto and John Lavery – a strange and wonderful novel by one of our finest Irish writers.If you enjoyed The Pen Friend, you might also enjoy Ciaran Carson’s Exchange Place, a brilliant thriller set in Paris and Belfast.

This compendium, made from Ciaran Carson’s previous collections, reveals one of the most remarkable and sustained tours de force in contemporary poetry: the poet’s reimaginign of his native city of Belfast. Carson introduces the reader to a city as full of surreal narrative and imaginative possibility as Borges’ Buenos Aires or Calvino’s Venice; at the same time he never shirks from taking a hard look at the city in all its political and cultural complexity.In its refusal to simplify or romanticize, The Ballad of HMS Belfast is an indispensable guidebook to a city few will know exists.‘He is the master of the long line; these poems are manic, frightening and funny, and somehow manage to catch the tone of life in modern Belfast’ John Banville, Irish Times‘It is about Belfast past and present and is full of surprises, savage and witty, human and extravagant. His voice is truly original, both intelligent and passionate’ A. S. Byatt, Sunday Times Books of the Year

This compendium, made from Ciaran Carson’s previous collections, reveals one of the most remarkable and sustained tours de force in contemporary poetry: the poet’s reimaginign of his native city of Belfast. Carson introduces the reader to a city as full of surreal narrative and imaginative possibility as Borges’ Buenos Aires or Calvino’s Venice; at the same time he never shirks from taking a hard look at the city in all its political and cultural complexity.In its refusal to simplify or romanticize, The Ballad of HMS Belfast is an indispensable guidebook to a city few will know exists.‘He is the master of the long line; these poems are manic, frightening and funny, and somehow manage to catch the tone of life in modern Belfast’ John Banville, Irish Times‘It is about Belfast past and present and is full of surprises, savage and witty, human and extravagant. His voice is truly original, both intelligent and passionate’ A. S. Byatt, Sunday Times Books of the Year

X + Y = K is the final, astonishing work by the late Ciaran Carson— an electrifying fusion of memoir, ghost story, and speculative fiction that pushes his lifelong preoccupations with memory, time, and perception into audacious new territory. Moving between Belfast and London, the novel traces the fractured consciousness of Kilpatrick, a man haunted by migraine visions, childhood trauma, and the spectral machinery of history. As séances, scientific experiments, and art-historical meditations bleed into one another, the boundaries between worlds grow porous: tables levitate, cities shimmer like palimpsests, and the dead return in flickers of light. Carson’s trademark blend of forensic detail and lyrical expansiveness animates a narrative where parallel realities overlap, where surveillance and spiritualism mirror each other, and where every object—painting, watch, typewriter—carries its hidden aura. A profound meditation on vulnerability, doubleness, and the stories we invent to survive, X + Y = K is Carson’s final, radiant act of imagination.

''Quite simply the best version of Dante there is'' PAUL MULDOON, Irish Times. Almost eight centuries after its first publication, Dante Alighieri''s Divine Comedy remains an icon of Italian literature and of the epic genre. In Inferno, the first volume, the poet Virgil leads Dante''s hero through hell, showing him the inhabitants of each of its nine circles and examples of the divine justice meted out to them. In this beautifully produced Apollo Library edition, Ciaran Carson''s translation suffuses the text with wit, anger and irreverent vigour, without diminishing the pathos of the original. This is a retelling of Dante''s epic journey for the twenty-first-century reader.

One of Ireland''s most celebrated writers, musicians, and poets, Ciaran Carson was born in Belfast and has spent his life there. In The Star Factory, he makes himself the cartographer of his home city''s spaces, symbolic and literal, the scribe of its byways and avenues, from Abbey Road to Zetland Street. Belfast has seen transformation: once the fifth-greatest industrial city in the world, the home of the S.S. Titanic, it has more recently been a battleground of sectarian slaughter. To conjure up the lives lived there, Carson plunges down the ''wormhole of memory'' – admiring along the way the strata and roots beneath the surface. Though it has experienced more than its share of urban decay – the Star Factory of the title is an abandoned mill – Carson''s Belfast teems with stories, stories that can spring from a telephone directory, a cigarette case, a postcard, a book about tramways, a stamp. For the eye that knows where to look, and the ear that can listen, gems and melodies are everywhere. The Star Factory is an elegy of magical power and enduring love, a work of passion and precision, and sure to be considered one of the finest books about Ireland ever written.

"Övergången från muntligt framförd till nedskriven poesi skedde åtminstone delvis genom att dikter började ristas in på gravar. Så blev skriften ett minnesmärke – över dödsfall, krig och katastrofer – som till skillnad från talakten kunde agera ställföreträdare för de dödas röster långt efter att stämbanden tystnat. Vilken roll spelar död och traumatiska förluster i samtida poesi?" Ur numrets ledare