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This volume on Greek synchronic etymology offers a set of papers evidencing the cultural significance of etymological commitment in ancient and medieval literature. The four sections illustrate the variety of approaches of the same object, which for Greek writers was much more than a technical way of studying language. Contributions focus on the functions of etymology as they were intended by the authors according to their own aims. (1) “Philosophical issues” addresses the theory of etymology and its explanatory power, especially in Plato and in Neoplatonism. (2) “Linguistic issues” discusses various etymologizing techniques and the status of etymology, which was criticized and openly rejected by some authors. (3) “Poetical practices of etymology” investigates the ubiquitous presence of etymological reflections in learned poetry, whatever the genre, didactic, aetiological or epic. (4) “Etymology and word-plays” addresses the vexed question of the limit between a mere pun and a real etymological explanation, which is more than once difficult to establish. The wide range of genres and authors and the interplay between theoretical reflection and applied practice shows clearly the importance of etymology in Greek thought.

This volume on Greek synchronic etymology offers a set of papers evidencing the cultural significance of etymological commitment in ancient and medieval literature. The four sections illustrate the variety of approaches of the same object, which for Greek writers was much more than a technical way of studying language. Contributions focus on the functions of etymology as they were intended by the authors according to their own aims. (1) “Philosophical issues” addresses the theory of etymology and its explanatory power, especially in Plato and in Neoplatonism. (2) “Linguistic issues” discusses various etymologizing techniques and the status of etymology, which was criticized and openly rejected by some authors. (3) “Poetical practices of etymology” investigates the ubiquitous presence of etymological reflections in learned poetry, whatever the genre, didactic, aetiological or epic. (4) “Etymology and word-plays” addresses the vexed question of the limit between a mere pun and a real etymological explanation, which is more than once difficult to establish. The wide range of genres and authors and the interplay between theoretical reflection and applied practice shows clearly the importance of etymology in Greek thought.

This volume on Greek synchronic etymology offers a set of papers evidencing the cultural significance of etymological commitment in ancient and medieval literature. The four sections illustrate the variety of approaches of the same object, which for Greek writers was much more than a technical way of studying language. Contributions focus on the functions of etymology as they were intended by the authors according to their own aims. (1) “Philosophical issues” addresses the theory of etymology and its explanatory power, especially in Plato and in Neoplatonism. (2) “Linguistic issues” discusses various etymologizing techniques and the status of etymology, which was criticized and openly rejected by some authors. (3) “Poetical practices of etymology” investigates the ubiquitous presence of etymological reflections in learned poetry, whatever the genre, didactic, aetiological or epic. (4) “Etymology and word-plays” addresses the vexed question of the limit between a mere pun and a real etymological explanation, which is more than once difficult to establish. The wide range of genres and authors and the interplay between theoretical reflection and applied practice shows clearly the importance of etymology in Greek thought.

This volume on ancient Greek synchronic etymology offers a set of papers evidencing the cultural significance of etymological commitment in ancient and medieval literature. It continues a collective work (begun in a first volume under the same title) of reflection on, and valorization of the significance, development and impact of the Greek etymologizing thought. The three sections illustrate the variety of approaches to the same object, which was much more than a technical way of studying language for Greek writers. Contributions focus on the functions of etymology as they were intended by the authors according to their own aims. The wide range of genres and authors and the interplay between theoretical reflection and applied practice demonstrate the importance of etymology in Greek culture. The studies proposed here show how versatile the uses of etymology are in ancient texts, appearing both technical and inspired, literary and philosophical, serious and playful, lexicological and conceptual. Part of them deals with the link and difference between etymology and etiology. The work is of special interest to scholars on etymology in ancient Greek scholarship and on more general issues in lexicology, semiology, and folk-etymology.

This book presents the first systematic linguistic study of Zenodotus’ variant readings, showing that he used a version of Homer older than the one used by Aristarchus a century later. Several clues point to the fact that Zenodotus’ version belongs to a tradition that was already distinct from that which eventually yielded the vulgate (that is, the Homer we know). In particular, his version largely pre-dates the Sophists’ reflections on language, rhetorics and style, and the grammatical theories of Alexandrian scholars.The finding presented in this book should encourage not only historical linguists, but also philologists and classicists to revise the communis opinio and attentively consider Zenodotus’ readings in their research.