Clare Brant – författare

Walking the Streets of Eighteenth-Century London will entertain and inform all who are interested in literature, history, and the city of London. This unique book invites the reader to walk along the dirty, crowded, and fascinating streets of eighteenth-century London in an unusual way. Nine leading experts from the fields of literature, history, classics, gender, biography, geography, and costume, offer different interpretations of John Gay''s poem Trivia: or, the Art of Walking the Streets of London (1716). The poem - a lively, funny, and thought-provoking statement about urban life - accompanies the essays, in a new edition with comprehensive notes. The introduction paints a vibrant picture of London in 1716, depicting Gay''s fascinating life and literary world, offering an invaluable guide to the poem. Together, these elements allow the heat, grime, and smells of the underbelly of eighteenth-century London come alive in new ways.

Walking the Streets of Eighteenth-Century London will entertain and inform all who are interested in literature, history, and the city of London. This unique book invites the reader to walk along the dirty, crowded, and fascinating streets of eighteenth-century London in an unusual way. Nine leading experts from the fields of literature, history, classics, gender, biography, geography, and costume, offer different interpretations of John Gay's poem Trivia: or, the Art of Walking the Streets of London (1716). The poem - a lively, funny, and thought-provoking statement about urban life - accompanies the essays, in a new edition with comprehensive notes. The introduction paints a vibrant picture of London in 1716, depicting Gay's fascinating life and literary world, offering an invaluable guide to the poem. Together, these elements allow the heat, grime, and smells of the underbelly of eighteenth-century London come alive in new ways.

This important new book explores epistolary forms and practices in relation to important areas of British culture. Familiar ideas about epistolary fiction and personal correspondence, and public and private, are re-examined in the light of alternative paradigms, showing how the letter is a genre at the centre of Eighteenth-century life.

The shared aim of these important new critical interventions into the early modern period is to make fresh feminist attempts to uncover the writings of Elizabethan and Jacobean women. Subject to silence, censorship and manipulation in the terms of overriding political concerns of the day, the feminist history of the early modern period is still a largely unwritten story. New feminist analysis can expose the conditions of production in which the history of the period was constructed: this revealing new Collection thereby exposes the untold stories which underpin the official texts. By beginning to explore this period from women's point of view, Women, Texts and Histories shows the crucial and fascinating ways in which women's writing may undermine many of the received assumptions on which the history of the period has depended.

'An innovative and challenging title from feminists in Britain [...] makes a valuable contribution to understanding sexual harassment' Feminist Bookstore News'Serious and scholarly ... deserves a wide audience' Journal of the Institute of Health Education'Excellent ... However familiar the subject may seem - or precisely because we all think we know what term 'sexual harassment' means - these discussions open up a series of vital questions, both theoretical and practical. Rethinking Sexual Harassment is a valuable contribution to a debate that continues all around us' ParallaxSexual harassment continues to stimulate controversy and attract partisan responses. This is an exciting and original exploration of how it came to be defined, what institutional forces and contexts shape our understanding of it. This multidisciplinary study brings together essays from feminist scholars in the fields of law, literature, the social sciences, history and cultural studies.The contributors' central argument is an awareness of the social and discursive contexts required to challenge sexual harassment effectively. Offering insight into current limitations and making practical suggestions for ways forward, this wide-ranging collection addresses general readers and professionals alike.Contributors include Suzanne Gibson; Helen Watson; Gargi Bhattacharyya; Ruth Jamieson; Celia Kitzinger; Suzanne Raitt; Ros Hunt; Diane Purkiss; Padma Anagol-McGinn and Jane Beckett

The shared aim of these important new critical interventions into the early modern period is to make fresh feminist attempts to uncover the writings of Elizabethan and Jacobean women. Subject to silence, censorship and manipulation in the terms of overriding political concerns of the day, the feminist history of the early modern period is still a largely unwritten story. New feminist analysis can expose the conditions of production in which the history of the period was constructed: this revealing new Collection thereby exposes the untold stories which underpin the official texts. By beginning to explore this period from women''s point of view, Women, Texts and Histories shows the crucial and fascinating ways in which women''s writing may undermine many of the received assumptions on which the history of the period has depended.

The shared aim of these important new critical interventions into the early modern period is to make fresh feminist attempts to uncover the writings of Elizabethan and Jacobean women. Subject to silence, censorship and manipulation in the terms of overriding political concerns of the day, the feminist history of the early modern period is still a largely unwritten story. New feminist analysis can expose the conditions of production in which the history of the period was constructed: this revealing new Collection thereby exposes the untold stories which underpin the official texts. By beginning to explore this period from women''s point of view, Women, Texts and Histories shows the crucial and fascinating ways in which women''s writing may undermine many of the received assumptions on which the history of the period has depended.

This multi-disciplinary essay collection explores the controversial life and achievements of Sir John Hill (1714–1775), a prolific contributor to Georgian England’s literature, medicine and science. By the time he died, he had been knighted by the Swedish monarch and become a household name among scientists and writers throughout Britain and Europe. In 1750s London he was a celebrity, but he was also widely vilified.Hill, an important writer of urban space, also helped define London through his periodicals and fictions. As well as examining his significance and achievements, this book makes Hill a means of exploring the lively intellectual and public world of London in the 1750s where rivalries abounded, and where clubs, societies, coffee-houses, theatres and pleasure gardens shaped fame and fortunes. By investigating one individual’s intersections with his metropolis, Fame and Fortune restores Hill to view and contributes new understandings of the forms and functionsof eighteenth-century intellectual worlds.

The shared aim of these important new critical interventions into the early modern period is to make fresh feminist attempts to uncover the writings of Elizabethan and Jacobean women. Subject to silence, censorship and manipulation in the terms of overriding political concerns of the day, the feminist history of the early modern period is still a largely unwritten story. New feminist analysis can expose the conditions of production in which the history of the period was constructed: this revealing new Collection thereby exposes the untold stories which underpin the official texts. By beginning to explore this period from women's point of view, Women, Texts and Histories shows the crucial and fascinating ways in which women's writing may undermine many of the received assumptions on which the history of the period has depended.

Exploring the changing relations between humans, marine beings and oceans as captured in the autobiographical writings of divers, sea-species biographers and underwater photographers over the last hundred years, Underwater Lives takes a deep dive beneath the surface to reveal what they can tell us about this wonderful and increasingly endangered world.With alarm bells ringing about the sustainability of humans’ interaction with the oceans, Underwater Lives asks, what can we learn from an underwater world seen through divers’ eyes? What ideas are at work and play? How is oceanic knowledge spread? How is the ocean ‘seen’ through immersive texts? How do contemporary underwater life writers engage with the destruction of the Anthropocene?Reading texts and images together, and sometimes against each other, Clare Brant investigates how life writing operates underwater, how particular visual conventions shape what we see, how literature partners with other arts to convey ocean life and what underwater life writings have to say about the entangled politics of human engagement with ocean lives. Structured around the lives of humans, marine beings and the ocean itself, Underwater Lives is a pioneering study of how people represent underwater. You might expect to meet William Beebe, Hans and Lotte Hass, Jacques Cousteau, Eugenie Clark, Rachel Carson, Sylvia Earle and you do; you meet scientists who share their lives with whales, sharks, octopus, seals, turtles, corals and fish; you meet image-makers involved in the BBC’s documentary series Blue Planet I and II; you also encounter all sorts of people who simply went underwater and wrote about it.Joining the growing domain of blue humanities, Underwater Lives brings literary, historical and aesthetic thinking to the ocean as it has been seen through human eyes - and their prosthetics: cameras.

Exploring the changing relations between humans, marine beings and oceans as captured in the autobiographical writings of divers, sea-species biographers and underwater photographers over the last hundred years, Underwater Lives takes a deep dive beneath the surface to reveal what they can tell us about this wonderful and increasingly endangered world.With alarm bells ringing about the sustainability of humans' interaction with the oceans, Underwater Lives asks, what can we learn from an underwater world seen through divers' eyes? What ideas are at work and play? How is oceanic knowledge spread? How is the ocean 'seen' through immersive texts? How do contemporary underwater life writers engage with the destruction of the Anthropocene? Reading texts and images together, and sometimes against each other, Clare Brant investigates how life writing operates underwater, how particular visual conventions shape what we see, how literature partners with other arts to convey ocean life and what underwater life writings have to say about the entangled politics of human engagement with ocean lives. Structured around the lives of humans, marine beings and the ocean itself, Underwater Lives is a pioneering study of how people represent underwater. You might expect to meet William Beebe, Hans and Lotte Hass, Jacques Cousteau, Eugenie Clark, Rachel Carson, Sylvia Earle and you do; you meet scientists who share their lives with whales, sharks, octopus, seals, turtles, corals and fish; you meet image-makers involved in the BBC's documentary series Blue Planet I and II; you also encounter all sorts of people who simply went underwater and wrote about it. Joining the growing domain of blue humanities, Underwater Lives brings literary, historical and aesthetic thinking to the ocean as it has been seen through human eyes - and their prosthetics: cameras.

Exploring the changing relations between humans, marine beings and oceans as captured in the autobiographical writings of divers, sea-species biographers and underwater photographers over the last hundred years, Underwater Lives takes a deep dive beneath the surface to reveal what they can tell us about this wonderful and increasingly endangered world.With alarm bells ringing about the sustainability of humans' interaction with the oceans, Underwater Lives asks, what can we learn from an underwater world seen through divers' eyes? What ideas are at work and play? How is oceanic knowledge spread? How is the ocean 'seen' through immersive texts? How do contemporary underwater life writers engage with the destruction of the Anthropocene? Reading texts and images together, and sometimes against each other, Clare Brant investigates how life writing operates underwater, how particular visual conventions shape what we see, how literature partners with other arts to convey ocean life and what underwater life writings have to say about the entangled politics of human engagement with ocean lives. Structured around the lives of humans, marine beings and the ocean itself, Underwater Lives is a pioneering study of how people represent underwater. You might expect to meet William Beebe, Hans and Lotte Hass, Jacques Cousteau, Eugenie Clark, Rachel Carson, Sylvia Earle and you do; you meet scientists who share their lives with whales, sharks, octopus, seals, turtles, corals and fish; you meet image-makers involved in the BBC's documentary series Blue Planet I and II; you also encounter all sorts of people who simply went underwater and wrote about it. Joining the growing domain of blue humanities, Underwater Lives brings literary, historical and aesthetic thinking to the ocean as it has been seen through human eyes - and their prosthetics: cameras.

Exploring the changing relations between humans, marine beings and oceans as captured in the autobiographical writings of divers, sea-species biographers and underwater photographers over the last hundred years, Underwater Lives takes a deep dive beneath the surface to reveal what they can tell us about this wonderful and increasingly endangered world.With alarm bells ringing about the sustainability of humans’ interaction with the oceans, Underwater Lives asks, what can we learn from an underwater world seen through divers’ eyes? What ideas are at work and play? How is oceanic knowledge spread? How is the ocean ‘seen’ through immersive texts? How do contemporary underwater life writers engage with the destruction of the Anthropocene?Reading texts and images together, and sometimes against each other, Clare Brant investigates how life writing operates underwater, how particular visual conventions shape what we see, how literature partners with other arts to convey ocean life and what underwater life writings have to say about the entangled politics of human engagement with ocean lives. Structured around the lives of humans, marine beings and the ocean itself, Underwater Lives is a pioneering study of how people represent underwater. You might expect to meet William Beebe, Hans and Lotte Hass, Jacques Cousteau, Eugenie Clark, Rachel Carson, Sylvia Earle and you do; you meet scientists who share their lives with whales, sharks, octopus, seals, turtles, corals and fish; you meet image-makers involved in the BBC’s documentary series Blue Planet I and II; you also encounter all sorts of people who simply went underwater and wrote about it.Joining the growing domain of blue humanities, Underwater Lives brings literary, historical and aesthetic thinking to the ocean as it has been seen through human eyes - and their prosthetics: cameras.

This important new book explores epistolary forms and practices in relation to important areas of British culture. Familiar ideas about epistolary fiction and personal correspondence, and public and private, are re-examined in the light of alternative paradigms, showing how the letter is a genre at the centre of Eighteenth-century life.