Claudia Bernardi – författare

This book explores how women’s relationship with food has been represented in Italian literature, cinema, scientific writings and other forms of cultural expression from the 19th century to the present.Italian women have often been portrayed cooking and serving meals to others, while denying themselves the pleasure of the table. The collection presents a comprehensive understanding of the symbolic meanings associated with food and of the way these intersect with Italian women’s socio-cultural history and the feminist movement.From case studies on Sophia Loren and Elena Ferrante, to analyses of cookbooks by Italian chefs, each chapter examines the unique contribution Italian culture has made to perceiving and portraying women in a specific relation to food, addressing issues of gender, identity and politics of the body.

This book explores how women’s relationship with food has been represented in Italian literature, cinema, scientific writings and other forms of cultural expression from the 19th century to the present.Italian women have often been portrayed cooking and serving meals to others, while denying themselves the pleasure of the table. The collection presents a comprehensive understanding of the symbolic meanings associated with food and of the way these intersect with Italian women’s socio-cultural history and the feminist movement.From case studies on Sophia Loren and Elena Ferrante, to analyses of cookbooks by Italian chefs, each chapter examines the unique contribution Italian culture has made to perceiving and portraying women in a specific relation to food, addressing issues of gender, identity and politics of the body.

Art Against Brutality brings a much-needed contribution to the field of community arts and the burgeoning field of social practice art, as well as adding to post-conflict literature, dealing with the aftermath of state terro in Latin America (El Salvador, Guatemala, Colombia, Argentina, México) and with native people in the United States. It outlines truly collaborative approaches, based on ideas from the community participants, rather than shaped by the facilitating artist. Often the form of the art project is a mural, in which the participants decide on the theme and storyline. These collaborative, community-based art projects engage children, youth, and adults to converse and to find a common thread of intention. Often this thread is rooted in shared historical memory; it emerges from personal and communal stories, from people's expectations, fears, and tenacity to continue living despite the carnage, losses, and displacement they have suffered.

Art Against Brutality brings a much-needed contribution to the field of community arts and the burgeoning field of social practice art, as well as adding to post-conflict literature, dealing with the aftermath of state terro in Latin America (El Salvador, Guatemala, Colombia, Argentina, México) and with native people in the United States. It outlines truly collaborative approaches, based on ideas from the community participants, rather than shaped by the facilitating artist. Often the form of the art project is a mural, in which the participants decide on the theme and storyline. These collaborative, community-based art projects engage children, youth, and adults to converse and to find a common thread of intention. Often this thread is rooted in shared historical memory; it emerges from personal and communal stories, from people's expectations, fears, and tenacity to continue living despite the carnage, losses, and displacement they have suffered.