Crispin Sartwell – författare

Frederick Douglass, Harriet Jacobs, W.E.B. Du Bois, Zora Neale Hurston, Malcolm X - their words speak firmly, eloquently and personally of the impact of white America on the lives of African-Americans. Black autobiographical discourses, from the earliest slave narratives to contemporary urban raps, have each in their own way gauged and confronted the character of society. For Crispin Sartwell, as philosopher, cultural critic, and white male, these texts provide a rare opportunity of gaining access to the contents and core of white identity. There is, Sartwell contends, a fundamental elusiveness to that identity. Whiteness defines itself as normative, as a neutral form of the human condition, marking all other forms of identity as "racial" or "ethnic" deviations. Invisible to itself, white identity seeks to define its essence over and against those other identities, in effect defining itself through opposition and oppression. By maintaining fictions of black licentiousness, violence, and corruption, white identity is able to cast itself as humane, benevolent, and pure; the stereotype fabricates not only the oppressed but the oppressor as well.Sartwell argues that African-American autobiography perceives white identity from a particular and unique vantage point: one that is knowledgeable and intimate, yet removed from the white world and thus unencumbered by its obfuscating claims to normativity.

Beauty may be in the eye of the beholder, but it's also in the language we use and everywhere in the world around us. In this elegant, witty, and ultimately profound meditation on what is beautiful, Crispin Sartwell begins with six words from six different cultures - ancient Greek's 'to kalon', the Japanese idea of 'wabi-sabi', Hebrew's 'yapha', the Navajo concept 'hozho', Sanskrit 'sundara', and our own English-language 'beauty'.Each word becomes a door onto another way of thinking about, and looking at, what is beautiful in the world, and in our lives. In Sartwell's hands these six names of beauty - and there could be thousands more - are revealed as simple and profound ideas about our world and our selves.

This ambitious philosophical anthology combines analyses and surveys of contemporary theorising on social identity.

This ambitious philosophical anthology combines analyses and surveys of contemporary theorising on social identity.

A multicultural philosophy of art applied to common American and European experience and discussed in relation to Taoist, Buddhist, Hindu, Native American, and African traditionsThe Art of Living: Aesthetics of the Ordinary in World Spiritual Traditions is the first truly multi-cultural philosophy of art. It develops a new theory of what art is, and discusses it in relation to Zen Buddhism, Taoism, and Hinduism, as well as Native American, African, and African-American traditions.

Examines the consequences of utter affirmations of our world as it is, exploring the themes of transgressive sexuality, political anarchism, addiction, death, and embodiment.Sartwell presents an extreme and provocative philosophy of life. He explores what happens if we love this world precisely as it is, with all of its pain, with all of its evil, with all of its bizarre and arbitrary and monstrous thereness. In a highly personal and brutally direct style, Sartwell explores the themes of transgressive sexuality, political anarchism, addiction, death, and embodiment. The author engages contemporary and historical debates in cultural criticism, metaphysics, ethics, and political philosophy, and expresses deep suspicions about them. He asserts that scientific philosophical conceptualization is a movement toward death, a rejection of realityThe author engages contemporary and historical debates in cultural criticism, metaphysics, ethics, and political philosophy, and expresses deep suspicions about them. He asserts that scientific philosophical conceptualization is a movement toward death, a rejection of realityMoral and political values-the ethical rejection of the particular precisely from within the particular-are, Sartwell claims, an assault on human authenticity. Thus, transgression-which is described as the affirmation of embodiment through obscenity-is something we radically require.

Argues that the academy's obsession with language, and in particular with narrative, has become a sort of disease.In End of Story, Crispin Sartwell maintains that the academy is obsessed with language, and with narrative in particular. Narrative has been held to constitute or explain time, action, value, history, and human identity. Sartwell argues that this obsession with language and narrative has become a sort of disease. Pitting such thinkers as Kierkegaard, Bataille, and Epictetus against the narrativism of MacIntyre, Ricoeur, and Aristotle, Sartwell celebrates the ways narratives and selves disintegrate and recommends a lapse into ecstatic or mundane incoherence. As the book rollicks through Wodehouse, Thoreau, the Book of Job, still-life painting, and Sartwell's autobiography, there emerges a hopeful if bizarre new sense of who we are and what we can be.

Brings the writings of de Cleyre out of undeserved obscurity.2005 CHOICE Outstanding Academic Title Emma Goldman called Voltairine de Cleyre "the most gifted and brilliant anarchist woman America ever produced." Yet her writings and speeches on anarchism and feminism-as radical, passionate, and popular at the time as Goldman's-are virtually unknown today. This important book brings de Cleyre's eloquent and incisive work out of undeserved obscurity. Twenty-one essays are reprinted here, including her classic works: "Anarchism and the American Tradition," "The Dominant Idea," and "Sex Slavery." Three biographical essays are also included: two new ones by Sharon Presley and Crispin Sartwell, and a rarely reprinted one from Emma Goldman.At a time when the mainstream women's movement asked only for the right to vote and rarely challenged the status quo, de Cleyre demanded an end to sex roles, called for economic independence for women, autonomy within and without marriage, and offered a radical critique of the role of the Church and State in oppressing women. In today's world of anti-globalization actions, de Cleyre's anarchist ideals of local self-rule, individual conscience, and decentralization of power still remain fresh and relevant.

"I suggest that although at any given place and moment the aesthetic expressions of a political system just are that political system, the concepts are separable. Typically, aesthetic aspects of political systems shift in their meaning over time, or even are inverted or redeployed with an entirely transformed effect. You cannot understand politics without understanding the aesthetics of politics, but you cannot understand aesthetics as politics. The point is precisely to show the concrete nodes at which two distinct discourses coincide or connive, come apart or coalesce."—from Political AestheticsJuxtaposing and connecting the art of states and the art of art historians with vernacular or popular arts such as reggae and hip-hop, Crispin Sartwell examines the reach and claims of political aesthetics. Most analysts focus on politics as discursive systems, privileging text and reducing other forms of expression to the merely illustrative. He suggests that we need to take much more seriously the aesthetic environment of political thought and action. Sartwell argues that graphic style, music, and architecture are more than the propaganda arm of political systems; they are its constituents. A noted cultural critic, Sartwell brings together the disciplines of political science and political philosophy, philosophy of art and art history, in a new way, clarifying basic notions of aesthetics—beauty, sublimity, and representation—and applying them in a political context. A general argument about the fundamental importance of political aesthetics is interspersed with a group of stimulating case studies as disparate as Leni Riefenstahl's films and Black Nationalist aesthetics, the Dead Kennedys and Jeffersonian architecture.

Beauty may be in the eye of the beholder, but it's also in the language we use and everywhere in the world around us. In this elegant, witty, and ultimately profound meditation on what is beautiful, Crispin Sartwell begins with six words from six different cultures - ancient Greek's 'to kalon', the Japanese idea of 'wabi-sabi', Hebrew's 'yapha', the Navajo concept 'hozho', Sanskrit 'sundara', and our own English-language 'beauty'.Each word becomes a door onto another way of thinking about, and looking at, what is beautiful in the world, and in our lives. In Sartwell's hands these six names of beauty - and there could be thousands more - are revealed as simple and profound ideas about our world and our selves.

Presents strikingly original and contemporary answers to the most traditional philosophical problems in epistemology, ethics, aesthetics, and political theory.A work of maximally ambitious scope with a foundation in humility, Entanglements sets out a philosophical system of the sort rarely seen over the past century. In a discipline marked by greater and greater specialization and the narrowing of increasingly insular traditions and approaches, Crispin Sartwell has spent his career engaging widely across philosophical topics and texts. Here he brings together his philosophical positions in a unified system that is coherent across the issues and subdisciplines in the field. In addition to presenting his own theories of truth, knowledge, free will, beauty, and the political state, Sartwell's criticisms of other figures and movements provide an overview of the history of philosophy. The project of presenting an overarching philosophical system is a resolutely old-fashioned one, and in undertaking it, Sartwell is not only encapsulating an extraordinarily unique and productive career but also nudging philosophy back to its broader aims of explaining the world and our place in it.

Collecting sixteen key texts on a broad range of key philosophical topics enables readers to perceive the scope of Shusterman's philosophy and appreciate its systematic aspects.Richard Shusterman is one of today's foremost philosophers. His influential and widely translated work is distinctive for its originality and its integration of multiple philosophical perspectives (analytic philosophy, phenomenology, hermeneutics, critical theory, and East Asian thought) to create a new transcultural pragmatist vision. Although most famous for his groundbreaking writings in aesthetics, somatic philosophy, and philosophy as an art of living, these texts are integrally connected with Shusterman's vital views on ontology, epistemology, and philosophy of mind, ethics, and politics. Collecting sixteen key texts on this broad range of topics, The Critical Shusterman enables readers to perceive the scope of Shusterman's philosophy and appreciate its systematic aspects. Editor Crispin Sartwell's superb introduction highlights those aspects in assessing Shusterman's thought in the context of contemporary philosophy while suggesting ways that Shusterman's project could be developed in the future.

Collecting sixteen key texts on a broad range of key philosophical topics enables readers to perceive the scope of Shusterman's philosophy and appreciate its systematic aspects.Richard Shusterman is one of today's foremost philosophers. His influential and widely translated work is distinctive for its originality and its integration of multiple philosophical perspectives (analytic philosophy, phenomenology, hermeneutics, critical theory, and East Asian thought) to create a new transcultural pragmatist vision. Although most famous for his groundbreaking writings in aesthetics, somatic philosophy, and philosophy as an art of living, these texts are integrally connected with Shusterman's vital views on ontology, epistemology, and philosophy of mind, ethics, and politics. Collecting sixteen key texts on this broad range of topics, The Critical Shusterman enables readers to perceive the scope of Shusterman's philosophy and appreciate its systematic aspects. Editor Crispin Sartwell's superb introduction highlights those aspects in assessing Shusterman's thought in the context of contemporary philosophy while suggesting ways that Shusterman's project could be developed in the future.

Explores leadership and civic virtue in American culture.Extreme Virtue presents a new and radical approach to the problems of leadership and virtue in public life. Originating in the author's newspaper writing about the Clinton/Lewinsky scandal, the book grapples with what has gone wrong in the American political system and describes what we should look for in our leaders. Sartwell argues that the real problem is a pervasive lack of truth in political leaders and that more can be accomplished by straight talk than by polling and focus groups.The book consists of biographical portraits of five great Americans: anarchists Emma Goldman and Voltairine de Cleyre, conservative senator Barry Goldwater, Lakota spiritual leader John Fire Lame Deer, and black nationalist Malcolm X. The author argues that what makes these figures distinctively American is that each shares a suspicion of power and a vision of individual liberation. Despite their distinctive and unique approaches, each person is a model of truth in public life.

Explores leadership and civic virtue in American culture.Extreme Virtue presents a new and radical approach to the problems of leadership and virtue in public life. Originating in the author's newspaper writing about the Clinton/Lewinsky scandal, the book grapples with what has gone wrong in the American political system and describes what we should look for in our leaders. Sartwell argues that the real problem is a pervasive lack of truth in political leaders and that more can be accomplished by straight talk than by polling and focus groups.The book consists of biographical portraits of five great Americans: anarchists Emma Goldman and Voltairine de Cleyre, conservative senator Barry Goldwater, Lakota spiritual leader John Fire Lame Deer, and black nationalist Malcolm X. The author argues that what makes these figures distinctively American is that each shares a suspicion of power and a vision of individual liberation. Despite their distinctive and unique approaches, each person is a model of truth in public life.

Brings the writings of de Cleyre out of undeserved obscurity.2005 CHOICE Outstanding Academic Title Emma Goldman called Voltairine de Cleyre "the most gifted and brilliant anarchist woman America ever produced." Yet her writings and speeches on anarchism and feminism-as radical, passionate, and popular at the time as Goldman's-are virtually unknown today. This important book brings de Cleyre's eloquent and incisive work out of undeserved obscurity. Twenty-one essays are reprinted here, including her classic works: "Anarchism and the American Tradition," "The Dominant Idea," and "Sex Slavery." Three biographical essays are also included: two new ones by Sharon Presley and Crispin Sartwell, and a rarely reprinted one from Emma Goldman.At a time when the mainstream women's movement asked only for the right to vote and rarely challenged the status quo, de Cleyre demanded an end to sex roles, called for economic independence for women, autonomy within and without marriage, and offered a radical critique of the role of the Church and State in oppressing women. In today's world of anti-globalization actions, de Cleyre's anarchist ideals of local self-rule, individual conscience, and decentralization of power still remain fresh and relevant.

Irreverent and incisive critique of liberal theories of the state.In Against the State, Crispin Sartwell unleashes a quick and brutal rejection of the traditional arguments for state legitimacy. Sartwell considers the classics of Western political philosophy-Hobbes, Locke, Rousseau, Hegel, Hume, Bentham, Rawls, and Habermas, among others-and argues that their positions are not only wrong but also embarrassingly bad. He separates the traditional pro-state arguments into three classes: social contract theories, utilitarian justifications, and justicial views, all while attacking both general strategies and particular formulations. Sartwell argues that the state rests on nothing but deadly force and its accompanying coercion, and that no one is under any obligation to obey the law merely because it is the law. He concludes by articulating a positive vision of an anarchist future, based on the "individualism" of such figures as Emerson and Thoreau. Against the State provides a rigorous and provocative foil to the classic texts, and also serves as a concise statement of the anarchist challenge.

Irreverent and incisive critique of liberal theories of the state.In Against the State, Crispin Sartwell unleashes a quick and brutal rejection of the traditional arguments for state legitimacy. Sartwell considers the classics of Western political philosophy-Hobbes, Locke, Rousseau, Hegel, Hume, Bentham, Rawls, and Habermas, among others-and argues that their positions are not only wrong but also embarrassingly bad. He separates the traditional pro-state arguments into three classes: social contract theories, utilitarian justifications, and justicial views, all while attacking both general strategies and particular formulations. Sartwell argues that the state rests on nothing but deadly force and its accompanying coercion, and that no one is under any obligation to obey the law merely because it is the law. He concludes by articulating a positive vision of an anarchist future, based on the "individualism" of such figures as Emerson and Thoreau. Against the State provides a rigorous and provocative foil to the classic texts, and also serves as a concise statement of the anarchist challenge.

Passionate and rollicking personal and intellectual essays by philosopher Crispin Sartwell.Philosopher, music critic, and syndicated columnist Crispin Sartwell has forged a distinctive and fiercely original identity over the years as a cultural commentator. In books about anarchism, art and politics, Native American and African American thought and culture, Eastern spirituality, and American transcendentalism, Sartwell has relentlessly insisted on an ethos rooted in unadorned honesty with oneself and a healthy skepticism of others. This volume of selected popular writings combines music and art criticism with personal memoir about addiction and rebellion, as well as cultural commentary on race, sexuality, cynicism, and the meaning of life.

Passionate and rollicking personal and intellectual essays by philosopher Crispin Sartwell.Philosopher, music critic, and syndicated columnist Crispin Sartwell has forged a distinctive and fiercely original identity over the years as a cultural commentator. In books about anarchism, art and politics, Native American and African American thought and culture, Eastern spirituality, and American transcendentalism, Sartwell has relentlessly insisted on an ethos rooted in unadorned honesty with oneself and a healthy skepticism of others. This volume of selected popular writings combines music and art criticism with personal memoir about addiction and rebellion, as well as cultural commentary on race, sexuality, cynicism, and the meaning of life.