Curtis White – författare

Smart, funny, and fresh, The Barbaric Heart argues that the present environmental crisis will not be resolved by the same forms of crony capitalism and managerial technocracy that created the crisis in the first place. With his trademark wit, White argues that the solution might very well come from an unexpected quarter: the arts, religion, and the realm of the moral imagination.

"Memories of My Father Watching TV" has as its protagonists television shows, around which the personalities of family members are shaped. The shows have a life of their own and become the arena of shared experience. And in Curtis White's hands, they become a son's projections of what he wants for himself and his father through characters in "Combat, " "Highway Patrol, " "Bonanza, " and other television shows (and one movie) from the 1950s and '60s. Comic in many ways, "Memories" is finally a sad lament of father-son relationship that is painful and tortured, displayed against a background of what they most shared, the watching of television, the universal American experience.

In Monstrous Possibility Curtis White creates a lucid perspective on what it means to be a writer and a human being in the so-called post-modern moment.

Requiem is a darkly comic novel about what it means to be human in a culture obsessed with sex and death. With a structure loosely based on the Mass for the Dead, this ambitious novel includes letters-to-the-editor, an e-mail correspondence with a porn queen, scenes from the lives of classical musicians, and retellings of biblical stories. In the process, White charts the rise and fall of the Human from the Bible (pre-human), to the Enlightenment (the invention of the human), to the digital age (post-human). In an America where everyone keeps a secret website, and where a modern Prophet can only weep at the stories he hears, Requiem reveals our past, present and future with wit, sadness, and complete honesty.

Filled with many compelling, outrageous, and comic voices, White's novel is disturbing, charming, and biting. Curtis White's new novel begins with Mann's "unassuming young man," Hans Castorp, visiting his cousin at a health retreat. In this book, though, the retreat is a spa for recovering alcoholics, totally unlike all other rehab centres. Rather than encouraging their patients to free themselves from addiction, the directors of The Elixir believe that sobriety isn't for everyone, that you must let alcohol work its way on you. It is about a weird and unlikely world that, nevertheless, is quite recognisable as our own.

In Curtis White's first novel, The Idea Of Home, he attempts to imagine "a place in which humans can live." This utopia is definitely not San Lorenzo - a post-war, prefabricated suburb in California - where White grew up and which is the basis for this novel. From the vantage point of anoff-kilter adulthood, White spins recent American history together with personal observations and investigations into the dark heart of American suburbia. Shocking, yet very funny and always learned, The Idea Of Home is a mix of the personal and the philosophical in an energetic collage that would resemble the biographies of Nietzsche and Mark Twain if they had grown up in the San Francisco Bay Area in the 1950s and '60s.