Dagmar Eichberger – författare

This collection extends and deepens understanding of the political, social, and cultural contexts through which the meanings of Dürer's works can be perceived, and focuses on images which provide insights into his rich cultural milieu. Expanding views of nature and landscape, cultural strategies of collecting, the construction of national cultural identity, the humanist concern for a moral life, the transgressions of sexual order, and the gendered rituals of courtship are just some of the contemporary discourses and practices to which Dürer's works are linked. Also discussed is the manner in which images were viewed in the early-sixteenth century, and the powers and dangers with which they were associated, and the collection concludes with an appreciation of the changing historical role which Dürer himself has had within the European cultural tradition.

This volume brings together some of the most exciting new scholarship on these themes, and thus pays tribute to the ground-breaking work of Charles Zika. Seventeen interdisciplinary essays offer new insights into the materiality and belief systems of early modern religious cultures as found in artworks, books, fragmentary texts and even in Protestant ‘relics’. Some contributions reassess communal and individual responses to cases of possession, others focus on witchcraft and manifestations of the disordered natural world. Canonical figures and events, from Martin Luther to the Salem witch trials, are looked at afresh. Collectively, these essays demonstrate how cultural and interdisciplinary trends in religious history illuminate the experiences of early modern Europeans.Contributors: Susan Broomhall, Heather Dalton, Dagmar Eichberger, Peter Howard, E. J. Kent, Brian P. Levack, Dolly MacKinnon, Louise Marshall, Donna Merwick, Leigh T.I. Penman, Shelley Perlove, Lyndal Roper, Peter Sherlock, Larry Silver, Patricia Simons, Jennifer Spinks, Hans de Waardt and Alexandra Walsham.