Dan Krier – författare

Argues that recent initiatives by industrial management were directed more toward short-term gains than improving efficiency.In this timely work, Dan Krier examines the relationship between two phenomena that dominated the economic scene in the late twentieth century: the rising power of financial markets and the restructuring of American industry. He argues that corporate governance was transformed during this period into speculative teams of stock-optioned executives and activist owners. These teams encouraged a vigorous restructuring of American industry through corporate buyouts, takeovers, reengineering, and downsizing. Often portrayed in business discourse as initiatives to enhance the efficiency and long-range profitability of industrial operations, these corporate changes were, instead, primarily what Krier describes as speculative management practices, used to manipulate the trading price of corporate securities, even at the expense of operational efficiency and long-term profitability.Krier also analyzes social intermediaries-institutions that connect industrial firms to security markets and allow them to interact. He focuses on corporate governance structures composed of stock-optioned top managers, big owners, and their representatives on corporate boards; financial accounting rules and practices; and the business media that analyze corporate actions and results.

Argues that recent initiatives by industrial management were directed more toward short-term gains than improving efficiency.In this timely work, Dan Krier examines the relationship between two phenomena that dominated the economic scene in the late twentieth century: the rising power of financial markets and the restructuring of American industry. He argues that corporate governance was transformed during this period into speculative teams of stock-optioned executives and activist owners. These teams encouraged a vigorous restructuring of American industry through corporate buyouts, takeovers, reengineering, and downsizing. Often portrayed in business discourse as initiatives to enhance the efficiency and long-range profitability of industrial operations, these corporate changes were, instead, primarily what Krier describes as speculative management practices, used to manipulate the trading price of corporate securities, even at the expense of operational efficiency and long-term profitability.Krier also analyzes social intermediaries-institutions that connect industrial firms to security markets and allow them to interact. He focuses on corporate governance structures composed of stock-optioned top managers, big owners, and their representatives on corporate boards; financial accounting rules and practices; and the business media that analyze corporate actions and results.

Analyzes contemporary capitalism through the products of culture and art for fresh insight into emancipatory possibilities concealed within capitalism's darkest dynamics.Aesthetic objects, crafted as poetic reflections of the contradictory worlds that they inhabit, are simultaneously theorized and theorizing. In Capital in the Mirror, eminent critical theorists explore the aesthetic dimension for reflective visions of capital that are difficult to obtain through even the most rigorous statistical analyses. Chapters address inequality, alienation, ideology, warfare, and other problems of contemporary capitalism through the cultural prisms of Herman Melville, Thomas Mann, Charles Dickens, J. W. Goethe, Friedrich Hölderlin, Walt Whitman, Bertolt Brecht, and science-fiction cinema. Famous narrative elements in their works, such as Ahab's pursuit of the white whale in Melville's Moby-Dick, demonic production and perverse desire in Mann's Doctor Faustus, socially electrified bodies of Whitman's Leaves of Grass, and dystopian projections of current sci-fi cinema, are theorized as stylistically distorted reflections of social life within capital. The authors reveal theoretical powers latent within these condensed images that prefigure the dark dynamics of capitalism. Focusing on dark images of domination and also prophetic images of transformation, the book points the way toward emancipation, social regeneration, and human flourishing.

Analyzes contemporary capitalism through the products of culture and art for fresh insight into emancipatory possibilities concealed within capitalism's darkest dynamics.Aesthetic objects, crafted as poetic reflections of the contradictory worlds that they inhabit, are simultaneously theorized and theorizing. In Capital in the Mirror, eminent critical theorists explore the aesthetic dimension for reflective visions of capital that are difficult to obtain through even the most rigorous statistical analyses. Chapters address inequality, alienation, ideology, warfare, and other problems of contemporary capitalism through the cultural prisms of Herman Melville, Thomas Mann, Charles Dickens, J. W. Goethe, Friedrich Hölderlin, Walt Whitman, Bertolt Brecht, and science-fiction cinema. Famous narrative elements in their works, such as Ahab's pursuit of the white whale in Melville's Moby-Dick, demonic production and perverse desire in Mann's Doctor Faustus, socially electrified bodies of Whitman's Leaves of Grass, and dystopian projections of current sci-fi cinema, are theorized as stylistically distorted reflections of social life within capital. The authors reveal theoretical powers latent within these condensed images that prefigure the dark dynamics of capitalism. Focusing on dark images of domination and also prophetic images of transformation, the book points the way toward emancipation, social regeneration, and human flourishing.